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Over and over again Dorian used to read this fantastic Chapter, and the two Chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV, whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine––the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d'Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI, who had so wildly adored his brother's wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him.

There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning––poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.

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When he reached the library, he saw the bag and coat in the corner. They must be hidden away somewhere. He unlocked a secret press that was in the wainscoting, a press in which he kept his own curious disguises, and put them into it. He could easily burn them afterwards. Then he pulled out his watch. It was twenty minutes to two.

He sat down and began to think. Every year––every month, almost––men were strangled in England for what he had done. There had been a madness of murder in the air. Some red star had come too close to the earth…. And yet, what evidence was there against him? Basil Hallward had left the house at eleven. No one had seen him come in again. Most of the servants were at Selby Royal. His valet had gone to bed…. Paris! Yes. It was to Paris that Basil had gone, and by the midnight train, as he had intended. With his curious reserved habits, it would be months before any suspicions would be roused. Months! Everything could be destroyed long before then.

A sudden thought struck him. He put on his fur coat and hat and went out into the hall. There he paused, hearing the slow heavy tread of the policeman on the pavement outside and seeing the flash of the bull's–eye reflected in the window. He waited and held his breath.

After a few moments he drew back the latch and slipped out, shutting the door very gently behind him. Then he began ringing the bell. In about five minutes his valet appeared, half–dressed and looking very drowsy.

"I am sorry to have had to wake you up, Francis," he said, stepping in; "but I had forgotten my latch–key. What time is it?"

"Ten minutes past two, sir," answered the man, looking at the clock and blinking.

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Chapter 13, page 1

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CHAPTER 13

"There is no good telling me you are going to be good, Dorian," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose–water. "You are quite perfect. Pray don't change."

Dorian shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday."

"Where were you yesterday?"

"In the country, Harry. I was staying at a little inn by myself."

"My dear boy," said Lord Henry smiling, "anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so uncivilized. There are only two ways, as you know, of becoming civilized. One is by being cultured, the other is by being corrupt. Country–people have no opportunity of being either, so they stagnate."

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"Not at all, not at all, Mr. Gray. Ever ready to do anything for you, sir." And Mr. Hubbard tramped downstairs, followed by the assistant, who glanced back at Dorian with a look of shy wonder in his rough uncomely face. He had never seen any one so marvellous.

When the sound of their footsteps had died away, Dorian locked the door and put the key in his pocket. He felt safe now. No one would ever look upon the horrible thing. No eye but his would ever see his shame.

On reaching the library, he found that it was just after five o'clock and that the tea had been already brought up. On a little table of dark perfumed wood thickly incrusted with nacre, a present from Lady Radley, his guardian's wife, a pretty professional invalid who had spent the preceding winter in Cairo, was lying a note from Lord Henry, and beside it was a book bound in yellow paper, the cover slightly torn and the edges soiled. A copy of the third edition of The St. James's Gazette had been placed on the tea–tray. It was evident that Victor had returned. He wondered if he had met the men in the hall as they were leaving the house and had wormed out of them what they had been doing. He would be sure to miss the picture––had no doubt missed it already, while he had been laying the tea–things. The screen had not been set back, and a blank space was visible on the wall. Perhaps some night he might find him creeping upstairs and trying to force the door of the room. It was a horrible thing to have a spy in one's house. He had heard of rich men who had been blackmailed all their lives by some servant who had read a letter, or overheard a conversation, or picked up a card with an address, or found beneath a pillow a withered flower or a shred of crumpled lace.

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Chapter 10, page 1

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CHAPTER 10

It was on the ninth of November, the eve of his own thirty–eighth birthday, as he often remembered afterwards.

He was walking home about eleven o'clock from Lord Henry's, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house.

But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.

"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o'clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn't quite sure. Didn't you recognize me?"

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"Ten minutes past two? How horribly late! You must wake me at nine to–morrow. I have some work to do."

"All right, sir."

"Did any one call this evening?"

"Mr. Hallward, sir. He stayed here till eleven, and then he went away to catch his train."

"Oh! I am sorry I didn't see him. Did he leave any message?"

"No, sir, except that he would write to you from Paris, if he did not find you at the club."

"That will do, Francis. Don't forget to call me at nine to–morrow."

"No, sir."

The man shambled down the passage in his slippers.

Dorian Gray threw his hat and coat upon the table and passed into the library. For a quarter of an hour he walked up and down the room, biting his lip and thinking. Then he took down the Blue Book from one of the shelves and began to turn over the leaves. "Alan Campbell, 152, Hertford Street, Mayfair." Yes; that was the man he wanted.

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Chapter 13, page 2

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"Culture and corruption," murmured Dorian. "I have known something of both. It seems to me curious now that they should ever be found together. For I have a new ideal, Harry. I am going to alter. I think I have altered."

"You have not told me yet what your good action was. Or did you say you had done more than one?"

"I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful, and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don't you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple–blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flower–like as I had found her."

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He sighed, and having poured himself out some tea, opened Lord Henry's note. It was simply to say that he sent him round the evening paper, and a book that might interest him, and that he would be at the club at eight–fifteen. He opened The St. James's languidly, and looked through it. A red pencil–mark on the fifth page caught his eye. It drew attention to the following paragraph:

INQUEST ON AN ACTRESS.––An inquest was held this morning at the Bell Tavern, Hoxton Road, by Mr. Danby, the District Coroner, on the body of Sibyl Vane, a young actress recently engaged at the Royal Theatre, Holborn. A verdict of death by misadventure was returned. Considerable sympathy was expressed for the mother of the deceased, who was greatly affected during the giving of her own evidence, and that of Dr. Birrell, who had made the post–mortem examination of the deceased.

He frowned, and tearing the paper in two, went across the room and flung the pieces away. How ugly it all was! And how horribly real ugliness made things! He felt a little annoyed with Lord Henry for having sent him the report. And it was certainly stupid of him to have marked it with red pencil. Victor might have read it. The man knew more than enough English for that.

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Chapter 10, page 2

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"In this fog, my dear Basil? Why, I can't even recognize Grosvenor Square. I believe my house is somewhere about here, but I don't feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?"

"No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn't about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you."

"I shall be charmed. But won't you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch–key.

The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn't go till twelve–fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan't have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes."

Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don't talk about anything serious. Nothing is serious nowadays. At least nothing should be."

Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit–case stood, with some siphons of soda–water and large cut–glass tumblers, on a little marqueterie table.

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Chapter 12, page 1

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CHAPTER 12

At nine o'clock the next morning his servant came in with a cup of chocolate on a tray, and opened the shutters. Dorian was sleeping quite peacefully, lying on his right side, with one hand underneath his cheek. He looked like a boy who had been tired out with play, or study.

The man had to touch him twice on the shoulder before he woke, and as he opened his eyes a faint smile passed across his lips, as though he had been having some delightful dream. Yet he had not dreamed at all. His night had been untroubled by any images of pleasure or of pain. But youth smiles without any reason. It is one of its chiefest charms.

He turned round, and, leaning on his elbow, began to drink his chocolate. The mellow November sun was streaming into the room. The sky was bright blue, and there was a genial warmth in the air. It was almost like a morning in May.

Gradually the events of the preceding night crept with silent blood–stained feet into his brain, and reconstructed themselves there with terrible distinctness. He winced at the memory of all that he had suffered, and for a moment the same curious feeling of loathing for Basil Hallward, that had made him kill him as he sat in the chair, came back to him, and he grew cold with passion. The dead man was still sitting there, too, and in the sunlight now. How horrible that was! Such hideous things were for the darkness, not for the day.

He felt that if he brooded on what he had gone through he would sicken or grow mad. There were sins whose fascination was more in the memory than in the doing of them, strange triumphs that gratified the pride more than the passions, and gave to the intellect a quickened sense of joy, greater than any joy they brought, or could ever bring, to the senses. But this was not one of them. It was a thing to be driven out of the mind, to be drugged with poppies, to be strangled lest it might strangle one itself.