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Question #8

At the end of the chapter, Basil's butler announces that Dorian Gray has arrived. Wotton is happy because this means Basil cannot avoid introducing him to Dorian, but Basil is not as pleased. Why not?





Please enter the first three words of a sentence that shows your answers is correct.

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Chapter 2, page 13

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"Of course he likes it," said Lord Henry. "Who wouldn't like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it."

"It is not my property, Harry."

"Whose property is it?"

"Dorian's, of course," answered the painter.

"He is a very lucky fellow."

"How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June…. If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that––for that––I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!"

"You would hardly care for such an arrangement, Basil," cried Lord Henry, laughing. "It would be rather hard lines on your work."

"I should object very strongly, Harry," said Hallward.

Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say."

The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning.

"Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself."

Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don't talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you?––you who are finer than any of them!"

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Chapter 2, page 29

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"But we have such grave responsibilities," ventured Mrs. Vandeleur timidly.

"Terribly grave," echoed Lady Agatha.

Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world's original sin. If the caveman had known how to laugh, history would have been different."

"You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush."

"A blush is very becoming, Duchess," remarked Lord Henry.

"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again."

He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table.

"A great many, I fear," she cried.

"Then commit them over again," he said gravely. "To get back one's youth, one has merely to repeat one's follies."

"A delightful theory!" she exclaimed. "I must put it into practice."

"A dangerous theory!" came from Sir Thomas's tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened.

"Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes."

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Chapter 3, page 1

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CHAPTER 3

One afternoon, a month later, Dorian Gray was reclining in a luxurious arm–chair, in the little library of Lord Henry's house in Mayfair. It was, in its way, a very charming room, with its high panelled wainscoting of olive–stained oak, its cream–coloured frieze and ceiling of raised plasterwork, and its brickdust felt carpet strewn with silk, long–fringed Persian rugs. On a tiny satinwood table stood a statuette by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for Margaret of Valois by Clovis Eve and powdered with the gilt daisies that Queen had selected for her device. Some large blue china jars and parrot–tulips were ranged on the mantelshelf, and through the small leaded panes of the window streamed the apricot–coloured light of a summer day in London.

Lord Henry had not yet come in. He was always late on principle, his principle being that punctuality is the thief of time. So the lad was looking rather sulky, as with listless fingers he turned over the pages of an elaborately illustrated edition of Manon Lescaut that he had found in one of the book–cases. The formal monotonous ticking of the Louis Quatorze clock annoyed him. Once or twice he thought of going away.

At last he heard a step outside, and the door opened. "How late you are, Harry!" he murmured.

"I am afraid it is not Harry, Mr. Gray," answered a shrill voice.

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Chapter 4, page 6

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"Quite ready, James," she answered, keeping her eyes on her work. For some months past she had felt ill at ease when she was alone with this rough stern son of hers. Her shallow secret nature was troubled when their eyes met. She used to wonder if he suspected anything. The silence, for he made no other observation, became intolerable to her. She began to complain. Women defend themselves by attacking, just as they attack by sudden and strange surrenders. "I hope you will be contented, James, with your sea–faring life," she said. "You must remember that it is your own choice. You might have entered a solicitor's office. Solicitors are a very respectable class, and in the country often dine with the best families."

"I hate offices, and I hate clerks," he replied. "But you are quite right. I have chosen my own life. All I say is, watch over Sibyl. Don't let her come to any harm. Mother, you must watch over her."

"James, you really talk very strangely. Of course I watch over Sibyl."

"I hear a gentleman comes every night to the theatre and goes behind to talk to her. Is that right? What about that?"

"You are speaking about things you don't understand, James. In the profession we are accustomed to receive a great deal of most gratifying attention. I myself used to receive many bouquets at one time. That was when acting was really understood. As for Sibyl, I do not know at present whether her attachment is serious or not. But there is no doubt that the young man in question is a perfect gentleman. He is always most polite to me. Besides, he has the appearance of being rich, and the flowers he sends are lovely."

"You don't know his name, though," said the lad harshly.

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Chapter 4, page 22

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"But, surely, if one lives merely for one's self, Harry, one pays a terrible price for doing so?" suggested the painter.

"Yes, we are overcharged for everything nowadays. I should fancy that the real tragedy of the poor is that they can afford nothing but self–denial. Beautiful sins, like beautiful things, are the privilege of the rich."

"One has to pay in other ways but money."

"What sort of ways, Basil?"

"Oh! I should fancy in remorse, in suffering, in … well, in the consciousness of degradation."

Lord Henry shrugged his shoulders. "My dear fellow, mediaeval art is charming, but mediaeval emotions are out of date. One can use them in fiction, of course. But then the only things that one can use in fiction are the things that one has ceased to use in fact. Believe me, no civilized man ever regrets a pleasure, and no uncivilized man ever knows what a pleasure is."

"I know what pleasure is," cried Dorian Gray. "It is to adore some one."

"That is certainly better than being adored," he answered, toying with some fruits. "Being adored is a nuisance. Women treat us just as humanity treats its gods. They worship us, and are always bothering us to do something for them."

"I should have said that whatever they ask for they had first given to us," murmured the lad gravely. "They create love in our natures. They have a right to demand it back."

"That is quite true, Dorian," cried Hallward.

"Nothing is ever quite true," said Lord Henry.

"This is," interrupted Dorian. "You must admit, Harry, that women give to men the very gold of their lives."

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Chapter 5, page 3

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Dorian Gray grew pale as he watched her. Neither of his friends dared to say anything to him. She seemed to them to be absolutely incompetent. They were horribly disappointed.

Yet they felt that the true test of any Juliet is the balcony scene of the second act. They waited for that. If she failed there, there was nothing in her.

She looked charming as she came out in the moonlight. That could not be denied. But the staginess of her acting was unbearable, and grew worse as she went on. Her gestures became absurdly artificial. She over–emphasized everything that she had to say. The beautiful passage,––

Thou knowest the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to–night,––

was declaimed with the painful precision of a school–girl who has been taught to recite by some second–rate professor of elocution. When she leaned over the balcony and came to those wonderful lines,––

Although I joy in thee, I have no joy of this contract to–night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be Ere one can say, "It lightens." Sweet, good–night! This bud of love by summer's ripening breath May prove a beauteous flower when next we meet,––

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Question #6

When Dorian tells Sibyl he has fallen out of love with her, she becomes upset, which causes Dorian to feel even less kindly toward her: "There is always something ridiculous about the passions of people whom one has ceased to love. Sibyl Vane seemed to him to be absurdly melodramatic. Her tears and sobs annoyed him."

What does "melodramatic" mean?





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Chapter 6, page 11

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"Good resolutions are useless attempts to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil. They give us, now and then, some of those luxurious sterile emotions that have a certain charm for the weak. That is all that can be said for them. They are simply cheques that men draw on a bank where they have no account."

"Harry," cried Dorian Gray, coming over and sitting down beside him, "why is it that I cannot feel this tragedy as much as I want to? I don't think I am heartless. Do you?"

"You have done too many foolish things during the last fortnight to be entitled to give yourself that name, Dorian," answered Lord Henry with his sweet melancholy smile.