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Chapter 6, page 15

Table of Contents

There was a silence. The evening darkened in the room. Noiselessly, and with silver feet, the shadows crept in from the garden. The colours faded wearily out of things.

After some time Dorian Gray looked up. "You have explained me to myself, Harry," he murmured with something of a sigh of relief. "I felt all that you have said, but somehow I was afraid of it, and I could not express it to myself. How well you know me! But we will not talk again of what has happened. It has been a marvellous experience. That is all. I wonder if life has still in store for me anything as marvellous."

"Life has everything in store for you, Dorian. There is nothing that you, with your extraordinary good looks, will not be able to do."

"But suppose, Harry, I became haggard, and old, and wrinkled? What then?"

"Ah, then," said Lord Henry, rising to go, "then, my dear Dorian, you would have to fight for your victories. As it is, they are brought to you. No, you must keep your good looks. We live in an age that reads too much to be wise, and that thinks too much to be beautiful. We cannot spare you. And now you had better dress and drive down to the club. We are rather late, as it is."

"I think I shall join you at the opera, Harry. I feel too tired to eat anything. What is the number of your sister's box?"

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Chapter 6

Text of Book

Chapter 6, page 1

Chapter 6, page 2

Chapter 6, page 3

Chapter 6, page 4

Chapter 6, page 5

Chapter 6, page 6

Chapter 6, page 7

Chapter 6, page 8

Chapter 6, page 9

Chapter 6, page 10

Chapter 6, page 11

Chapter 6, page 12

Chapter 6, page 13

Chapter 6, page 14

Chapter 6, page 15

Chapter 6, page 16

Chapter 6, page 17

Chapter 6, page 18

Questions

1) What is the main idea of this chapter?

2) Wotton is concerned that Dorian will be implicated in the investigation into Sibyl's death. He tells him, "Things like that make a man fashionable in Paris. But in London people are so prejudiced. Here, one should never make one's debut with a scandal."What does "scandal" mean?

3) Dorian says, "So I have murdered Sibyl Vane."

What does he mean?

4) Which two things does Dorian realize he will have?

5) Describing the circumstances surrounding Sibyl's death, Wotton tells Dorian, They ultimately found her lying dead on the floor of her dressing–room."

What does "ultimately" mean?

6) Dorian feels that he could have prevented Sibyl's death by honoring his marriage proposal. He feels that his decision to change his behavior came too late. Lord Wotton has a different opinion: "Good resolutions are simply a useless attempt to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil." What does "resolution" mean?

7) Harry Wotton envies Dorian's experience, saying that no woman has ever killed herself for love of him, as Sibyl seems to have done for Dorian. Instead, his lovers "have always insisted on living on, long after I had ceased to care for them, or they to care for me . . . they go in at once for reminiscences. That awful memory of woman! What a fearful thing it is! And what an utter intellectual stagnation it reveals!"

What does "stagnation" mean?

8) Dorian wonders if his prayer for eternal youth might have been granted, and for a moment considers praying to undo the effect. But then he thinks, "And, yet, who . . . would surrender the chance of remaining always young, however fantastic that chance might be, or with what fateful consequences it might be fraught?"

What does "surrender" mean?

9) By the end of the chapter, what are Dorian's feelings about the portrait?

10) What does the quote below mean?

"The portrait was to bear the burden of his shame: that was all."

11) Were there any events that weren't clear to you?

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Question #6

Dorian is relieved that Basil does not know the true secret of the portrait, but determines that he must hide the painting away for good. "He could not run such a risk of discovery again. It had been mad of him to have the thing remain, even for an hour, in a room to which any of his friends had access."

What does "access" mean?





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Chapter 1, page 12

Table of Contents

"Then why won't you exhibit his portrait?" asked Lord Henry.

"Because, without intending it, I have put into it some expression of all this curious artistic idolatry, of which, of course, I have never cared to speak to him. He knows nothing about it. He shall never know anything about it. But the world might guess it, and I will not bare my soul to their shallow prying eyes. My heart shall never be put under their microscope. There is too much of myself in the thing, Harry––too much of myself!"

"Poets are not so scrupulous as you are. They know how useful passion is for publication. Nowadays a broken heart will run to many editions."

"I hate them for it," cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what it is; and for that reason the world shall never see my portrait of Dorian Gray."

"I think you are wrong, Basil, but I won't argue with you. It is only the intellectually lost who ever argue. Tell me, is Dorian Gray very fond of you?"

The painter considered for a few moments. "He likes me," he answered after a pause; "I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day."

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Chapter 2, page 2

Table of Contents

"You have not spoiled my pleasure in meeting you, Mr. Gray," said Lord Henry, stepping forward and extending his hand. "My aunt has often spoken to me about you. You are one of her favourites, and, I am afraid, one of her victims also."

"I am in Lady Agatha's black books at present," answered Dorian with a funny look of penitence. "I promised to go to a club in Whitechapel with her last Tuesday, and I really forgot all about it. We were to have played a duet together––three duets, I believe. I don't know what she will say to me. I am far too frightened to call."

"Oh, I will make your peace with my aunt. She is quite devoted to you. And I don't think it really matters about your not being there. The audience probably thought it was a duet. When Aunt Agatha sits down to the piano, she makes quite enough noise for two people."

"That is very horrid to her, and not very nice to me," answered Dorian, laughing.

Lord Henry looked at him. Yes, he was certainly wonderfully handsome, with his finely curved scarlet lips, his frank blue eyes, his crisp gold hair. There was something in his face that made one trust him at once. All the candour of youth was there, as well as all youth's passionate purity. One felt that he had kept himself unspotted from the world. No wonder Basil Hallward worshipped him.

"You are too charming to go in for philanthropy, Mr. Gray––far too charming." And Lord Henry flung himself down on the divan and opened his cigarette–case.

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Chapter 2, page 18

Table of Contents

At half–past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany to call on his uncle, Lord Fermor, a genial if somewhat rough–mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him. His father had been our ambassador at Madrid when Isabella was young and Prim unthought of, but had retired from the diplomatic service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, his indolence, the good English of his dispatches, and his inordinate passion for pleasure. The son, who had been his father's secretary, had resigned along with his chief, somewhat foolishly as was thought at the time, and on succeeding some months later to the title, had set himself to the serious study of the great aristocratic art of doing absolutely nothing. He had two large town houses, but preferred to live in chambers as it was less trouble, and took most of his meals at his club. He paid some attention to the management of his collieries in the Midland counties, excusing himself for this taint of industry on the ground that the one advantage of having coal was that it enabled a gentleman to afford the decency of burning wood on his own hearth. In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date, but there was a good deal to be said for his prejudices.

When Lord Henry entered the room, he found his uncle sitting in a rough shooting–coat, smoking a cheroot and grumbling over The Times. "Well, Harry," said the old gentleman, "what brings you out so early? I thought you dandies never got up till two, and were not visible till five."

"Pure family affection, I assure you, Uncle George. I want to get something out of you."

"Money, I suppose," said Lord Fermor, making a wry face. "Well, sit down and tell me all about it. Young people, nowadays, imagine that money is everything."

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Chapter 3, page 6

Table of Contents

"I will tell you, Harry, but you mustn't be unsympathetic about it. After all, it never would have happened if I had not met you. You filled me with a wild desire to know everything about life. For days after I met you, something seemed to throb in my veins. As I lounged in the park, or strolled down Piccadilly, I used to look at every one who passed me and wonder, with a mad curiosity, what sort of lives they led. Some of them fascinated me. Others filled me with terror. There was an exquisite poison in the air. I had a passion for sensations…. Well, one evening about seven o'clock, I determined to go out in search of some adventure. I felt that this grey monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you once phrased it, must have something in store for me. I fancied a thousand things. The mere danger gave me a sense of delight. I remembered what you had said to me on that wonderful evening when we first dined together, about the search for beauty being the real secret of life. I don't know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half–past eight I passed by an absurd little theatre, with great flaring gas–jets and gaudy play–bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt. 'Have a box, my Lord?' he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage–box. To the present day I can't make out why I did so; and yet if I hadn't––my dear Harry, if I hadn't––I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"

"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A grande passion is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don't be afraid. There are exquisite things in store for you. This is merely the beginning."

"Do you think my nature so shallow?" cried Dorian Gray angrily.

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Question #5

Dorian explains his view of the difference between "ordinary women" and actresses: "They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in one of them. They ride in the Park in the morning, and chatter at tea–parties in the afternoon. They have their stereotyped smile, and their fashionable manner. They are quite obvious. But an actress! How different an actress is!"

What does "stereotyped" mean?