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Chapter 12, page 11

Table of Contents

When the hall door shut, Campbell started, and, having got up from the chair, went over to the chimney–piece. He was shivering with a sort of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer.

As the chime struck one, Campbell turned around, and, looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him. "You are infamous, absolutely infamous!" he muttered.

"Hush, Alan: you have saved my life," said Dorian.

"Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do, what you force me to do, it is not of your life that I am thinking."

"Ah, Alan," murmured Dorian, with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away, as he spoke, and stood looking out at the garden. Campbell made no answer.

After about ten minutes a knock came to the door, and the servant entered, carrying a mahogany chest of chemicals, with a small electric battery set on top of it. He placed it on the table, and went out again, returning with a long coil of steel and platinum wire and two rather curiously–shaped iron clamps.

"Shall I leave the things here, sir?" he asked Campbell.

"Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?"

"Harden, sir."

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Chapter 12, page 12

Table of Contents

"Yes,––Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don't want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place, otherwise I wouldn't bother you about it."

"No trouble, sir. At what time shall I be back?"

Dorian looked at Campbell. "How long will your experiment take, Alan?" he said, in a calm, indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage.

Campbell frowned, and bit his lip. "It will take about five hours," he answered.

"It will be time enough, then, if you are back at half–past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you."

"Thank you, sir," said the man, leaving the room.

"Now, Alan, there is not a moment to be lost. How heavy this chest is! I'll take it for you. You bring the other things." He spoke rapidly, and in an authoritative manner. Campbell felt dominated by him. They left the room together.

When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don't think I can go in, Alan," he murmured.

"It is nothing to me. I don't require you," said Campbell, coldly.

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Chapter 12, page 13

Table of Contents

Dorian half opened the door. As he did so, he saw the face of the portrait grinning in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before, for the first time in his life, he had forgotten to hide it, when he crept out of the room.

But what was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood? How horrible it was!––more horrible, it seemed to him for the moment, than the silent thing that he knew was stretched across the table, the thing whose grotesque misshapen shadow on the spotted carpet showed him that it had not stirred, but was still there, as he had left it.

He opened the door a little wider, and walked quickly in, with half–closed eyes and averted head, determined that he would not look even once upon the dead man. Then, stooping down, and taking up the gold–and–purple hanging, he flung it over the picture.

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Chapter 12, page 14

Table of Contents

He stopped, feeling afraid to turn round, and his eyes fixed themselves on the intricacies of the pattern before him. He heard Campbell bringing in the heavy chest, and the irons, and the other things that he had required for his dreadful work. He began to wonder if he and Basil Hallward had ever met, and, if so, what they had thought of each other.

"Leave me now," said Campbell.

He turned and hurried out, just conscious that the dead man had been thrust back into the chair and was sitting up in it, with Campbell gazing into the glistening yellow face. As he was going downstairs he heard the key being turned in the lock.

It was long after seven o'clock when Campbell came back into the library. He was pale, but absolutely calm. "I have done what you asked me to do," he muttered. "And now, good–by. Let us never see each other again."

"You have saved me from ruin, Alan. I cannot forget that," said Dorian, simply.

As soon as Campbell had left, he went up–stairs. There was a horrible smell of chemicals in the room. But the thing that had been sitting at the table was gone.

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Question #2

The morning after killing Basil, Dorian determines to behave as normally as possible: "He spent a long time over breakfast, tasting the various dishes, talking to his valet about some new liveries that he was thinking of getting made for the servants at Selby, and going through his correspondence."

What does "correspondence" mean?





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Question #3

Alan Campbell comes to see Dorian, though it is clear that they are no longer friends: "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he turned on Dorian.

What does "deliberation" mean?





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Question #4

Dorian is unsuccessful in persuading Alan Campbell to dispose of Basil's body, so he resorts to blackmail: "I am so sorry, Alan," he murmured, "but you leave me no alternative."

What does "alternative" mean?





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Question #5

Campbell agrees to help Dorian cover up his crime, but not because he cares for Dorian: "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do, what you force me to do, it is not of your life that I am thinking."

What does "culminated" mean?





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Question #6

Once Campbell has agreed to dispose of Basil's body, Dorian moves quickly to put his plan into place, directing Campbell forcefully: "He spoke rapidly, and in an authoritative manner. Campbell felt dominated by him. They left the room together."

What does "authoritative" mean?