Backstage after the play, Dorian is surprised to learn that Sibyl's bad performance was intentional. She doesn't care that he and his friends were bored. "She seemed not to listen to him. She was transfigured with joy. An ecstasy of happiness dominated her."
Sibyl explains that falling in love with Dorian in real life has ruined her enjoyment of acting. She now sees the theater and all it contains as an "empty pageant". She wants Dorian to take her away from the theater because, "Even if I could do it, it would be profanation for me to play at being in love. You have made me see that."
When Dorian tells Sibyl he has fallen out of love with her, she becomes upset, which causes Dorian to feel even less kindly toward her: "There is always something ridiculous about the passions of people whom one has ceased to love. Sibyl Vane seemed to him to be absurdly melodramatic. Her tears and sobs annoyed him."
Even though it seems impossible, Dorian believes that his portrait will age while he remains young. He thinks that the painting will serve as his conscience, reminding him of what he has done right or wrong. He feel sorry for the painting then, and thinks, "Its gold would wither into gray. Its red and white roses would die. For every sin that he committed, a stain would fleck and wreck its fairness."
It was long past noon when he awoke. His valet had crept several times on tiptoe into the room to see if he was stirring, and had wondered what made his young master sleep so late. Finally his bell sounded, and Victor came in softly with a cup of tea, and a pile of letters, on a small tray of old Sevres china, and drew back the olive–satin curtains, with their shimmering blue lining, that hung in front of the three tall windows.
"Monsieur has well slept this morning," he said, smiling.
"What o'clock is it, Victor?" asked Dorian Gray drowsily.
How late it was! He sat up, and having sipped some tea, turned over his letters. One of them was from Lord Henry, and had been brought by hand that morning. He hesitated for a moment, and then put it aside. The others he opened listlessly. They contained the usual collection of cards, invitations to dinner, tickets for private views, programmes of charity concerts, and the like that are showered on fashionable young men every morning during the season. There was a rather heavy bill for a chased silver Louis–Quinze toilet–set that he had not yet had the courage to send on to his guardians, who were extremely old–fashioned people and did not realize that we live in an age when unnecessary things are our only necessities; and there were several very courteously worded communications from Jermyn Street money–lenders offering to advance any sum of money at a moment's notice and at the most reasonable rates of interest.
After about ten minutes he got up, and throwing on an elaborate dressing–gown of silk–embroidered cashmere wool, passed into the onyx–paved bathroom. The cool water refreshed him after his long sleep. He seemed to have forgotten all that he had gone through. A dim sense of having taken part in some strange tragedy came to him once or twice, but there was the unreality of a dream about it.
As soon as he was dressed, he went into the library and sat down to a light French breakfast that had been laid out for him on a small round table close to the open window. It was an exquisite day. The warm air seemed laden with spices. A bee flew in and buzzed round the blue–dragon bowl that, filled with sulphur–yellow roses, stood before him. He felt perfectly happy.