| HIPPOLYTA |
Tis strange my Theseus, that these |
|
|
lovers speak of. |
|
| THESEUS |
More strange than true: I never may believe |
|
|
These antique fables, nor these fairy toys. |
|
|
Lovers and madmen have such seething brains, |
5 |
|
Such shaping fantasies, that apprehend |
|
|
More than cool reason ever comprehends. |
|
|
The lunatic, the lover and the poet |
|
|
Are of imagination all compact: |
|
|
One sees more devils than vast hell can hold, |
10 |
|
That is, the madman: the lover, all as frantic, |
|
|
Sees Helen's beauty in a brow of Egypt: |
|
|
The poet's eye, in fine frenzy rolling, |
|
|
Doth glance from heaven to earth, from earth to heaven; |
|
|
And as imagination bodies forth |
15 |
|
The forms of things unknown, the poet's pen |
|
|
Turns them to shapes and gives to airy nothing |
|
|
A local habitation and a name. |
|
|
Such tricks hath strong imagination, |
|
|
That if it would but apprehend some joy, |
20 |
|
It comprehends some bringer of that joy; |
|
|
Or in the night, imagining some fear, |
|
|
How easy is a bush supposed a bear! |
|
| HIPPOLYTA |
But all the story of the night told over, |
|
|
And all their minds transfigured so together, |
25 |
|
More witnesseth than fancy's images |
|
|
And grows to something of great constancy; |
|
|
But, howsoever, strange and admirable. |
|
| THESEUS |
Here come the lovers, full of joy and mirth. |
|
|
Joy, gentle friends! joy and fresh days of love |
30 |
|
Accompany your hearts! |
|
| LYSANDER |
More than to us |
|
|
Wait in your royal walks, your board, your bed! |
|
| THESEUS |
Come now; what masques, what dances shall we have, |
|
|
To wear away this long age of three hours |
35 |
|
Between our after–supper and bed–time? |
|
|
Where is our usual manager of mirth? |
|
|
What revels are in hand? Is there no play, |
|
|
To ease the anguish of a torturing hour? |
|
|
Call Philostrate. |
40 |
| PHILOSTRATE |
Here, mighty Theseus. |
|
| THESEUS |
Say, what abridgement have you for this evening? |
|
|
What masque? what music? How shall we beguile |
|
|
The lazy time, if not with some delight? |
|
| PHILOSTRATE |
There is a brief how many sports are ripe: |
45 |
|
Make choice of which your highness will see first. |
|
| [Giving a paper] |
|
|
| THESEUS |
[Reads] 'The battle with the Centaurs, to be sung |
|
|
By an Athenian eunuch to the harp.' |
|
|
We'll none of that: that have I told my love, |
|
|
In glory of my kinsman Hercules. |
50 |
| [Reads] |
|
|
|
The riot of the tipsy Bacchanals, |
|
|
Tearing the Thracian singer in their rage.' |
|
|
That is an old device; and it was play'd |
|
|
When I from Thebes came last a conqueror. |
|
| [Reads] |
|
|
|
The thrice three Muses mourning for the death |
55 |
|
Of Learning, late deceased in beggary.' |
|
|
That is some satire, keen and critical, |
|
|
Not sorting with a nuptial ceremony. |
|
| [Reads] |
|
|
|
A tedious brief scene of young Pyramus |
|
|
And his love Thisbe; very tragical mirth.' |
60 |
|
Merry and tragical! tedious and brief! |
|
|
That is, hot ice and wondrous strange snow. |
|
|
How shall we find the concord of this discord? |
|
| PHILOSTRATE |
A play there is, my lord, some ten words long, |
|
|
Which is as brief as I have known a play; |
65 |
|
But by ten words, my lord, it is too long, |
|
|
Which makes it tedious; for in all the play |
|
|
There is not one word apt, one player fitted: |
|
|
And tragical, my noble lord, it is; |
|
|
For Pyramus therein doth kill himself. |
70 |
|
Which, when I saw rehearsed, I must confess, |
|
|
Made mine eyes water; but more merry tears |
|
|
The passion of loud laughter never shed. |
|
| THESEUS |
What are they that do play it? |
|
| PHILOSTRATE |
Hard–handed men that work in Athens here, |
75 |
|
Which never labour'd in their minds till now, |
|
|
And now have toil'd their unbreathed memories |
|
|
With this same play, against your nuptial. |
|
| THESEUS |
And we will hear it. |
|
| PHILOSTRATE |
No, my noble lord; |
80 |
|
It is not for you: I have heard it over, |
|
|
And it is nothing, nothing in the world; |
|
|
Unless you can find sport in their intents, |
|
|
Extremely stretch'd and conn'd with cruel pain, |
|
|
To do you service. |
85 |
| THESEUS |
I will hear that play; |
|
|
For never anything can be amiss, |
|
|
When simpleness and duty tender it. |
|
|
Go, bring them in: and take your places, ladies. |
|
|
[Exit PHILOSTRATE] |
|
| HIPPOLYTA |
I love not to see wretchedness o'er charged |
90 |
|
And duty in his service perishing. |
|
| THESEUS |
Why, gentle sweet, you shall see no such thing. |
|
| HIPPOLYTA |
He says they can do nothing in this kind. |
|
| THESEUS |
The kinder we, to give them thanks for nothing. |
|
|
Our sport shall be to take what they mistake: |
95 |
|
And what poor duty cannot do, noble respect |
|
|
Takes it in might, not merit. |
|
|
Where I have come, great clerks have purposed |
|
|
To greet me with premeditated welcomes; |
|
|
Where I have seen them shiver and look pale, |
100 |
|
Make periods in the midst of sentences, |
|
|
Throttle their practised accent in their fears |
|
|
And in conclusion dumbly have broke off, |
|
|
Not paying me a welcome. Trust me, sweet, |
|
|
Out of this silence yet I pick'd a welcome; |
105 |
|
And in the modesty of fearful duty |
|
|
I read as much as from the rattling tongue |
|
|
Of saucy and audacious eloquence. |
|
|
Love, therefore, and tongue–tied simplicity |
|
|
In least speak most, to my capacity. |
110 |
| Prologue |
If we offend, it is with our good will. |
|
|
That you should think, we come not to offend, |
|
|
But with good will. To show our simple skill, |
115 |
|
That is the true beginning of our end. |
|
|
Consider then we come but in despite. |
|
|
We do not come as minding to contest you, |
|
|
Our true intent is. All for your delight |
|
|
We are not here. That you should here repent you, |
120 |
|
The actors are at hand and by their show |
|
|
You shall know all that you are like to know. |
|
| THESEUS |
This fellow doth not stand upon points. |
|
| LYSANDER |
He hath rid his prologue like a rough colt; he knows |
|
|
not the stop. A good moral, my lord: it is not |
125 |
|
enough to speak, but to speak true. |
|
| HIPPOLYTA |
Indeed he hath played on his prologue like a child |
|
|
on a recorder; a sound, but not in government. |
|
| THESEUS |
His speech, was like a tangled chain; nothing |
|
|
impaired, but all disordered. Who is next? |
130 |
| Prologue |
Gentles, perchance you wonder at this show; |
|
|
But wonder on, till truth make all things plain. |
|
|
This man is Pyramus, if you would know; |
|
|
This beauteous lady Thisby is certain. |
|
|
This man, with lime and rough–cast, doth present |
135 |
|
Wall, that vile Wall which did these lovers sunder; |
|
|
And through Wall's chink, poor souls, they are content |
|
|
To whisper. At the which let no man wonder. |
|
|
This man, with lanthorn, dog, and bush of thorn, |
|
|
Presenteth Moonshine; for, if you will know, |
140 |
|
By moonshine did these lovers think no scorn |
|
|
To meet at Ninus' tomb, there, there to woo. |
|
|
This grisly beast, which Lion hight by name, |
|
|
The trusty Thisby, coming first by night, |
|
|
Did scare away, or rather did affright; |
145 |
|
And, as she fled, her mantle she did fall, |
|
|
Which Lion vile with bloody mouth did stain. |
|
|
Anon comes Pyramus, sweet youth and tall, |
|
|
And finds his trusty Thisby's mantle slain: |
|
|
Whereat, with blade, with bloody blameful blade, |
150 |
|
He bravely broach'd is boiling bloody breast; |
|
|
And Thisby, tarrying in mulberry shade, |
|
|
His dagger drew, and died. For all the rest, |
|
|
Let Lion, Moonshine, Wall, and lovers twain |
|
|
At large discourse, while here they do remain. |
155 |
| THESEUS |
I wonder if the lion be to speak. |
|
| DEMETRIUS |
No wonder, my lord: one lion may, when many asses do. |
|
| Wall |
In this same interlude it doth befall |
|
|
That I, one Snout by name, present a wall; |
|
|
And such a wall, as I would have you think, |
160 |
|
That had in it a crannied hole or chink, |
|
|
Through which the lovers, Pyramus and Thisby, |
|
|
Did whisper often very secretly. |
|
|
This loam, this rough–cast and this stone doth show |
|
|
That I am that same wall; the truth is so: |
165 |
|
And this the cranny is, right and sinister, |
|
|
Through which the fearful lovers are to whisper. |
|
| THESEUS |
Would you desire lime and hair to speak better? |
|
| DEMETRIUS |
It is the wittiest partition that ever I heard |
|
|
discourse, my lord. |
170 |
|
[Enter Pyramus] |
|
| THESEUS |
Pyramus draws near the wall: silence! |
|
| Pyramus |
O grim–look'd night! O night with hue so black! |
|
|
O night, which ever art when day is not! |
|
|
O night, O night! alack, alack, alack, |
|
|
I fear my Thisby's promise is forgot! |
175 |
|
And thou, O wall, O sweet, O lovely wall, |
|
|
That stand'st between her father's ground and mine! |
|
|
Thou wall, O wall, O sweet and lovely wall, |
|
|
Show me thy chink, to blink through with mine eyne! |
|
|
Thanks, courteous wall: Jove shield thee well for this! |
180 |
|
But what see I? No Thisby do I see. |
|
|
O wicked wall, through whom I see no bliss! |
|
|
Cursed be thy stones for thus deceiving me! |
|
| THESEUS |
The wall, methinks, being sensible, should curse again. |
|
| Pyramus |
No, in truth, sir, he should not. 'Deceiving me' |
185 |
|
is Thisby's cue: she is to enter now, and I am to |
|
|
spy her through the wall. You shall see, it will |
|
|
fall pat as I told you. Yonder she comes. |
|
|
[Enter Thisbe] |
|
| Thisbe |
O wall, full often hast thou heard my moans, |
|
|
For parting my fair Pyramus and me! |
190 |
|
My cherry lips have often kiss'd thy stones, |
|
|
Thy stones with lime and hair knit up in thee. |
|
| Pyramus |
I see a voice: now will I to the chink, |
|
|
To spy an I can hear my Thisby's face. Thisby! |
|
| Thisbe |
My love thou art, my love I think. |
195 |
| Pyramus |
Think what thou wilt, I am thy lover's grace; |
|
|
And, like Limander, am I trusty still. |
|
| Thisbe |
And I like Helen, till the Fates me kill. |
|
| Pyramus |
Not Shafalus to Procrus was so true. |
|
| Thisbe |
As Shafalus to Procrus, I to you. |
200 |
| Pyramus |
O kiss me through the hole of this vile wall! |
|
| Thisbe |
I kiss the wall's hole, not your lips at all. |
|
| Pyramus |
Wilt thou at Ninny's tomb meet me straightway? |
|
| Thisbe |
Tide life, 'tide death, I come without delay. |
|
| Lion |
You, ladies, you, whose gentle hearts do fear |
|
|
The smallest monstrous mouse that creeps on floor, |
|
|
May now perchance both quake and tremble here, |
|
|
When lion rough in wildest rage doth roar. |
220 |
|
Then know that I, one Snug the joiner, am |
|
|
A lion–fell, nor else no lion's dam; |
|
|
For, if I should as lion come in strife |
|
|
Into this place, 'twere pity on my life. |
|
| THESEUS |
A very gentle beast, of a good conscience. |
225 |
| DEMETRIUS |
The very best at a beast, my lord, that e'er I saw. |
|
| LYSANDER |
This lion is a very fox for his valour. |
|
| THESEUS |
True; and a goose for his discretion. |
|
| DEMETRIUS |
Not so, my lord; for his valour cannot carry his |
|
|
discretion; and the fox carries the goose. |
230 |
| THESEUS |
His discretion, I am sure, cannot carry his valour; |
|
|
for the goose carries not the fox. It is well: |
|
|
leave it to his discretion, and let us listen to the moon. |
|
| Moonshine |
This lanthorn doth the horned moon present;–– |
|
| DEMETRIUS |
He should have worn the horns on his head. |
235 |
| THESEUS |
He is no crescent, and his horns are |
|
|
invisible within the circumference. |
|
| Moonshine |
This lanthorn doth the horned moon present; |
|
|
Myself the man i' the moon do seem to be. |
|
| THESEUS |
This is the greatest error of all the rest: the man |
240 |
|
should be put into the lanthorn. How is it else the |
|
|
man i' the moon? |
|
| DEMETRIUS |
He dares not come there for the candle; for, you |
|
|
see, it is already in snuff. |
|
| HIPPOLYTA |
I am aweary of this moon: would he would change! |
245 |
| THESEUS |
It appears, by his small light of discretion, that |
|
|
he is in the wane; but yet, in courtesy, in all |
|
|
reason, we must stay the time. |
|
| LYSANDER |
Proceed, Moon. |
|
| Moonshine |
All that I have to say, is, to tell you that the |
250 |
|
lanthorn is the moon; I, the man in the moon; this |
|
|
thorn–bush, my thorn–bush; and this dog, my dog. |
|
| DEMETRIUS |
Why, all these should be in the lanthorn; for all |
|
|
these are in the moon. But, silence! here comes Thisbe. |
|
| [Enter Thisbe] |
|
|
| Thisbe |
This is old Ninny's tomb. Where is my love? |
255 |
| Lion |
[Roaring] Oh–– |
|
| [Thisbe runs off] |
|
|
| DEMETRIUS |
Well roared, Lion. |
|
| THESEUS |
Well run, Thisbe. |
|
| HIPPOLYTA |
Well shone, Moon. Truly, the moon shines with a |
|
|
good grace. |
260 |
| THESEUS |
Well moused, Lion. |
|
| LYSANDER |
And so the lion vanished. |
|
| DEMETRIUS |
And then came Pyramus. |
|
| [Enter Pyramus] |
|
|
| Pyramus |
Sweet Moon, I thank thee for thy sunny beams; |
|
|
I thank thee, Moon, for shining now so bright; |
265 |
|
For, by thy gracious, golden, glittering gleams, |
|
|
I trust to take of truest Thisby sight. |
|
|
But stay, O spite! |
|
|
But mark, poor knight, |
|
|
What dreadful dole is here! |
270 |
|
Eyes, do you see? |
|
|
How can it be? |
|
|
O dainty duck! O dear! |
|
|
Thy mantle good, |
|
|
What, stain'd with blood! |
275 |
|
Approach, ye Furies fell! |
|
|
O Fates, come, come, |
|
|
Cut thread and thrum; |
|
|
Quail, crush, conclude, and quell! |
|
| THESEUS |
This passion, and the death of a dear friend, would |
280 |
|
go near to make a man look sad. |
|
| HIPPOLYTA |
Beshrew my heart, but I pity the man. |
|
| Pyramus |
O wherefore, Nature, didst thou lions frame? |
|
|
Since lion vile hath here deflower'd my dear: |
|
|
Which is––no, no––which was the fairest dame |
285 |
|
That lived, that loved, that liked, that look'd |
|
|
with cheer. |
|
|
Come, tears, confound; |
|
|
Out, sword, and wound |
|
|
The pap of Pyramus; |
290 |
|
Ay, that left pap, |
|
|
Where heart doth hop: |
|
|
[Stabs himself] |
|
|
Thus die I, thus, thus, thus. |
|
|
Now am I dead, |
|
|
Now am I fled; |
295 |
|
My soul is in the sky: |
|
|
Tongue, lose thy light; |
|
|
Moon take thy flight: |
|
|
[Exit Moonshine] |
|
|
Now die, die, die, die, die. |
|
|
[Dies] |
|
| DEMETRIUS |
No die, but an ace, for him; for he is but one. |
300 |
| LYSANDER |
Less than an ace, man; for he is dead; he is nothing. |
|
| THESEUS |
With the help of a surgeon he might yet recover, and |
|
|
prove an ass. |
|
| HIPPOLYTA |
How chance Moonshine is gone before Thisbe comes |
|
|
back and finds her lover? |
305 |
| THESEUS |
She will find him by starlight. Here she comes; and |
|
|
her passion ends the play. |
|
|
[Re–enter Thisbe] |
|
| HIPPOLYTA |
Methinks she should not use a long one for such a |
|
|
Pyramus: I hope she will be brief. |
|
| DEMETRIUS |
A mote will turn the balance, which Pyramus, which |
310 |
|
Thisbe, is the better; he for a man, God warrant us; |
|
|
she for a woman, God bless us. |
|
| LYSANDER |
She hath spied him already with those sweet eyes. |
|
| DEMETRIUS |
And thus she means, videlicet:–– |
|
| Thisbe |
Asleep, my love? |
315 |
|
What, dead, my dove? |
|
|
O Pyramus, arise! |
|
|
Speak, speak. Quite dumb? |
|
|
Dead, dead? A tomb |
|
|
Must cover thy sweet eyes. |
320 |
|
These My lips, |
|
|
This cherry nose, |
|
|
These yellow cowslip cheeks, |
|
|
Are gone, are gone: |
|
|
Lovers, make moan: |
325 |
|
His eyes were green as leeks. |
|
|
O Sisters Three, |
|
|
Come, come to me, |
|
|
With hands as pale as milk; |
|
|
Lay them in gore, |
330 |
|
Since you have shore |
|
|
With shears his thread of silk. |
|
|
Tongue, not a word: |
|
|
Come, trusty sword; |
|
|
Come, blade, my breast imbrue: |
335 |
| [Stabs herself] |
|
|
|
And, farewell, friends; |
|
|
Thus Thisby ends: |
|
|
Adieu, adieu, adieu. |
|
| [Dies] |
|
|
| THESEUS |
Moonshine and Lion are left to bury the dead. |
|
| DEMETRIUS |
Ay, and Wall too. |
340 |
| BOTTOM |
[Starting up] No assure you; the wall is down that |
|
|
parted their fathers. Will it please you to see the |
|
|
epilogue, or to hear a Bergomask dance between two |
|
|
of our company? |
|
| THESEUS |
No epilogue, I pray you; for your play needs no |
345 |
|
excuse. Never excuse; for when the players are all |
|
|
dead, there needs none to be blamed. Marry, if he |
|
|
that writ it had played Pyramus and hanged himself |
|
|
in Thisbe's garter, it would have been a fine |
|
|
tragedy: and so it is, truly; and very notably |
350 |
|
discharged. But come, your Bergomask: let your |
|
|
epilogue alone. |
|
| [A dance] |
|
|
|
The iron tongue of midnight hath told twelve: |
|
|
Lovers, to bed; 'tis almost fairy time. |
|
|
I fear we shall out–sleep the coming morn |
355 |
|
As much as we this night have overwatch'd. |
|
|
This palpable–gross play hath well beguiled |
|
|
The heavy gait of night. Sweet friends, to bed. |
|
|
A fortnight hold we this solemnity, |
|
|
In nightly revels and new jollity. |
360 |
|
[Exeunt] |
|
|
[Enter PUCK] |
|
| PUCK |
Now the hungry lion roars, |
|
|
And the wolf behowls the moon; |
|
|
Whilst the heavy ploughman snores, |
|
|
All with weary task fordone. |
|
|
Now the wasted brands do glow, |
365 |
|
Whilst the screech–owl, screeching loud, |
|
|
Puts the wretch that lies in woe |
|
|
In remembrance of a shroud. |
|
|
Now it is the time of night |
|
|
That the graves all gaping wide, |
370 |
|
Every one lets forth his sprite, |
|
|
In the church–way paths to glide: |
|
|
And we fairies, that do run |
|
|
By the triple Hecate's team, |
|
|
From the presence of the sun, |
375 |
|
Following darkness like a dream, |
|
|
Now are frolic: not a mouse |
|
|
Shall disturb this hallow'd house: |
|
|
I am sent with broom before, |
|
|
To sweep the dust behind the door. |
380 |
| OBERON |
Through the house give gathering light, |
|
|
By the dead and drowsy fire: |
|
|
Every elf and fairy sprite |
|
|
Hop as light as bird from brier; |
|
|
And this ditty, after me, |
385 |
|
Sing, and dance it trippingly. |
|
| TITANIA |
First, rehearse your song by rote |
|
|
To each word a warbling note: |
|
|
Hand in hand, with fairy grace, |
|
|
Will we sing, and bless this place. |
390 |
| [Song and dance] |
|
|
| OBERON |
Now, until the break of day, |
|
|
Through this house each fairy stray. |
|
|
To the best bride–bed will we, |
|
|
Which by us shall blessed be; |
|
|
And the issue there create |
395 |
|
Ever shall be fortunate. |
|
|
So shall all the couples three |
|
|
Ever true in loving be; |
|
|
And the blots of Nature's hand |
|
|
Shall not in their issue stand; |
400 |
|
Never mole, hare lip, nor scar, |
|
|
Nor mark prodigious, such as are |
|
|
Despised in nativity, |
|
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Shall upon their children be. |
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With this field–dew consecrate, |
405 |
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Every fairy take his gait; |
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And each several chamber bless, |
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Through this palace, with sweet peace; |
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And the owner of it blest |
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Ever shall in safety rest. |
410 |
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Trip away; make no stay; |
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Meet me all by break of day. |
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