Category: Hatchet

In the meantime the newspapers were read at Sierra Vista, not so much with interest as with anxiety. The women were afraid. Judge Scott pooh– poohed and laughed, but not with reason, for it was in his last days on the bench that Jim Hall had stood before him and received sentence. And in open court–room, before all men, Jim Hall had proclaimed that the day would come when he would wreak vengeance on the Judge that sentenced him.

For once, Jim Hall was right. He was innocent of the crime for which he was sentenced. It was a case, in the parlance of thieves and police, of "rail–roading." Jim Hall was being "rail–roaded" to prison for a crime he had not committed. Because of the two prior convictions against him, Judge Scott imposed upon him a sentence of fifty years.

Judge Scott did not know all things, and he did not know that he was party to a police conspiracy, that the evidence was hatched and perjured, that Jim Hall was guiltless of the crime charged. And Jim Hall, on the other hand, did not know that Judge Scott was merely ignorant. Jim Hall believed that the judge knew all about it and was hand in glove with the police in the perpetration of the monstrous injustice. So it was, when the doom of fifty years of living death was uttered by Judge Scott, that Jim Hall, hating all things in the society that misused him, rose up and raged in the court–room until dragged down by half a dozen of his blue– coated enemies. To him, Judge Scott was the keystone in the arch of injustice, and upon Judge Scott he emptied the vials of his wrath and hurled the threats of his revenge yet to come. Then Jim Hall went to his living death . . . and escaped.

Of all this White Fang knew nothing. But between him and Alice, the master's wife, there existed a secret. Each night, after Sierra Vista had gone to bed, she rose and let in White Fang to sleep in the big hall. Now White Fang was not a house–dog, nor was he permitted to sleep in the house; so each morning, early, she slipped down and let him out before the family was awake.

On one such night, while all the house slept, White Fang awoke and lay very quietly. And very quietly he smelled the air and read the message it bore of a strange god's presence. And to his ears came sounds of the strange god's movements. White Fang burst into no furious outcry. It was not his way. The strange god walked softly, but more softly walked White Fang, for he had no clothes to rub against the flesh of his body. He followed silently. In the Wild he had hunted live meat that was infinitely timid, and he knew the advantage of surprise.

The strange god paused at the foot of the great staircase and listened, and White Fang was as dead, so without movement was he as he watched and waited. Up that staircase the way led to the love–master and to the love– master's dearest possessions. White Fang bristled, but waited. The strange god's foot lifted. He was beginning the ascent.

Then it was that White Fang struck. He gave no warning, with no snarl anticipated his own action. Into the air he lifted his body in the spring that landed him on the strange god's back. White Fang clung with his fore–paws to the man's shoulders, at the same time burying his fangs into the back of the man's neck. He clung on for a moment, long enough to drag the god over backward. Together they crashed to the floor. White Fang leaped clear, and, as the man struggled to rise, was in again with the slashing fangs.

Sierra Vista awoke in alarm. The noise from downstairs was as that of a score of battling fiends. There were revolver shots. A man's voice screamed once in horror and anguish. There was a great snarling and growling, and over all arose a smashing and crashing of furniture and glass.

But almost as quickly as it had arisen, the commotion died away. The struggle had not lasted more than three minutes. The frightened household clustered at the top of the stairway. From below, as from out an abyss of blackness, came up a gurgling sound, as of air bubbling through water. Sometimes this gurgle became sibilant, almost a whistle. But this, too, quickly died down and ceased. Then naught came up out of the blackness save a heavy panting of some creature struggling sorely for air.

Weedon Scott pressed a button, and the staircase and downstairs hall were flooded with light. Then he and Judge Scott, revolvers in hand, cautiously descended. There was no need for this caution. White Fang had done his work. In the midst of the wreckage of overthrown and smashed furniture, partly on his side, his face hidden by an arm, lay a man. Weedon Scott bent over, removed the arm and turned the man's face upward. A gaping throat explained the manner of his death.

"Jim Hall," said Judge Scott, and father and son looked significantly at each other.

Then they turned to White Fang. He, too, was lying on his side. His eyes were closed, but the lids slightly lifted in an effort to look at them as they bent over him, and the tail was perceptibly agitated in a vain effort to wag. Weedon Scott patted him, and his throat rumbled an acknowledging growl. But it was a weak growl at best, and it quickly ceased. His eyelids drooped and went shut, and his whole body seemed to relax and flatten out upon the floor.

"He's all in, poor devil," muttered the master.

"We'll see about that," asserted the Judge, as he started for the telephone.

"Frankly, he has one chance in a thousand," announced the surgeon, after he had worked an hour and a half on White Fang.

At first suspicious and hostile, White Fang grew to like this petting. But there was one thing that he never outgrew––his growling. Growl he would, from the moment the petting began till it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerve–racking and blood–curdling. But White Fang's throat had become harsh–fibred from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. Nevertheless, Weedon Scott's ear and sympathy were fine enough to catch the new note all but drowned in the fierceness––the note that was the faintest hint of a croon of content and that none but he could hear.

As the days went by, the evolution of like into love was accelerated. White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being––a hungry, aching, yearning void that clamoured to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god's presence. At such times love was joy to him, a wild, keen– thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly.

White Fang was in the process of finding himself. In spite of the maturity of his years and of the savage rigidity of the mould that had formed him, his nature was undergoing an expansion. There was a burgeoning within him of strange feelings and unwonted impulses. His old code of conduct was changing. In the past he had liked comfort and surcease from pain, disliked discomfort and pain, and he had adjusted his actions accordingly. But now it was different. Because of this new feeling within him, he ofttimes elected discomfort and pain for the sake of his god. Thus, in the early morning, instead of roaming and foraging, or lying in a sheltered nook, he would wait for hours on the cheerless cabin–stoop for a sight of the god's face. At night, when the god returned home, White Fang would leave the warm sleeping–place he had burrowed in the snow in order to receive the friendly snap of fingers and the word of greeting. Meat, even meat itself, he would forego to be with his god, to receive a caress from him or to accompany him down into the town.

White Fang landed from the steamer in San Francisco. He was appalled. Deep in him, below any reasoning process or act of consciousness, he had associated power with godhead. And never had the white men seemed such marvellous gods as now, when he trod the slimy pavement of San Francisco. The log cabins he had known were replaced by towering buildings. The streets were crowded with perils––waggons, carts, automobiles; great, straining horses pulling huge trucks; and monstrous cable and electric cars hooting and clanging through the midst, screeching their insistent menace after the manner of the lynxes he had known in the northern woods.

All this was the manifestation of power. Through it all, behind it all, was man, governing and controlling, expressing himself, as of old, by his mastery over matter. It was colossal, stunning. White Fang was awed. Fear sat upon him. As in his cubhood he had been made to feel his smallness and puniness on the day he first came in from the Wild to the village of Grey Beaver, so now, in his full–grown stature and pride of strength, he was made to feel small and puny. And there were so many gods! He was made dizzy by the swarming of them. The thunder of the streets smote upon his ears. He was bewildered by the tremendous and endless rush and movement of things. As never before, he felt his dependence on the love–master, close at whose heels he followed, no matter what happened never losing sight of him.

But White Fang was to have no more than a nightmare vision of the city––an experience that was like a bad dream, unreal and terrible, that haunted him for long after in his dreams. He was put into a baggage–car by the master, chained in a corner in the midst of heaped trunks and valises. Here a squat and brawny god held sway, with much noise, hurling trunks and boxes about, dragging them in through the door and tossing them into the piles, or flinging them out of the door, smashing and crashing, to other gods who awaited them.

And here, in this inferno of luggage, was White Fang deserted by the master. Or at least White Fang thought he was deserted, until he smelled out the master's canvas clothes–bags alongside of him, and proceeded to mount guard over them.

"'Bout time you come," growled the god of the car, an hour later, when Weedon Scott appeared at the door. "That dog of yourn won't let me lay a finger on your stuff."

Life was complex in the Santa Clara Valley after the simplicities of the Northland. And the chief thing demanded by these intricacies of civilisation was control, restraint––a poise of self that was as delicate as the fluttering of gossamer wings and at the same time as rigid as steel. Life had a thousand faces, and White Fang found he must meet them all––thus, when he went to town, in to San Jose, running behind the carriage or loafing about the streets when the carriage stopped. Life flowed past him, deep and wide and varied, continually impinging upon his senses, demanding of him instant and endless adjustments and correspondences, and compelling him, almost always, to suppress his natural impulses.

There were butcher–shops where meat hung within reach. This meat he must not touch. There were cats at the houses the master visited that must be let alone. And there were dogs everywhere that snarled at him and that he must not attack. And then, on the crowded sidewalks there were persons innumerable whose attention he attracted. They would stop and look at him, point him out to one another, examine him, talk of him, and, worst of all, pat him. And these perilous contacts from all these strange hands he must endure. Yet this endurance he achieved. Furthermore, he got over being awkward and self–conscious. In a lofty way he received the attentions of the multitudes of strange gods. With condescension he accepted their condescension. On the other hand, there was something about him that prevented great familiarity. They patted him on the head and passed on, contented and pleased with their own daring.

But it was not all easy for White Fang. Running behind the carriage in the outskirts of San Jose, he encountered certain small boys who made a practice of flinging stones at him. Yet he knew that it was not permitted him to pursue and drag them down. Here he was compelled to violate his instinct of self–preservation, and violate it he did, for he was becoming tame and qualifying himself for civilisation.

Like had been replaced by love. And love was the plummet dropped down into the deeps of him where like had never gone. And responsive out of his deeps had come the new thing––love. That which was given unto him did he return. This was a god indeed, a love–god, a warm and radiant god, in whose light White Fang's nature expanded as a flower expands under the sun.

But White Fang was not demonstrative. He was too old, too firmly moulded, to become adept at expressing himself in new ways. He was too self–possessed, too strongly poised in his own isolation. Too long had he cultivated reticence, aloofness, and moroseness. He had never barked in his life, and he could not now learn to bark a welcome when his god approached. He was never in the way, never extravagant nor foolish in the expression of his love. He never ran to meet his god. He waited at a distance; but he always waited, was always there. His love partook of the nature of worship, dumb, inarticulate, a silent adoration. Only by the steady regard of his eyes did he express his love, and by the unceasing following with his eyes of his god's every movement. Also, at times, when his god looked at him and spoke to him, he betrayed an awkward self–consciousness, caused by the struggle of his love to express itself and his physical inability to express it.

He learned to adjust himself in many ways to his new mode of life. It was borne in upon him that he must let his master's dogs alone. Yet his dominant nature asserted itself, and he had first to thrash them into an acknowledgment of his superiority and leadership. This accomplished, he had little trouble with them. They gave trail to him when he came and went or walked among them, and when he asserted his will they obeyed.

White Fang emerged from the car. He was astonished. The nightmare city was gone. The car had been to him no more than a room in a house, and when he had entered it the city had been all around him. In the interval the city had disappeared. The roar of it no longer dinned upon his ears. Before him was smiling country, streaming with sunshine, lazy with quietude. But he had little time to marvel at the transformation. He accepted it as he accepted all the unaccountable doings and manifestations of the gods. It was their way.

There was a carriage waiting. A man and a woman approached the master. The woman's arms went out and clutched the master around the neck––a hostile act! The next moment Weedon Scott had torn loose from the embrace and closed with White Fang, who had become a snarling, raging demon.

"It's all right, mother," Scott was saying as he kept tight hold of White Fang and placated him. "He thought you were going to injure me, and he wouldn't stand for it. It's all right. It's all right. He'll learn soon enough."

"And in the meantime I may be permitted to love my son when his dog is not around," she laughed, though she was pale and weak from the fright.

She looked at White Fang, who snarled and bristled and glared malevolently.

"He'll have to learn, and he shall, without postponement," Scott said.

Nevertheless, White Fang was not quite satisfied with the arrangement. He had no abstract ideas about justice and fair play. But there is a certain sense of equity that resides in life, and it was this sense in him that resented the unfairness of his being permitted no defence against the stone–throwers. He forgot that in the covenant entered into between him and the gods they were pledged to care for him and defend him. But one day the master sprang from the carriage, whip in hand, and gave the stone–throwers a thrashing. After that they threw stones no more, and White Fang understood and was satisfied.

One other experience of similar nature was his. On the way to town, hanging around the saloon at the cross–roads, were three dogs that made a practice of rushing out upon him when he went by. Knowing his deadly method of fighting, the master had never ceased impressing upon White Fang the law that he must not fight. As a result, having learned the lesson well, White Fang was hard put whenever he passed the cross–roads saloon. After the first rush, each time, his snarl kept the three dogs at a distance but they trailed along behind, yelping and bickering and insulting him. This endured for some time. The men at the saloon even urged the dogs on to attack White Fang. One day they openly sicked the dogs on him. The master stopped the carriage.

"Go to it," he said to White Fang.