Knocking within. Enter a Porter.
| Porter |
Here's a knocking indeed! |
|
|
If a man were porter of hell–gate, he should have old turning the key. |
|
|
[Knocking within.] Knock, knock, knock! |
|
|
Who's there, i' the name of Beelzebub? |
|
|
Here's a farmer, that hanged himself on the expectation of plenty: |
|
|
come in time; have napkins enow about you; here you'll sweat for't. |
|
|
[Knocking within.] Knock, knock! Who's there, |
|
|
in th'other devil's name? Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: |
|
|
O, come in, equivocator. |
|
|
[Knocking within.] Knock, knock, knock! Who's there? Faith, |
|
|
here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. [Knocking within.] |
|
|
Knock, knock; never at quiet! What are you? |
|
|
I'll devil–porter it no further: |
|
|
I had thought to have let in some of all professions that go |
|
|
the primrose way to the everlasting bonfire. |
|
|
But this place is too cold for hell. [Knocking within.] |
|
|
Anon, anon! I pray you, remember the porter. [Opens the gate.] |
|
|
Enter MACDUFF and LENNOX. |
|
| MACDUFF |
Was it so late, friend, ere you went to bed, |
|
| |
That you do lie so late? |
|
| Porter |
Faith sir, we were carousing till the second cock: and drink, sir, is a great provoker of three things. |
|
| MACDUFF |
What three things does drink especially provoke? |
|
| Porter |
Marry, sir, nose–painting, sleep, and |
|
| |
urine. Lechery, sir, it provokes, and unprovokes; |
|
| |
it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: |
|
|
it makes him, and it mars him; it sets him on, and it takes him off; |
|
|
it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. |
|
| MACDUFF |
I believe drink gave thee the lie last night. |
42 |
| Porter |
That it did, sir, i' the very throat on |
|
| |
me: but I requited him for his lie; and, I |
|
| |
think, being too strong for him, though he took |
|
| |
up my legs sometime, yet I made a shift to cast |
|
| |
him. |
|
| MACDUFF |
Is thy master stirring? |
|
| |
Enter MACBETH. |
|
| |
Our knocking has awaked him; here he comes. |
|
| LENNOX |
Good morrow, noble sir. |
|
| MACBETH |
Good morrow, both. |
|
| MACDUFF |
Is the king stirring, worthy thane? |
|
| MACBETH |
Not yet. |
50 |
| MACDUFF |
He did command me to call timely on him: |
|
| |
I have almost slipp'd the hour. |
|
| MACBETH |
I'll bring you to him. |
|
| MACDUFF |
I know this is a joyful trouble to you; |
|
| |
But yet 'tis one. |
|
| MACBETH |
The labour we delight in physics pain. |
|
| |
This is the door. |
|
| MACDUFF |
I'll make so bold to call, |
|
| |
For 'tis my limited service. |
|
| |
Exit |
|
| LENNOX |
Goes the king hence to–day? |
|
| MACBETH |
He does: he did appoint so. |
|
| LENNOX |
The night has been unruly: where we lay, |
|
| |
Our chimneys were blown down; and, as they say, |
60 |
| |
Lamentings heard i' the air; strange screams of death, |
|
| |
And prophesying with accents terrible |
|
| |
Of dire combustion and confused events |
|
| |
New hatch'd to the woeful time: the obscure bird |
|
| |
Clamour'd the livelong night: some say, the earth |
|
| |
Was feverous and did shake. |
|
| MACBETH |
Twas a rough night. |
|
| LENNOX |
My young remembrance cannot parallel |
|
| |
A fellow to it. |
|
| |
Re–enter MACDUFF. |
|
| MACDUFF |
O horror, horror, horror! Tongue nor heart |
|
| |
Cannot conceive nor name thee! |
|
| MACBETH |
|
|
| |
What's the matter. |
70 |
| LENNOX |
|
|
| MACDUFF |
Confusion now hath made his masterpiece! |
|
| |
Most sacrilegious murder hath broke ope |
|
| |
The Lord's anointed temple, and stole thence |
|
| |
The life o' the building! |
|
| MACBETH |
What is 't you say? the life? |
|
| LENNOX |
Mean you his majesty? |
|
| MACDUFF |
Approach the chamber, and destroy your sight |
|
| |
With a new Gorgon: do not bid me speak; |
|
| |
See, and then speak yourselves. |
|
| |
Exeunt MACBETH and LENNOX |
|
| |
Awake, awake! |
|
| |
Ring the alarum–bell. Murder and treason! |
|
| |
Banquo and Donalbain! Malcolm! awake! |
80 |
| |
Shake off this downy sleep, death's counterfeit, |
|
| |
And look on death itself! up, up, and see |
|
| |
The great doom's image! Malcolm! Banquo! |
|
| |
As from your graves rise up, and walk like sprites, |
|
| |
To countenance this horror! Ring the bell. |
|
| |
Bell rings. |
|
| |
Enter LADY MACBETH. |
|
| LADY MACBETH |
What's the business, |
|
| |
That such a hideous trumpet calls to parley |
|
| |
The sleepers of the house? speak, speak! |
|
| MACDUFF |
O gentle lady, |
|
| |
Tis not for you to hear what I can speak: |
|
| |
The repetition, in a woman's ear, |
91 |
| |
Would murder as it fell. |
|
| |
Enter BANQUO. |
|
| |
O Banquo, Banquo, |
|
| |
Our royal master 's murder'd! |
|
| LADY MACBETH |
Woe, alas! |
|
| |
What, in our house? |
|
| BANQUO |
Too cruel any where. |
|
| |
Dear Duff, I prithee, contradict thyself, |
|
| |
And say it is not so. |
|
| |
Re–enter MACBETH and LENNOX, with ROSS. |
|
| MACBETH |
Had I but died an hour before this chance, |
|
| |
I had lived a blessed time; for, from this instant, |
|
| |
There 's nothing serious in mortality: |
|
| |
All is but toys: renown and grace is dead; |
|
| |
The wine of life is drawn, and the mere lees |
100 |
| |
Is left this vault to brag of. |
|
| |
Enter MALCOLM and DONALBAIN. |
|
| DONALBAIN |
What is amiss? |
|
| MACBETH |
You are, and do not know't: |
|
| |
The spring, the head, the fountain of your blood |
|
| |
Is stopp'd; the very source of it is stopp'd. |
|
| MACDUFF |
Your royal father 's murder'd. |
|
| MALCOLM |
O, by whom? |
|
| LENNOX |
Those of his chamber, as it seem'd, had done 't: |
|
| |
Their hands and faces were an badged with blood; |
|
| |
So were their daggers, which unwiped we found |
|
| |
Upon their pillows: |
|
| |
They stared, and were distracted; no man's life |
110 |
| |
Was to be trusted with them. |
|
| MACBETH |
O, yet I do repent me of my fury, |
|
| |
That I did kill them. |
|
| MACDUFF |
Wherefore did you so? |
|
| MACBETH |
Who can be wise, amazed, temperate and furious, |
|
| |
Loyal and neutral, in a moment? No man: |
|
| |
The expedition my violent love |
|
| |
Outrun the pauser, reason. Here lay Duncan, |
|
| |
His silver skin laced with his golden blood; |
|
| |
And his gash'd stabs look'd like a breach in nature |
|
| |
For ruin's wasteful entrance: there, the murderers, |
120 |
| |
Steep'd in the colours of their trade, their daggers |
|
| |
Unmannerly breech'd with gore: who could refrain, |
|
| |
That had a heart to love, and in that heart |
|
| |
Courage to make 's love known? |
|
| LADY MACBETH |
Help me hence, ho! |
|
| MACDUFF |
Look to the lady. |
|
| MALCOLM |
Aside to DONALBAIN. Why do we hold our tongues, |
|
| |
That most may claim this argument for ours? |
|
| DONALBAIN |
Aside to MALCOLM. What should be spoken here, |
|
| |
where our fate, |
|
| |
Hid in an auger–hole, may rush, and seize us? |
|
| |
Let 's away; |
|
| |
Our tears are not yet brew'd. |
|
| MALCOLM |
Aside to DONALBAIN. Nor our strong sorrow |
|
| |
Upon the foot of motion. |
130 |
| BANQUO |
Look to the lady: |
|
| |
LADY MACBETH is carried out. |
|
| |
And when we have our naked frailties hid, |
|
| |
That suffer in exposure, let us meet, |
|
| |
And question this most bloody piece of work, |
|
| |
To know it further. Fears and scruples shake us: |
|
| |
In the great hand of God I stand; and thence |
|
| |
Against the undivulged pretence I fight |
|
| |
Of treasonous malice. |
|
| MACDUFF |
And so do I. |
|
| ALL |
So all. |
|
| MACBETH |
Let's briefly put on manly readiness, |
|
| |
And meet i' the hall together. |
|
| ALL |
Well contented. |
140 |
| |
Exeunt all but Malcolm and Donalbain. |
|
| MALCOLM |
What will you do? |
|
| |
Let's not consort with them: |
|
| |
To show an unfelt sorrow is an office |
|
| |
Which the false man does easy. I'll to England. |
|
| DONALBAIN |
To Ireland, I; our separated fortune |
|
| |
Shall keep us both the safer: where we are, |
|
| |
There's daggers in men's smiles: the near in blood, |
|
| |
The nearer bloody. |
|
| MALCOLM |
This murderous shaft that's shot |
|
| |
Hath not yet lighted, and our safest way |
|
| |
Is to avoid the aim. Therefore, to horse; |
|
| |
And let us not be dainty of leave–taking, |
150 |
| |
But shift away: there's warrant in that theft |
|
| |
Which steals itself, when there's no mercy left. |
|
| |
Exeunt. |
|