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At first suspicious and hostile, White Fang grew to like this petting. But there was one thing that he never outgrew––his growling. Growl he would, from the moment the petting began till it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerve–racking and blood–curdling. But White Fang's throat had become harsh–fibred from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. Nevertheless, Weedon Scott's ear and sympathy were fine enough to catch the new note all but drowned in the fierceness––the note that was the faintest hint of a croon of content and that none but he could hear.

As the days went by, the evolution of like into love was accelerated. White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being––a hungry, aching, yearning void that clamoured to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god's presence. At such times love was joy to him, a wild, keen– thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly.

White Fang was in the process of finding himself. In spite of the maturity of his years and of the savage rigidity of the mould that had formed him, his nature was undergoing an expansion. There was a burgeoning within him of strange feelings and unwonted impulses. His old code of conduct was changing. In the past he had liked comfort and surcease from pain, disliked discomfort and pain, and he had adjusted his actions accordingly. But now it was different. Because of this new feeling within him, he ofttimes elected discomfort and pain for the sake of his god. Thus, in the early morning, instead of roaming and foraging, or lying in a sheltered nook, he would wait for hours on the cheerless cabin–stoop for a sight of the god's face. At night, when the god returned home, White Fang would leave the warm sleeping–place he had burrowed in the snow in order to receive the friendly snap of fingers and the word of greeting. Meat, even meat itself, he would forego to be with his god, to receive a caress from him or to accompany him down into the town.

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Part V– Chapter 2: The Southland, page 0

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White Fang landed from the steamer in San Francisco. He was appalled. Deep in him, below any reasoning process or act of consciousness, he had associated power with godhead. And never had the white men seemed such marvellous gods as now, when he trod the slimy pavement of San Francisco. The log cabins he had known were replaced by towering buildings. The streets were crowded with perils––waggons, carts, automobiles; great, straining horses pulling huge trucks; and monstrous cable and electric cars hooting and clanging through the midst, screeching their insistent menace after the manner of the lynxes he had known in the northern woods.

All this was the manifestation of power. Through it all, behind it all, was man, governing and controlling, expressing himself, as of old, by his mastery over matter. It was colossal, stunning. White Fang was awed. Fear sat upon him. As in his cubhood he had been made to feel his smallness and puniness on the day he first came in from the Wild to the village of Grey Beaver, so now, in his full–grown stature and pride of strength, he was made to feel small and puny. And there were so many gods! He was made dizzy by the swarming of them. The thunder of the streets smote upon his ears. He was bewildered by the tremendous and endless rush and movement of things. As never before, he felt his dependence on the love–master, close at whose heels he followed, no matter what happened never losing sight of him.

But White Fang was to have no more than a nightmare vision of the city––an experience that was like a bad dream, unreal and terrible, that haunted him for long after in his dreams. He was put into a baggage–car by the master, chained in a corner in the midst of heaped trunks and valises. Here a squat and brawny god held sway, with much noise, hurling trunks and boxes about, dragging them in through the door and tossing them into the piles, or flinging them out of the door, smashing and crashing, to other gods who awaited them.

And here, in this inferno of luggage, was White Fang deserted by the master. Or at least White Fang thought he was deserted, until he smelled out the master's canvas clothes–bags alongside of him, and proceeded to mount guard over them.

"'Bout time you come," growled the god of the car, an hour later, when Weedon Scott appeared at the door. "That dog of yourn won't let me lay a finger on your stuff."

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Life was complex in the Santa Clara Valley after the simplicities of the Northland. And the chief thing demanded by these intricacies of civilisation was control, restraint––a poise of self that was as delicate as the fluttering of gossamer wings and at the same time as rigid as steel. Life had a thousand faces, and White Fang found he must meet them all––thus, when he went to town, in to San Jose, running behind the carriage or loafing about the streets when the carriage stopped. Life flowed past him, deep and wide and varied, continually impinging upon his senses, demanding of him instant and endless adjustments and correspondences, and compelling him, almost always, to suppress his natural impulses.

There were butcher–shops where meat hung within reach. This meat he must not touch. There were cats at the houses the master visited that must be let alone. And there were dogs everywhere that snarled at him and that he must not attack. And then, on the crowded sidewalks there were persons innumerable whose attention he attracted. They would stop and look at him, point him out to one another, examine him, talk of him, and, worst of all, pat him. And these perilous contacts from all these strange hands he must endure. Yet this endurance he achieved. Furthermore, he got over being awkward and self–conscious. In a lofty way he received the attentions of the multitudes of strange gods. With condescension he accepted their condescension. On the other hand, there was something about him that prevented great familiarity. They patted him on the head and passed on, contented and pleased with their own daring.

But it was not all easy for White Fang. Running behind the carriage in the outskirts of San Jose, he encountered certain small boys who made a practice of flinging stones at him. Yet he knew that it was not permitted him to pursue and drag them down. Here he was compelled to violate his instinct of self–preservation, and violate it he did, for he was becoming tame and qualifying himself for civilisation.

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Like had been replaced by love. And love was the plummet dropped down into the deeps of him where like had never gone. And responsive out of his deeps had come the new thing––love. That which was given unto him did he return. This was a god indeed, a love–god, a warm and radiant god, in whose light White Fang's nature expanded as a flower expands under the sun.

But White Fang was not demonstrative. He was too old, too firmly moulded, to become adept at expressing himself in new ways. He was too self–possessed, too strongly poised in his own isolation. Too long had he cultivated reticence, aloofness, and moroseness. He had never barked in his life, and he could not now learn to bark a welcome when his god approached. He was never in the way, never extravagant nor foolish in the expression of his love. He never ran to meet his god. He waited at a distance; but he always waited, was always there. His love partook of the nature of worship, dumb, inarticulate, a silent adoration. Only by the steady regard of his eyes did he express his love, and by the unceasing following with his eyes of his god's every movement. Also, at times, when his god looked at him and spoke to him, he betrayed an awkward self–consciousness, caused by the struggle of his love to express itself and his physical inability to express it.

He learned to adjust himself in many ways to his new mode of life. It was borne in upon him that he must let his master's dogs alone. Yet his dominant nature asserted itself, and he had first to thrash them into an acknowledgment of his superiority and leadership. This accomplished, he had little trouble with them. They gave trail to him when he came and went or walked among them, and when he asserted his will they obeyed.

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White Fang emerged from the car. He was astonished. The nightmare city was gone. The car had been to him no more than a room in a house, and when he had entered it the city had been all around him. In the interval the city had disappeared. The roar of it no longer dinned upon his ears. Before him was smiling country, streaming with sunshine, lazy with quietude. But he had little time to marvel at the transformation. He accepted it as he accepted all the unaccountable doings and manifestations of the gods. It was their way.

There was a carriage waiting. A man and a woman approached the master. The woman's arms went out and clutched the master around the neck––a hostile act! The next moment Weedon Scott had torn loose from the embrace and closed with White Fang, who had become a snarling, raging demon.

"It's all right, mother," Scott was saying as he kept tight hold of White Fang and placated him. "He thought you were going to injure me, and he wouldn't stand for it. It's all right. It's all right. He'll learn soon enough."

"And in the meantime I may be permitted to love my son when his dog is not around," she laughed, though she was pale and weak from the fright.

She looked at White Fang, who snarled and bristled and glared malevolently.

"He'll have to learn, and he shall, without postponement," Scott said.

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Nevertheless, White Fang was not quite satisfied with the arrangement. He had no abstract ideas about justice and fair play. But there is a certain sense of equity that resides in life, and it was this sense in him that resented the unfairness of his being permitted no defence against the stone–throwers. He forgot that in the covenant entered into between him and the gods they were pledged to care for him and defend him. But one day the master sprang from the carriage, whip in hand, and gave the stone–throwers a thrashing. After that they threw stones no more, and White Fang understood and was satisfied.

One other experience of similar nature was his. On the way to town, hanging around the saloon at the cross–roads, were three dogs that made a practice of rushing out upon him when he went by. Knowing his deadly method of fighting, the master had never ceased impressing upon White Fang the law that he must not fight. As a result, having learned the lesson well, White Fang was hard put whenever he passed the cross–roads saloon. After the first rush, each time, his snarl kept the three dogs at a distance but they trailed along behind, yelping and bickering and insulting him. This endured for some time. The men at the saloon even urged the dogs on to attack White Fang. One day they openly sicked the dogs on him. The master stopped the carriage.

"Go to it," he said to White Fang.

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Part IV– Chapter 6: The Love-Master, page 8

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In the same way, he came to tolerate Matt––as a possession of his master. His master rarely fed him. Matt did that, it was his business; yet White Fang divined that it was his master's food he ate and that it was his master who thus fed him vicariously. Matt it was who tried to put him into the harness and make him haul sled with the other dogs. But Matt failed. It was not until Weedon Scott put the harness on White Fang and worked him, that he understood. He took it as his master's will that Matt should drive him and work him just as he drove and worked his master's other dogs.

Different from the Mackenzie toboggans were the Klondike sleds with runners under them. And different was the method of driving the dogs. There was no fan–formation of the team. The dogs worked in single file, one behind another, hauling on double traces. And here, in the Klondike, the leader was indeed the leader. The wisest as well as strongest dog was the leader, and the team obeyed him and feared him. That White Fang should quickly gain this post was inevitable. He could not be satisfied with less, as Matt learned after much inconvenience and trouble. White Fang picked out the post for himself, and Matt backed his judgment with strong language after the experiment had been tried. But, though he worked in the sled in the day, White Fang did not forego the guarding of his master's property in the night. Thus he was on duty all the time, ever vigilant and faithful, the most valuable of all the dogs.

"Makin' free to spit out what's in me," Matt said one day, "I beg to state that you was a wise guy all right when you paid the price you did for that dog. You clean swindled Beauty Smith on top of pushin' his face in with your fist."

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He spoke softly to White Fang until he had quieted him, then his voice became firm.

"Down, sir! Down with you!"

This had been one of the things taught him by the master, and White Fang obeyed, though he lay down reluctantly and sullenly.

"Now, mother."

Scott opened his arms to her, but kept his eyes on White Fang.

"Down!" he warned. "Down!"

White Fang, bristling silently, half–crouching as he rose, sank back and watched the hostile act repeated. But no harm came of it, nor of the embrace from the strange man–god that followed. Then the clothes–bags were taken into the carriage, the strange gods and the love–master followed, and White Fang pursued, now running vigilantly behind, now bristling up to the running horses and warning them that he was there to see that no harm befell the god they dragged so swiftly across the earth.

At the end of fifteen minutes, the carriage swung in through a stone gateway and on between a double row of arched and interlacing walnut trees. On either side stretched lawns, their broad sweep broken here and there by great sturdy–limbed oaks. In the near distance, in contrast with the young–green of the tended grass, sunburnt hay–fields showed tan and gold; while beyond were the tawny hills and upland pastures. From the head of the lawn, on the first soft swell from the valley–level, looked down the deep–porched, many–windowed house.

Little opportunity was given White Fang to see all this. Hardly had the carriage entered the grounds, when he was set upon by a sheep–dog, bright– eyed, sharp–muzzled, righteously indignant and angry. It was between him and the master, cutting him off. White Fang snarled no warning, but his hair bristled as he made his silent and deadly rush. This rush was never completed. He halted with awkward abruptness, with stiff fore–legs bracing himself against his momentum, almost sitting down on his haunches, so desirous was he of avoiding contact with the dog he was in the act of attacking. It was a female, and the law of his kind thrust a barrier between. For him to attack her would require nothing less than a violation of his instinct.

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But White Fang could not believe. He looked at the master, and he looked at the dogs. Then he looked back eagerly and questioningly at the master.

The master nodded his head. "Go to them, old fellow. Eat them up."

White Fang no longer hesitated. He turned and leaped silently among his enemies. All three faced him. There was a great snarling and growling, a clashing of teeth and a flurry of bodies. The dust of the road arose in a cloud and screened the battle. But at the end of several minutes two dogs were struggling in the dirt and the third was in full flight. He leaped a ditch, went through a rail fence, and fled across a field. White Fang followed, sliding over the ground in wolf fashion and with wolf speed, swiftly and without noise, and in the centre of the field he dragged down and slew the dog.

With this triple killing his main troubles with dogs ceased. The word went up and down the valley, and men saw to it that their dogs did not molest the Fighting Wolf.

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Part IV– Chapter 6: The Love-Master, page 9

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A recrudescence of anger glinted in Weedon Scott's grey eyes, and he muttered savagely, "The beast!"

In the late spring a great trouble came to White Fang. Without warning, the love–master disappeared. There had been warning, but White Fang was unversed in such things and did not understand the packing of a grip. He remembered afterwards that his packing had preceded the master's disappearance; but at the time he suspected nothing. That night he waited for the master to return. At midnight the chill wind that blew drove him to shelter at the rear of the cabin. There he drowsed, only half asleep, his ears keyed for the first sound of the familiar step. But, at two in the morning, his anxiety drove him out to the cold front stoop, where he crouched, and waited.

But no master came. In the morning the door opened and Matt stepped outside. White Fang gazed at him wistfully. There was no common speech by which he might learn what he wanted to know. The days came and went, but never the master. White Fang, who had never known sickness in his life, became sick. He became very sick, so sick that Matt was finally compelled to bring him inside the cabin. Also, in writing to his employer, Matt devoted a postscript to White Fang.