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Act 3, page 1

Table of Contents

ACT III SCENE II� Setting: A hall in the castle.

[Enter HAMLET and Players]

HAMLET Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue: but if you mouth it, as many of your players do, I had as lief the town–crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; 5 for in the very torrent, tempest, and, as I may say, the whirlwind of passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig–pated fellow tear a passion to tatters, to 10 very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumbshows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out–herods Herod: pray you, avoid it. 15 First Player I warrant your honour. HAMLET Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance o'erstep not the modesty of nature: for any thing so overdone is 20 from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, 25 or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others 30 praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them 35 well, they imitated humanity so abominably. First Player I hope we have reformed that indifferently with us, sir. HAMLET O, reform it altogether. And let those that play your clowns speak no more than is set down for them; 40 for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be considered: that's villanous, and shows a most pitiful ambition 45 in the fool that uses it. Go, make you ready.

[Exeunt Players][Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN]

How now, my lord! I will the king hear this piece of work?
LORD POLONIUS And the queen too, and that presently.
HAMLET Bid the players make haste.
[Exit POLONIUS]
Will you two help to hasten them? 50
GUILDENSTERN We will, my lord.

[Exeunt ROSENCRANTZ and GUILDENSTERN]

HAMLET What ho! Horatio!
[Enter HORATIO]
HORATIO Here, sweet lord, at your service.
HAMLET Horatio, thou art e'en as just a man
As e'er my conversation coped withal. 55
HORATIO O, my dear lord,––
HAMLET Nay, do not think I flatter;
For what advancement may I hope from thee
That no revenue hast but thy good spirits,
To feed and clothe thee? Why should the poor be flatter'd? 60
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election 65
Hath seal'd thee for herself; for thou hast been
As one, in suffering all, that suffers nothing,
A man that fortune's buffets and rewards
Hast ta'en with equal thanks: and blest are those
Whose blood and judgment are so well commingled, 70
That they are not a pipe for fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee.––Something too much of this.–– 75
There is a play to–night before the king;
One scene of it comes near the circumstance
Which I have told thee of my father's death:
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul 80
Observe mine uncle: if his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note; 85
For I mine eyes will rivet to his face,
And after we will both our judgments join
In censure of his seeming.
HORATIO Well, my lord:
If he steal aught the whilst this play is playing, 90
And 'scape detecting, I will pay the theft.
HAMLET They are coming to the play; I must be idle:
Get you a place.

[ Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others ]

KING CLAUDIUS How fares our cousin Hamlet?
HAMLET Excellent, i' faith; of the chameleon's dish: I eat 95
the air, promise–crammed: you cannot feed capons so.
KING CLAUDIUS I have nothing with this answer, Hamlet; these words
are not mine.
HAMLET No, nor mine now.
[To POLONIUS]
My lord, you played once i' the university, you say? 100
LORD POLONIUS That did I, my lord; and was accounted a good actor.
HAMLET What did you enact?
LORD POLONIUS I did enact Julius Caesar: I was killed i' the
Capitol; Brutus killed me.
HAMLET It was a brute part of him to kill so capital a calf 105
there. Be the players ready?
ROSENCRANTZ Ay, my lord; they stay upon your patience.
QUEEN GERTRUDE Come hither, my dear Hamlet, sit by me.
HAMLET No, good mother, here's metal more attractive.
LORD POLONIUS [To KING CLAUDIUS]�O, ho! do you mark that? 110
HAMLET Lady, shall I lie in your lap?

[Lying down at OPHELIA's feet]

OPHELIA No, my lord.
HAMLET I mean, my head upon your lap?
OPHELIA Ay, my lord.
HAMLET Do you think I meant country matters? 115
OPHELIA I think nothing, my lord.
HAMLET That's a fair thought to lie between maids' legs.
OPHELIA What is, my lord?
HAMLET Nothing.
OPHELIA You are merry, my lord. 120
HAMLET Who, I?
OPHELIA Ay, my lord.
HAMLET O God, your only jig–maker. What should a man do
but be merry? for, look you, how cheerfully my
mother looks, and my father died within these two hours. 125
OPHELIA Nay, 'tis twice two months, my lord.
HAMLET So long? Nay then, let the devil wear black, for
I'll have a suit of sables. O heavens! die two
months ago, and not forgotten yet? Then there's
hope a great man's memory may outlive his life half 130
a year: but, by'r lady, he must build churches,
then; or else shall he suffer not thinking on, with
the hobby–horse, whose epitaph is 'For, O, for, O,
the hobby–horse is forgot.'

[Hautboys play. The dumb–show enters][ Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love. ]

[Exeunt]
OPHELIA What means this, my lord? 135
HAMLET Marry, this is miching mallecho; it means mischief.
OPHELIA Belike this show imports the argument of the play.
[Enter Prologue]
HAMLET We shall know by this fellow: the players cannot
keep counsel; they'll tell all.
OPHELIA Will he tell us what this show meant? 140
HAMLET Ay, or any show that you'll show him: be not you
ashamed to show, he'll not shame to tell you what it means.
OPHELIA You are naught, you are naught: I'll mark the play.
Prologue For us, and for our tragedy,
Here stooping to your clemency, 145
We beg your hearing patiently.
[Exit]
HAMLET Is this a prologue, or the posy of a ring?
OPHELIA Tis brief, my lord.
HAMLET As woman's love.
[Enter two Players, King and Queen]
Player King Full thirty times hath Phoebus' cart gone round 150
Neptune's salt wash and Tellus' orbed ground,
And thirty dozen moons with borrow'd sheen
About the world have times twelve thirties been,
Since love our hearts and Hymen did our hands
Unite commutual in most sacred bands. 155
Player Queen So many journeys may the sun and moon
Make us again count o'er ere love be done!
But, woe is me, you are so sick of late,
So far from cheer and from your former state,
That I distrust you. Yet, though I distrust, 160
Discomfort you, my lord, it nothing must:
For women's fear and love holds quantity;
In neither aught, or in extremity.
Now, what my love is, proof hath made you know;
And as my love is sized, my fear is so: 165
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
Player King Faith, I must leave thee, love, and shortly too;
My operant powers their functions leave to do:
And thou shalt live in this fair world behind, 170
Honour'd, beloved; and haply one as kind
For husband shalt thou––
Player Queen O, confound the rest!
Such love must needs be treason in my breast:
In second husband let me be accurst! 175
None wed the second but who kill'd the first.
HAMLET [Aside]�Wormwood, wormwood.
Player Queen The instances that second marriage move
Are base respects of thrift, but none of love:
A second time I kill my husband dead, 180
When second husband kisses me in bed.
Player King I do believe you think what now you speak;
But what we do determine oft we break.
Purpose is but the slave to memory,
Of violent birth, but poor validity; 185
Which now, like fruit unripe, sticks on the tree;
But fall, unshaken, when they mellow be.
Most necessary 'tis that we forget
To pay ourselves what to ourselves is debt:
What to ourselves in passion we propose, 190
The passion ending, doth the purpose lose.
The violence of either grief or joy
Their own enactures with themselves destroy:
Where joy most revels, grief doth most lament;
Grief joys, joy grieves, on slender accident. 195
This world is not for aye, nor 'tis not strange
That even our loves should with our fortunes change;
For 'tis a question left us yet to prove,
Whether love lead fortune, or else fortune love.
The great man down, you mark his favourite flies; 200
The poor advanced makes friends of enemies.
And hitherto doth love on fortune tend;
For who not needs shall never lack a friend,
And who in want a hollow friend doth try,
Directly seasons him his enemy. 205
But, orderly to end where I begun,
Our wills and fates do so contrary run
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own:
So think thou wilt no second husband wed; 210
But die thy thoughts when thy first lord is dead.
Player Queen Nor earth to me give food, nor heaven light!
Sport and repose lock from me day and night!
To desperation turn my trust and hope!
An anchor's cheer in prison be my scope! 215
Each opposite that blanks the face of joy
Meet what I would have well and it destroy!
Both here and hence pursue me lasting strife,
If, once a widow, ever I be wife!
HAMLET If she should break it now! 220
Player King Tis deeply sworn. Sweet, leave me here awhile;
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
[Sleeps]
Player Queen Sleep rock thy brain,
And never come mischance between us twain! 225
[Exit]
HAMLET Madam, how like you this play?
QUEEN GERTRUDE The lady doth protest too much, methinks.
HAMLET O, but she'll keep her word.
KING CLAUDIUS Have you heard the argument? Is there no offence in 't?
HAMLET No, no, they do but jest, poison in jest; no offence 230
i' the world.
KING CLAUDIUS What do you call the play?
HAMLET The Mouse–trap. Marry, how? Tropically. This play
is the image of a murder done in Vienna: Gonzago is
the duke's name; his wife, Baptista: you shall see 235
anon; 'tis a knavish piece of work: but what o'
that? your majesty and we that have free souls, it
touches us not: let the galled jade wince, our
withers are unwrung.
[Enter LUCIANUS]
This is one Lucianus, nephew to the king. 240
OPHELIA You are as good as a chorus, my lord.
HAMLET I could interpret between you and your love, if I
could see the puppets dallying.
OPHELIA You are keen, my lord, you are keen.
HAMLET It would cost you a groaning to take off my edge. 245
OPHELIA Still better, and worse.
HAMLET So you must take your husbands. Begin, murderer;
pox, leave thy damnable faces, and begin. Come:
the croaking raven doth bellow for revenge.'
LUCIANUS Thoughts black, hands apt, drugs fit, and time agreeing; 250
Confederate season, else no creature seeing;
Thou mixture rank, of midnight weeds collected,
With Hecate's ban thrice blasted, thrice infected,
Thy natural magic and dire property,
On wholesome life usurp immediately. 255

[Pours the poison into the sleeper's ears]

HAMLET He poisons him i' the garden for's estate. His
name's Gonzago: the story is extant, and writ in
choice Italian: you shall see anon how the murderer
gets the love of Gonzago's wife.
OPHELIA The king rises. 260
HAMLET What, frighted with false fire!
QUEEN GERTRUDE How fares my lord?
LORD POLONIUS Give o'er the play.
KING CLAUDIUS Give me some light: away!
All Lights, lights, lights! 265
[Exeunt all but HAMLET and HORATIO]
HAMLET Why, let the stricken deer go weep,
The hart ungalled play;
For some must watch, while some must sleep:
So runs the world away.
Would not this, sir, and a forest of feathers–– if 270
the rest of my fortunes turn Turk with me––with two
Provincial roses on my razed shoes, get me a
fellowship in a cry of players, sir?
HORATIO Half a share.
HAMLET A whole one, I. 275
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here
A very, very––pajock.
HORATIO You might have rhymed. 280
HAMLET O good Horatio, I'll take the ghost's word for a
thousand pound. Didst perceive?
HORATIO Very well, my lord.
HAMLET Upon the talk of the poisoning?
HORATIO I did very well note him. 285
HAMLET Ah, ha! Come, some music! come, the recorders!
For if the king like not the comedy,
Why then, belike, he likes it not, perdy.
Come, some music!

[Re–enter ROSENCRANTZ and GUILDENSTERN]

GUILDENSTERN Good my lord, vouchsafe me a word with you. 290
HAMLET Sir, a whole history.
GUILDENSTERN The king, sir,––
HAMLET Ay, sir, what of him?
GUILDENSTERN Is in his retirement marvellous distempered.
HAMLET With drink, sir? 295
GUILDENSTERN No, my lord, rather with choler.
HAMLET Your wisdom should show itself more richer to
signify this to his doctor; for, for me to put him
to his purgation would perhaps plunge him into far
more choler. 300
GUILDENSTERN Good my lord, put your discourse into some frame and
start not so wildly from my affair.
HAMLET I am tame, sir: pronounce.
GUILDENSTERN The queen, your mother, in most great affliction of
spirit, hath sent me to you. 305
HAMLET You are welcome.
GUILDENSTERN Nay, good my lord, this courtesy is not of the right
breed. If it shall please you to make me a
wholesome answer, I will do your mother's
commandment: if not, your pardon and my return 310
shall be the end of my business.
HAMLET Sir, I cannot.
GUILDENSTERN What, my lord?
HAMLET Make you a wholesome answer; my wit's diseased: but,
sir, such answer as I can make, you shall command; 315
or, rather, as you say, my mother: therefore no
more, but to the matter: my mother, you say,––
ROSENCRANTZ Then thus she says; your behavior hath struck her
into amazement and admiration.
HAMLET O wonderful son, that can so astonish a mother! But 320
is there no sequel at the heels of this mother's
admiration? Impart.
ROSENCRANTZ She desires to speak with you in her closet, ere you
go to bed.
HAMLET We shall obey, were she ten times our mother. Have 325
you any further trade with us?
ROSENCRANTZ My lord, you once did love me.
HAMLET So I do still, by these pickers and stealers.
ROSENCRANTZ Good my lord, what is your cause of distemper? you
do, surely, bar the door upon your own liberty, if 330
you deny your griefs to your friend.
HAMLET Sir, I lack advancement.
ROSENCRANTZ How can that be, when you have the voice of the king
himself for your succession in Denmark?
HAMLET Ay, but sir, 'While the grass grows,'––the proverb 335
is something musty.

[Re–enter Players with recorders]

O, the recorders! let me see one. To withdraw with
you:––why do you go about to recover the wind of me,
as if you would drive me into a toil?
GUILDENSTERN O, my lord, if my duty be too bold, my love is too 340
unmannerly.
HAMLET I do not well understand that. Will you play upon
this pipe?
GUILDENSTERN My lord, I cannot.
HAMLET I pray you. 345
GUILDENSTERN Believe me, I cannot.
HAMLET I do beseech you.
GUILDENSTERN I know no touch of it, my lord.
HAMLET Tis as easy as lying: govern these ventages with
your lingers and thumb, give it breath with your 350
mouth, and it will discourse most eloquent music.
Look you, these are the stops.
GUILDENSTERN But these cannot I command to any utterance of
harmony; I have not the skill.
HAMLET Why, look you now, how unworthy a thing you make of 355
me! You would play upon me; you would seem to know
my stops; you would pluck out the heart of my
mystery; you would sound me from my lowest note to
the top of my compass: and there is much music,
excellent voice, in this little organ; yet cannot 360
you make it speak. 'Sblood, do you think I am
easier to be played on than a pipe? Call me what
instrument you will, though you can fret me, yet you
cannot play upon me.
[Enter POLONIUS]
God bless you, sir! 365
LORD POLONIUS My lord, the queen would speak with you, and
presently.
HAMLET Do you see yonder cloud that's almost in shape of a camel?
LORD POLONIUS By the mass, and 'tis like a camel, indeed.
HAMLET Methinks it is like a weasel. 370
LORD POLONIUS It is backed like a weasel.
HAMLET Or like a whale?
LORD POLONIUS Very like a whale.
HAMLET Then I will come to my mother by and by. They fool
me to the top of my bent. I will come by and by. 375
LORD POLONIUS I will say so.
HAMLET By and by is easily said.
[Exit POLONIUS]
Leave me, friends.
[Exeunt all but HAMLET]
Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out 380
Contagion to this world: now could I drink hot blood,
And do such bitter business as the day
Would quake to look on. Soft! now to my mother.
O heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom: 385
Let me be cruel, not unnatural:
I will speak daggers to her, but use none;
My tongue and soul in this be hypocrites;
How in my words soever she be shent,
To give them seals never, my soul, consent! 390
[Exit]

Posted on

Act 3, page 2

Table of Contents

ACT III SCENE III� Setting: A room in the castle.

[Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN]

KING CLAUDIUS I like him not, nor stands it safe with us To let his madness range. Therefore prepare you; I your commission will forthwith dispatch, And he to England shall along with you: The terms of our estate may not endure Hazard so dangerous as doth hourly grow Out of his lunacies. GUILDENSTERN We will ourselves provide: Most holy and religious fear it is To keep those many many bodies safe That live and feed upon your majesty. 10 ROSENCRANTZ The single and peculiar life is bound, With all the strength and armour of the mind, To keep itself from noyance; but much more That spirit upon whose weal depend and rest The lives of many. The cease of majesty Dies not alone; but, like a gulf, doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortised and adjoin'd; which, when it falls, 20 Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan. KING CLAUDIUS Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear, Which now goes too free–footed. GUILDENSTERN We will haste us.

[Exeunt ROSENCRANTZ and GUILDENSTERN][Enter POLONIUS]

LORD POLONIUS My lord, he's going to his mother's closet:
Behind the arras I'll convey myself,
To hear the process; and warrant she'll tax him home:
And, as you said, and wisely was it said, 30
Tis meet that some more audience than a mother,
Since nature makes them partial, should o'erhear
The speech, of vantage. Fare you well, my liege:
I'll call upon you ere you go to bed,
And tell you what I know.
KING CLAUDIUS Thanks, dear my lord.
[Exit POLONIUS]
O, my offence is rank it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murder. Pray can I not,
Though inclination be as sharp as will:
My stronger guilt defeats my strong intent; 40
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this two–fold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up; 50
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murder'?
That cannot be; since I am still possess'd
Of those effects for which I did the murder,
My crown, mine own ambition and my queen.
May one be pardon'd and retain the offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law: but 'tis not so above; 60
There is no shuffling, there the action lies
In his true nature; and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? what rests?
Try what repentance can: what can it not?
Yet what can it when one can not repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engaged! Help, angels! Make assay!
Bow, stubborn knees; and, heart with strings of steel, 70
Be soft as sinews of the newborn babe!
All may be well.
[Retires and kneels]
[Enter HAMLET]
HAMLET Now might I do it pat, now he is praying;
And now I'll do't. And so he goes to heaven;
And so am I revenged. That would be scann'd:
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
O, this is hire and salary, not revenge.
He took my father grossly, full of bread; 80
With all his crimes broad blown, as flush as May;
And how his audit stands who knows save heaven?
But in our circumstance and course of thought,
Tis heavy with him: and am I then revenged,
To take him in the purging of his soul,
When he is fit and season'd for his passage?
No!
Up, sword; and know thou a more horrid hent:
When he is drunk asleep, or in his rage,
Or in the incestuous pleasure of his bed; 90
At gaming, swearing, or about some act
That has no relish of salvation in't;
Then trip him, that his heels may kick at heaven,
And that his soul may be as damn'd and black
As hell, whereto it goes. My mother stays:
This physic but prolongs thy sickly days.
[Exit]
KING CLAUDIUS [Rising]�My words fly up, my thoughts remain below: 100
Words without thoughts never to heaven go.
[Exit]

Posted on

Act 1, page 0

Table of Contents

ACT I SCENE I� Setting: Elsinore. A platform before the castle.

[FRANCISCO at his post. Enter to him BERNARDO]

BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO Have you had quiet guard? FRANCISCO Not a mouse stirring. 10 BERNARDO Well, good night. If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. FRANCISCO I think I hear them. Stand, ho! Who's there? [Enter HORATIO and MARCELLUS] HORATIO Friends to this ground. MARCELLUS And liegemen to the Dane. FRANCISCO Give you good night. MARCELLUS O, farewell, honest soldier: Who hath relieved you? FRANCISCO Bernardo has my place. Give you good night. [Exit] MARCELLUS Holla! Bernardo! BERNARDO Say, What, is Horatio there? HORATIO A piece of him. BERNARDO Welcome, Horatio: welcome, good Marcellus. 20 MARCELLUS What, has this thing appear'd again to–night? BERNARDO I have seen nothing. MARCELLUS Horatio says 'tis but our fantasy, And will not let belief take hold of him Touching this dreaded sight, twice seen of us: Therefore I have entreated him along With us to watch the minutes of this night; That if again this apparition come, He may approve our eyes and speak to it. HORATIO Tush, tush, 'twill not appear. BERNARDO Sit down awhile; 30 And let us once again assail your ears, That are so fortified against our story What we have two nights seen. HORATIO Well, sit we down, And let us hear Bernardo speak of this. BERNARDO Last night of all, When yond same star that's westward from the pole Had made his course to illume that part of heaven Where now it burns, Marcellus and myself, The bell then beating one,–– [Enter Ghost] MARCELLUS Peace, break thee off; look, where it comes again! 40 BERNARDO In the same figure, like the king that's dead. MARCELLUS Thou art a scholar; speak to it, Horatio. BERNARDO Looks it not like the king? mark it, Horatio. HORATIO Most like: it harrows me with fear and wonder. BERNARDO It would be spoke to. MARCELLUS Question it, Horatio. HORATIO What art thou that usurp'st this time of night, Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes march? by heaven I charge thee, speak! MARCELLUS It is offended. BERNARDO See, it stalks away! 50 HORATIO Stay! speak, speak! I charge thee, speak! [Exit Ghost] MARCELLUS Tis gone, and will not answer. BERNARDO How now, Horatio! you tremble and look pale: Is not this something more than fantasy? What think you on't? HORATIO Before my God, I might not this believe Without the sensible and true avouch Of mine own eyes. MARCELLUS Is it not like the king? HORATIO As thou art to thyself: Such was the very armour he had on 60 When he the ambitious Norway combated; So frown'd he once, when, in an angry parle, He smote the sledded Polacks on the ice. Tis strange. MARCELLUS Thus twice before, and jump at this dead hour, With martial stalk hath he gone by our watch. HORATIO In what particular thought to work I know not; But in the gross and scope of my opinion, This bodes some strange eruption to our state. MARCELLUS Good now, sit down, and tell me, he that knows, 70 Why this same strict and most observant watch So nightly toils the subject of the land, And why such daily cast of brazen cannon, And foreign mart for implements of war; Why such impress of shipwrights, whose sore task Does not divide the Sunday from the week; What might be toward, that this sweaty haste Doth make the night joint–labourer with the day: Who is't that can inform me? HORATIO That can I; At least, the whisper goes so. Our last king, 80 Whose image even but now appear'd to us, Was, as you know, by Fortinbras of Norway, Thereto prick'd on by a most emulate pride, Dared to the combat; in which our valiant Hamlet–– For so this side of our known world esteem'd him–– Did slay this Fortinbras; who by a seal'd compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seized of, to the conqueror: Against the which, a moiety competent 90 Was gaged by our king; which had return'd To the inheritance of Fortinbras, Had he been vanquisher; as, by the same covenant, And carriage of the article design'd, His fell to Hamlet. Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark'd up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in't; which is no other–– 100 As it doth well appear unto our state–– But to recover of us, by strong hand And terms compulsatory, those foresaid lands So by his father lost: and this, I take it, Is the main motive of our preparations, The source of this our watch and the chief head Of this post–haste and romage in the land. BERNARDO I think it be no other but e'en so: Well may it sort that this portentous figure Comes armed through our watch; so like the king 110 That was and is the question of these wars. HORATIO A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead Did squeak and gibber in the Roman streets: As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse: 120 And even the like precurse of fierce events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.–– But soft, behold! lo, where it comes again! [Re–enter Ghost] I'll cross it, though it blast me. Stay, illusion! If thou hast any sound, or use of voice, Speak to me: If there be any good thing to be done, 130 That may to thee do ease and grace to me, Speak to me: [Cock crows] If thou art privy to thy country's fate, Which, happily, foreknowing may avoid, O, speak! Or if thou hast uphoarded in thy life Extorted treasure in the womb of earth, For which, they say, you spirits oft walk in death, Speak of it: stay, and speak! Stop it, Marcellus. MARCELLUS Shall I strike at it with my partisan? 140 HORATIO Do, if it will not stand. BERNARDO Tis here! HORATIO Tis here! MARCELLUS Tis gone! [Exit Ghost] We do it wrong, being so majestical, To offer it the show of violence; For it is, as the air, invulnerable, And our vain blows malicious mockery. BERNARDO It was about to speak, when the cock crew. HORATIO And then it started like a guilty thing Upon a fearful summons. I have heard, The cock, that is the trumpet to the morn, 150 Doth with his lofty and shrill–sounding throat Awake the god of day; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To his confine: and of the truth herein This present object made probation. MARCELLUS It faded on the crowing of the cock. Some say that ever 'gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: 160 And then, they say, no spirit dares stir abroad; The nights are wholesome; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time. HORATIO So have I heard and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastward hill: Break we our watch up; and by my advice, Let us impart what we have seen to–night Unto young Hamlet; for, upon my life, 170 This spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty? MARCELLUS Let's do't, I pray; and I this morning know Where we shall find him most conveniently. [Exeunt]

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Act 1, page 1

Table of Contents

ACT I SCENE II� Setting: A room of state in the castle.

[�Enter�KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants ]

KING CLAUDIUS Though yet of Hamlet our dear brother's death The memory be green, and that it us befitted To bear our hearts in grief and our whole kingdom To be contracted in one brow of woe, Yet so far hath discretion fought with nature 5 That we with wisest sorrow think on him, Together with remembrance of ourselves. Therefore our sometime sister, now our queen, The imperial jointress to this warlike state, Have we, as 'twere with a defeated joy,–– 10 With an auspicious and a dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole,–– Taken to wife: nor have we herein barr'd Your better wisdoms, which have freely gone 15 With this affair along. For all, our thanks. Now follows, that you know, young Fortinbras, Holding a weak supposal of our worth, Or thinking by our late dear brother's death Our state to be disjoint and out of frame, 20 Colleagued with the dream of his advantage, He hath not fail'd to pester us with message, Importing the surrender of those lands Lost by his father, with all bonds of law, To our most valiant brother. So much for him. 25 Now for ourself and for this time of meeting: Thus much the business is: we have here writ To Norway, uncle of young Fortinbras,–– Who, impotent and bed–rid, scarcely hears Of this his nephew's purpose,––to suppress 30 His further gait herein; in that the levies, The lists and full proportions, are all made Out of his subject: and we here dispatch You, good Cornelius, and you, Voltimand, For bearers of this greeting to old Norway; 35 Giving to you no further personal power To business with the king, more than the scope Of these delated articles allow. Farewell, and let your haste commend your duty. VOLTIMAND and Cornelius In that and all things will we show our duty. 40 KING CLAUDIUS We doubt it nothing: heartily farewell.

[Exeunt�VOLTIMAND and CORNELIUS]

And now, Laertes, what's the news with you?
You told us of some suit; what is't, Laertes?
You cannot speak of reason to the Dane,
And lose your voice: what wouldst thou beg, Laertes, 45
That shall not be my offer, not thy asking?
The head is not more native to the heart,
The hand more instrumental to the mouth,
Than is the throne of Denmark to thy father.
What wouldst thou have, Laertes? 50
LAERTES My dread lord,
Your leave and favour to return to France;
From whence though willingly I came to Denmark,
To show my duty in your coronation,
Yet now, I must confess, that duty done, 55
My thoughts and wishes bend again toward France
And bow them to your gracious leave and pardon.
KING CLAUDIUS Have you your father's leave? What says Polonius?
LORD POLONIUS He hath, my lord, wrung from me my slow leave
By laboursome petition, and at last 60
Upon his will I seal'd my hard consent:
I do beseech you, give him leave to go.
KING CLAUDIUS Take thy fair hour, Laertes; time be thine,
And thy best graces spend it at thy will!
But now, my cousin Hamlet, and my son,–– 65
HAMLET [Aside] A little more than kin, and less than kind.
KING CLAUDIUS How is it that the clouds still hang on you?
HAMLET Not so, my lord; I am too much i' the sun.
QUEEN GERTRUDE Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark. 70
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Thou know'st 'tis common; all that lives must die,
Passing through nature to eternity.
HAMLET Ay, madam, 'tis common. 75
QUEEN GERTRUDE If it be,
Why seems it so particular with thee?
HAMLET Seems, madam! nay it is; I know not 'seems.'
Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black, 80
Nor windy suspiration of forced breath,
No, nor the fruitful river in the eye,
Nor the dejected 'haviour of the visage,
Together with all forms, modes, shapes of grief,
That can denote me truly: these indeed seem,
For they are actions that a man might play:
But I have that within which passeth show;
These but the trappings and the suits of woe.
KING CLAUDIUS Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
But, you must know, your father lost a father;
That father lost, lost his, and the survivor bound 90
In filial obligation for some term
To do obsequious sorrow: but to persever
In obstinate condolement is a course
Of impious stubbornness; 'tis unmanly grief;
It shows a will most incorrect to heaven,
A heart unfortified, a mind impatient,
An understanding simple and unschool'd:
For what we know must be and is as common
As any the most vulgar thing to sense,
Why should we in our peevish opposition 100
Take it to heart? Fie! 'tis a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd: whose common theme
Is death of fathers, and who still hath cried,
From the first corse till he that died to–day,
This must be so.' We pray you, throw to earth
This unprevailing woe, and think of us
As of a father: for let the world take note,
You are the most immediate to our throne;
And with no less nobility of love 110
Than that which dearest father bears his son,
Do I impart toward you. For your intent
In going back to school in Wittenberg,
It is most retrograde to our desire:
And we beseech you, bend you to remain
Here, in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.
QUEEN GERTRUDE Let not thy mother lose her prayers, Hamlet:
I pray thee, stay with us; go not to Wittenberg.
HAMLET I shall in all my best obey you, madam. 120
KING CLAUDIUS Why, 'tis a loving and a fair reply:
Be as ourself in Denmark. Madam, come;
This gentle and unforced accord of Hamlet
Sits smiling to my heart: in grace whereof,
No jocund health that Denmark drinks to–day,
But the great cannon to the clouds shall tell,
And the king's rouse the heavens all bruit again,
Re–speaking earthly thunder. Come away.
[Exeunt all but�HAMLET]
HAMLET O, that this too too solid flesh would melt
Thaw and resolve itself into a dew! 130
Or that the Everlasting had not fix'd
His canon 'gainst self–slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother 140
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month––
Let me not think on't––Frailty, thy name is woman!––
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:––why she, even she––
O, God! a beast, that wants discourse of reason, 150
Would have mourn'd longer––married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.

[Enter�HORATIO, MARCELLUS, and BERNARDO]

HORATIO Hail to your lordship!
HAMLET I am glad to see you well:
Horatio,––or I do forget myself.
HORATIO The same, my lord, and your poor servant ever. 165
HAMLET Sir, my good friend; I'll change that name with you:
And what make you from Wittenberg, Horatio? Marcellus?
MARCELLUS My good lord––
HAMLET I am very glad to see you. Good even, sir.
But what, in faith, make you from Wittenberg?
HORATIO A truant disposition, good my lord.
HAMLET I would not hear your enemy say so, 170
Nor shall you do mine ear that violence,
To make it truster of your own report
Against yourself: I know you are no truant.
But what is your affair in Elsinore?
We'll teach you to drink deep ere you depart.
HORATIO My lord, I came to see your father's funeral.
HAMLET I pray thee, do not mock me, fellow–student;
I think it was to see my mother's wedding.
HORATIO Indeed, my lord, it follow'd hard upon.
HAMLET Thrift, thrift, Horatio! the funeral baked meats
Did coldly furnish forth the marriage tables. 181
Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!––methinks I see my father.
HORATIO Where, my lord?
HAMLET In my mind's eye, Horatio.
HORATIO I saw him once; he was a goodly king.
HAMLET He was a man, take him for all in all,
I shall not look upon his like again.
HORATIO My lord, I think I saw him yesternight.
HAMLET Saw? who? 190
HORATIO My lord, the king your father.
HAMLET The king my father!
HORATIO Season your admiration for awhile
With an attent ear, till I may deliver,
Upon the witness of these gentlemen,
This marvel to you.
HAMLET For God's love, let me hear.
HORATIO Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead vast and middle of the night,
Been thus encounter'd. A figure like your father,
Armed at point exactly, cap–a–pe, 200
Appears before them, and with solemn march
Goes slow and stately by them: thrice he walk'd
By their oppress'd and fear–surprised eyes,
Within his truncheon's length; whilst they, distilled
Almost to jelly with the act of fear,
Stand dumb and speak not to him. This to me
In dreadful secrecy impart they did;
And I with them the third night kept the watch;
Where, as they had deliver'd, both in time,
Form of the thing, each word made true and good, 210
The apparition comes: I knew your father;
These hands are not more like.
HAMLET But where was this?
MARCELLUS My lord, upon the platform where we watch'd.
HAMLET Did you not speak to it?
HORATIO My lord, I did;
But answer made it none: yet once methought
It lifted up its head and did address
Itself to motion, like as it would speak;
But even then the morning cock crew loud,
And at the sound it shrunk in haste away,
And vanish'd from our sight.
HAMLET Tis very strange. 220
HORATIO As I do live, my honour'd lord, 'tis true;
And we did think it writ down in our duty
To let you know of it.
HAMLET Indeed, indeed, sirs, but this troubles me.
Hold you the watch to–night?
BERNARDO We do, my lord.
HAMLET Arm'd, say you?
BERNARDO Arm'd, my lord.
HAMLET From top to toe?
BERNARDO My lord, from head to foot.
HAMLET Then saw you not his face?
HORATIO O, yes, my lord; he wore his beaver up.
HAMLET What, look'd he frowningly?
HORATIO A countenance more in sorrow than in anger. 230
HAMLET Pale or red?
HORATIO Nay, very pale.
HAMLET And fix'd his eyes upon you?
HORATIO Most constantly.
HAMLET I would I had been there.
HORATIO It would have much amazed you.
HAMLET Very like, very like. Stay'd it long?
HORATIO While one with moderate haste might tell a hundred.
BERNARDO Longer, longer.
HORATIO Not when I saw't.
HAMLET His beard was grizzled––no?
HORATIO It was, as I have seen it in his life,
A sable silver'd.
HAMLET I will watch to–night; 240
Perchance 'twill walk again.
HORATIO I warrant it will.
HAMLET If it assume my noble father's person,
I'll speak to it, though hell itself should gape
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
Let it be tenable in your silence still;
And whatsoever else shall hap to–night,
Give it an understanding, but no tongue:
I will requite your loves. So, fare you well:
Upon the platform, 'twixt eleven and twelve, 250
I'll visit you.
All Our duty to your honour.
HAMLET Your loves, as mine to you: farewell.
[Exeunt all but�HAMLET]
My father's spirit in arms! all is not well;
I doubt some foul play: would the night were come!
Till then sit still, my soul: foul deeds will rise,
Though all the earth o'erwhelm them, to men's eyes.
[Exit]
LAERTES My necessaries are embark'd: farewell:
And, sister, as the winds give benefit
And convoy is assistant, do not sleep,
But let me hear from you.
OPHELIA Do you doubt that?
LAERTES For Hamlet and the trifling of his favour,
Hold it a fashion and a toy in blood,
A violet in the youth of primy nature,
Forward, not permanent, sweet, not lasting,
The perfume and suppliance of a minute; No more.
OPHELIA No more but so?
LAERTES Think it no more; 10
For nature, crescent, does not grow alone
In thews and bulk, but, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now,
And now no soil nor cautel doth besmirch
The virtue of his will: but you must fear,
His greatness weigh'd, his will is not his own;
For he himself is subject to his birth:
He may not, as unvalued persons do,
Carve for himself; for on his choice depends 20
The safety and health of this whole state;
And therefore must his choice be circumscribed
Unto the voice and yielding of that body
Whereof he is the head. Then if he says he loves you,
It fits your wisdom so far to believe it
As he in his particular act and place
May give his saying deed; which is no further
Than the main voice of Denmark goes withal.
Then weigh what loss your honour may sustain,
If with too credent ear you list his songs, 30
Or lose your heart, or your chaste treasure open
To his unmaster'd importunity.
Fear it, Ophelia, fear it, my dear sister,
And keep you in the rear of your affection,
Out of the shot and danger of desire.
The chariest maid is prodigal enough,
If she unmask her beauty to the moon:
Virtue itself 'scapes not calumnious strokes:
The canker galls the infants of the spring,
Too oft before their buttons be disclosed, 40
And in the morn and liquid dew of youth
Contagious blastments are most imminent.
Be wary then; best safety lies in fear:
Youth to itself rebels, though none else near.
OPHELIA I shall the effect of this good lesson keep,
As watchman to my heart. But, good my brother,
Do not, as some ungracious pastors do,
Show me the steep and thorny way to heaven;
Whiles, like a puff'd and reckless libertine,
Himself the primrose path of dalliance treads, 50
And recks not his own rede.
LAERTES O, fear me not.
I stay too long: but here my father comes.
[Enter�POLONIUS]
A double blessing is a double grace,
Occasion smiles upon a second leave.
LORD POLONIUS Yet here, Laertes! aboard, aboard, for shame!
The wind sits in the shoulder of your sail,
And you are stay'd for. There; my blessing with thee!
And these few precepts in thy memory
See thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act. 60
Be thou familiar, but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new–hatch'd, unfledged comrade. Beware
Of entrance to a quarrel, but being in,
Bear't that the opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man's censure, but reserve thy judgment.
Costly thy habit as thy purse can buy, 70
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are of a most select and generous chief in that.
Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man. 80
Farewell: my blessing season this in thee!
LAERTES Most humbly do I take my leave, my lord.
LORD POLONIUS The time invites you; go; your servants tend.
LAERTES Farewell, Ophelia; and remember well
What I have said to you.
OPHELIA 'Tis in my memory lock'd,
And you yourself shall keep the key of it.
LAERTES Farewell.
[Exit]
LORD POLONIUS What is't, Ophelia, be hath said to you?
OPHELIA So please you, something touching the Lord Hamlet.
LORD POLONIUS Marry, well bethought: 90
'Tis told me, he hath very oft of late
Given private time to you; and you yourself
Have of your audience been most free and bounteous:
If it be so, as so 'tis put on me,
And that in way of caution, I must tell you,
You do not understand yourself so clearly
As it behoves my daughter and your honour.
What is between you? give me up the truth.
OPHELIA He hath, my lord, of late made many tenders
Of his affection to me. 100
LORD POLONIUS Affection! pooh! you speak like a green girl,
Unsifted in such perilous circumstance.
Do you believe his tenders, as you call them?
OPHELIA I do not know, my lord, what I should think.
LORD POLONIUS Marry, I'll teach you: think yourself a baby;
That you have ta'en these tenders for true pay,
Which are not sterling. Tender yourself more dearly;
Or––not to crack the wind of the poor phrase,
Running it thus––you'll tender me a fool.
OPHELIA My lord, he hath importuned me with love
In honourable fashion. 110
LORD POLONIUS Ay, fashion you may call it; go to, go to.
OPHELIA And hath given countenance to his speech, my lord,
With almost all the holy vows of heaven.
LORD POLONIUS Ay, springes to catch woodcocks. I do know,
When the blood burns, how prodigal the soul
Lends the tongue vows: these blazes, daughter,
Giving more light than heat, extinct in both,
Even in their promise, as it is a–making,
You must not take for fire. From this time 120
Be somewhat scanter of your maiden presence;
Set your entreatments at a higher rate
Than a command to parley. For Lord Hamlet,
Believe so much in him, that he is young
And with a larger tether may he walk
Than may be given you: in few, Ophelia,
Do not believe his vows; for they are brokers,
Not of that dye which their investments show,
But mere implorators of unholy suits,
Breathing like sanctified and pious bawds, 130
The better to beguile. This is for all:
I would not, in plain terms, from this time forth,
Have you so slander any moment leisure,
As to give words or talk with the Lord Hamlet.
Look to't, I charge you: come your ways.
OPHELIA I shall obey, my lord.
[Exeunt]

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Act 1, page 3

Table of Contents

ACT I SCENE IV� Setting: The platform.

[Enter�HAMLET, HORATIO, and MARCELLUS]

HAMLET The air bites shrewdly; it is very cold. HORATIO It is a nipping and an eager air. HAMLET What hour now? HORATIO I think it lacks of twelve. HAMLET No, it is struck. HORATIO Indeed? I heard it not: then it draws near the season Wherein the spirit held his wont to walk.

[A flourish of trumpets, and ordnance shot off, within]

What does this mean, my lord?
HAMLET The king doth wake to–night and takes his rouse,
Keeps wassail, and the swaggering up–spring reels;
And, as he drains his draughts of Rhenish down, 10
The kettle–drum and trumpet thus bray out
The triumph of his pledge.
HORATIO Is it a custom?
HAMLET Ay, marry, is't:
But to my mind, though I am native here
And to the manner born, it is a custom
More honour'd in the breach than the observance.
This heavy–headed revel east and west
Makes us traduced and tax'd of other nations:
They clepe us drunkards, and with swinish phrase
Soil our addition; and indeed it takes 20
From our achievements, though perform'd at height,
The pith and marrow of our attribute.
So, oft it chances in particular men,
That for some vicious mole of nature in them,
As, in their birth––wherein they are not guilty,
Since nature cannot choose his origin––
By the o'ergrowth of some complexion,
Oft breaking down the pales and forts of reason,
Or by some habit that too much o'er–leavens
The form of plausive manners, that these men, 30
Carrying, I say, the stamp of one defect,
Being nature's livery, or fortune's star,––
Their virtues else––be they as pure as grace,
As infinite as man may undergo––
Shall in the general censure take corruption
From that particular fault: the dram of eale
Doth all the noble substance of a doubt
To his own scandal.
HORATIO Look, my lord, it comes!
[Enter Ghost]
HAMLET Angels and ministers of grace defend us!
Be thou a spirit of health or goblin damn'd, 40
Bring with thee airs from heaven or blasts from hell,
Be thy intents wicked or charitable,
Thou comest in such a questionable shape
That I will speak to thee: I'll call thee Hamlet,
King, father, royal Dane: O, answer me!
Let me not burst in ignorance; but tell
Why thy canonized bones, hearsed in death,
Have burst their cerements; why the sepulchre,
Wherein we saw thee quietly inurn'd,
Hath oped his ponderous and marble jaws, 50
To cast thee up again. What may this mean,
That thou, dead corse, again in complete steel
Revisit'st thus the glimpses of the moon,
Making night hideous; and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls?
Say, why is this? wherefore? what should we do?
[Ghost beckons�HAMLET]
HORATIO It beckons you to go away with it,
As if it some impartment did desire
To you alone.
MARCELLUS Look, with what courteous action 60
It waves you to a more removed ground:
But do not go with it.
HORATIO No, by no means.
HAMLET It will not speak; then I will follow it.
HORATIO Do not, my lord.
HAMLET Why, what should be the fear?
I do not set my life in a pin's fee;
And for my soul, what can it do to that,
Being a thing immortal as itself?
It waves me forth again: I'll follow it.
HORATIO What if it tempt you toward the flood, my lord,
Or to the dreadful summit of the cliff 70
That beetles o'er his base into the sea,
And there assume some other horrible form,
Which might deprive your sovereignty of reason
And draw you into madness? think of it:
The very place puts toys of desperation,
Without more motive, into every brain
That looks so many fathoms to the sea
And hears it roar beneath.
HAMLET It waves me still.
Go on; I'll follow thee.
MARCELLUS You shall not go, my lord.
HAMLET Hold off your hands. 80
HORATIO Be ruled; you shall not go.
HAMLET My fate cries out,
And makes each petty artery in this body
As hardy as the Nemean lion's nerve.
Still am I call'd. Unhand me, gentlemen.
By heaven, I'll make a ghost of him that lets me!
I say, away! Go on; I'll follow thee.
[Exeunt Ghost�and HAMLET]
HORATIO He waxes desperate with imagination.
MARCELLUS Let's follow; 'tis not fit thus to obey him.
HORATIO Have after. To what issue will this come?
MARCELLUS Something is rotten in the state of Denmark. 90
HORATIO Heaven will direct it.
MARCELLUS Nay, let's follow him.
[Exeunt]
HAMLET Where wilt thou lead me? speak; I'll go no further.
Ghost Mark me.
HAMLET I will.
Ghost My hour is almost come,
When I to sulphurous and tormenting flames
Must render up myself.
HAMLET Alas, poor ghost!
Ghost Pity me not, but lend thy serious hearing
To what I shall unfold.
HAMLET Speak; I am bound to hear.
Ghost So art thou to revenge, when thou shalt hear.
HAMLET What?
Ghost I am thy father's spirit,
Doom'd for a certain term to walk the night, 10
And for the day confined to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purged away. But that I am forbid
To tell the secrets of my prison–house,
I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, start from their spheres,
Thy knotted and combined locks to part
And each particular hair to stand on end,
Like quills upon the fretful porpentine: 20
But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list!
If thou didst ever thy dear father love––
HAMLET O God!
Ghost Revenge his foul and most unnatural murder.
HAMLET Murder!
Ghost Murder most foul, as in the best it is;
But this most foul, strange and unnatural.
HAMLET Haste me to know't, that I, with wings as swift
As meditation or the thoughts of love, 30
May sweep to my revenge.
Ghost I find thee apt;
And duller shouldst thou be than the fat weed
That roots itself in ease on Lethe wharf,
Wouldst thou not stir in this. Now, Hamlet, hear:
Tis given out that, sleeping in my orchard,
A serpent stung me; so the whole ear of Denmark
Is by a forged process of my death
Rankly abused: but know, thou noble youth,
The serpent that did sting thy father's life
Now wears his crown.
HAMLET O my prophetic soul! My uncle! 40
Ghost Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with traitorous gifts,––
O wicked wit and gifts, that have the power
So to seduce!––won to his shameful lust
The will of my most seeming–virtuous queen:
O Hamlet, what a falling–off was there!
From me, whose love was of that dignity
That it went hand in hand even with the vow
I made to her in marriage, and to decline 50
Upon a wretch whose natural gifts were poor
To those of mine!
But virtue, as it never will be moved,
Though lewdness court it in a shape of heaven,
So lust, though to a radiant angel link'd,
Will sate itself in a celestial bed,
And prey on garbage.
But, soft! methinks I scent the morning air;
Brief let me be. Sleeping within my orchard,
My custom always of the afternoon, 60
Upon my secure hour thy uncle stole,
With juice of cursed hebenon in a vial,
And in the porches of my ears did pour
The leperous distilment; whose effect
Holds such an enmity with blood of man
That swift as quicksilver it courses through
The natural gates and alleys of the body,
And with a sudden vigour doth posset
And curd, like eager droppings into milk,
The thin and wholesome blood: so did it mine; 70
And a most instant tetter bark'd about,
Most lazar–like, with vile and loathsome crust,
All my smooth body.
Thus was I, sleeping, by a brother's hand
Of life, of crown, of queen, at once dispatch'd:
Cut off even in the blossoms of my sin,
Unhousel'd, disappointed, unanel'd,
No reckoning made, but sent to my account
With all my imperfections on my head:
O, horrible! O, horrible! most horrible! 80
If thou hast nature in thee, bear it not;
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But, howsoever thou pursuest this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother aught: leave her to heaven
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once!
The glow–worm shows the matin to be near,
And 'gins to pale his uneffectual fire: 90
Adieu, adieu! Hamlet, remember me.
[Exit]
HAMLET O all you host of heaven! O earth! what else?
And shall I couple hell? O, fie! Hold, hold, my heart;
And you, my sinews, grow not instant old,
But bear me stiffly up. Remember thee!
Ay, thou poor ghost, while memory holds a seat
In this distracted globe. Remember thee!
Yea, from the table of my memory
I'll wipe away all trivial fond records,
All saws of books, all forms, all pressures past, 100
That youth and observation copied there;
And thy commandment all alone shall live
Within the book and volume of my brain,
Unmix'd with baser matter: yes, by heaven!
O most pernicious woman!
O villain, villain, smiling, damned villain!
My tables,––meet it is I set it down,
That one may smile, and smile, and be a villain;
At least I'm sure it may be so in Denmark:
[Writing]
So, uncle, there you are. Now to my word; 110
It is 'Adieu, adieu! remember me.'
I have sworn 't.
HORATIO [Within] My lord, my lord,––
MARCELLUS [Within] Lord Hamlet,––
HORATIO [Within] Heaven secure him!
HAMLET So be it!
HORATIO [Within] Hillo, ho, ho, my lord!
HAMLET Hillo, ho, ho, boy! come, bird, come.

[Enter�HORATIO and MARCELLUS]

MARCELLUS How is't, my noble lord?
HORATIO What news, my lord?
HAMLET O, wonderful!
HORATIO Good my lord, tell it.
HAMLET No; you'll reveal it.
HORATIO Not I, my lord, by heaven.
MARCELLUS Nor I, my lord. 120
HAMLET How say you, then; would heart of man once think it?
But you'll be secret?
MARCELLUS Ay, by heaven, my lord.
HAMLET There's ne'er a villain dwelling in all Denmark
But he's an arrant knave.
HORATIO There needs no ghost, my lord, come from the grave
To tell us this.
HAMLET Why, right; you are i' the right;
And so, without more circumstance at all,
I hold it fit that we shake hands and part:
You, as your business and desire shall point you;
For every man has business and desire, 130
Such as it is; and for mine own poor part,
Look you, I'll go pray.
HORATIO These are but wild and whirling words, my lord.
HAMLET I'm sorry they offend you, heartily;
Yes, 'faith heartily.
HORATIO There's no offence, my lord.
HAMLET Yes, by Saint Patrick, but there is, Horatio,
And much offence too. Touching this vision here,
It is an honest ghost, that let me tell you:
For your desire to know what is between us,
O'ermaster 't as you may. And now, good friends, 140
As you are friends, scholars and soldiers,
Give me one poor request.
HORATIO What is't, my lord? we will.
HAMLET Never make known what you have seen to–night.
MARCELLUS My lord, we will not.
HAMLET Nay, but swear't.
HORATIO In faith,
My lord, not I.
MARCELLUS Nor I, my lord, in faith.
HAMLET Upon my sword.
MARCELLUS We have sworn, my lord, already.
HAMLET Indeed, upon my sword, indeed.
Ghost [Beneath]�Swear.
HAMLET Ah, ha, boy! say'st thou so? art thou there,
truepenny? 150
Come on––you hear this fellow in the cellarage––
Consent to swear.
HORATIO Propose the oath, my lord.
HAMLET Never to speak of this that you have seen,
Swear by my sword.
Ghost [Beneath] Swear.
HAMLET Hic et ubique? then we'll shift our ground.
Come hither, gentlemen,
And lay your hands again upon my sword:
Never to speak of this that you have heard,
Swear by my sword. 160
Ghost [Beneath] Swear.
HAMLET Well said, old mole! canst work i' the earth so fast?
A worthy pioner! Once more remove, good friends.
HORATIO O day and night, but this is wondrous strange!
HAMLET And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy. But come;
Here, as before, never, so help you mercy,
How strange or odd soe'er I bear myself, 170
As I perchance hereafter shall think meet
To put an antic disposition on,
That you, at such times seeing me, never shall,
With arms encumber'd thus, or this headshake,
Or by pronouncing of some doubtful phrase,
As 'Well, well, we know,' or 'We could, an if we would,'
Or 'If we list to speak,' or 'There be, an if they might,'
Or such ambiguous giving out, to note
That you know aught of me: this not to do,
So grace and mercy at your most need help you, Swear. 180
Ghost [Beneath] Swear.
HAMLET Rest, rest, perturbed spirit!
[They swear]
So, gentlemen,
With all my love I do commend me to you:
And what so poor a man as Hamlet is
May do, to express his love and friending to you,
God willing, shall not lack. Let us go in together;
And still your fingers on your lips, I pray.
The time is out of joint: O cursed spite,
That ever I was born to set it right! 190
Nay, come, let's go together.
[Exeunt]

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Weedon Scott pressed a button, and the staircase and downstairs hall were flooded with light. Then he and Judge Scott, revolvers in hand, cautiously descended. There was no need for this caution. White Fang had done his work. In the midst of the wreckage of overthrown and smashed furniture, partly on his side, his face hidden by an arm, lay a man. Weedon Scott bent over, removed the arm and turned the man's face upward. A gaping throat explained the manner of his death.

"Jim Hall," said Judge Scott, and father and son looked significantly at each other.

Then they turned to White Fang. He, too, was lying on his side. His eyes were closed, but the lids slightly lifted in an effort to look at them as they bent over him, and the tail was perceptibly agitated in a vain effort to wag. Weedon Scott patted him, and his throat rumbled an acknowledging growl. But it was a weak growl at best, and it quickly ceased. His eyelids drooped and went shut, and his whole body seemed to relax and flatten out upon the floor.

"He's all in, poor devil," muttered the master.

"We'll see about that," asserted the Judge, as he started for the telephone.

"Frankly, he has one chance in a thousand," announced the surgeon, after he had worked an hour and a half on White Fang.

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Dawn was breaking through the windows and dimming the electric lights. With the exception of the children, the whole family was gathered about the surgeon to hear his verdict.

"One broken hind–leg," he went on. "Three broken ribs, one at least of which has pierced the lungs. He has lost nearly all the blood in his body. There is a large likelihood of internal injuries. He must have been jumped upon. To say nothing of three bullet holes clear through him. One chance in a thousand is really optimistic. He hasn't a chance in ten thousand."

"But he mustn't lose any chance that might be of help to him," Judge Scott exclaimed. "Never mind expense. Put him under the X–ray––anything. Weedon, telegraph at once to San Francisco for Doctor Nichols. No reflection on you, doctor, you understand; but he must have the advantage of every chance."

The surgeon smiled indulgently. "Of course I understand. He deserves all that can be done for him. He must be nursed as you would nurse a human being, a sick child. And don't forget what I told you about temperature. I'll be back at ten o'clock again."

White Fang received the nursing. Judge Scott's suggestion of a trained nurse was indignantly clamoured down by the girls, who themselves undertook the task. And White Fang won out on the one chance in ten thousand denied him by the surgeon.

The latter was not to be censured for his misjudgment. All his life he had tended and operated on the soft humans of civilisation, who lived sheltered lives and had descended out of many sheltered generations. Compared with White Fang, they were frail and flabby, and clutched life without any strength in their grip. White Fang had come straight from the Wild, where the weak perish early and shelter is vouchsafed to none. In neither his father nor his mother was there any weakness, nor in the generations before them. A constitution of iron and the vitality of the Wild were White Fang's inheritance, and he clung to life, the whole of him and every part of him, in spirit and in flesh, with the tenacity that of old belonged to all creatures.

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Bound down a prisoner, denied even movement by the plaster casts and bandages, White Fang lingered out the weeks. He slept long hours and dreamed much, and through his mind passed an unending pageant of Northland visions. All the ghosts of the past arose and were with him. Once again he lived in the lair with Kiche, crept trembling to the knees of Grey Beaver to tender his allegiance, ran for his life before Lip–lip and all the howling bedlam of the puppy–pack.

He ran again through the silence, hunting his living food through the months of famine; and again he ran at the head of the team, the gut–whips of Mit–sah and Grey Beaver snapping behind, their voices crying "Ra! Raa!" when they came to a narrow passage and the team closed together like a fan to go through. He lived again all his days with Beauty Smith and the fights he had fought. At such times he whimpered and snarled in his sleep, and they that looked on said that his dreams were bad.

But there was one particular nightmare from which he suffered––the clanking, clanging monsters of electric cars that were to him colossal screaming lynxes. He would lie in a screen of bushes, watching for a squirrel to venture far enough out on the ground from its tree–refuge. Then, when he sprang out upon it, it would transform itself into an electric car, menacing and terrible, towering over him like a mountain, screaming and clanging and spitting fire at him. It was the same when he challenged the hawk down out of the sky. Down out of the blue it would rush, as it dropped upon him changing itself into the ubiquitous electric car. Or again, he would be in the pen of Beauty Smith. Outside the pen, men would be gathering, and he knew that a fight was on. He watched the door for his antagonist to enter. The door would open, and thrust in upon him would come the awful electric car. A thousand times this occurred, and each time the terror it inspired was as vivid and great as ever.