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Think about what strategies worked (and didn't work) for you this time. How can you do well next time?

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Question #6

Dorian wakes his servant, Francis, using him to establish an alibi. Afterward, when Francis goes sleepily back to bed, he "shamble[s] down the passage in his slippers."

What does "passage" mean?





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Chapter 12, page 12

Table of Contents

"Yes,––Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don't want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place, otherwise I wouldn't bother you about it."

"No trouble, sir. At what time shall I be back?"

Dorian looked at Campbell. "How long will your experiment take, Alan?" he said, in a calm, indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage.

Campbell frowned, and bit his lip. "It will take about five hours," he answered.

"It will be time enough, then, if you are back at half–past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you."

"Thank you, sir," said the man, leaving the room.

"Now, Alan, there is not a moment to be lost. How heavy this chest is! I'll take it for you. You bring the other things." He spoke rapidly, and in an authoritative manner. Campbell felt dominated by him. They left the room together.

When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don't think I can go in, Alan," he murmured.

"It is nothing to me. I don't require you," said Campbell, coldly.

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Chapter 13, page 4

Table of Contents

"I can't bear this, Harry! You mock at everything, and then suggest the most serious tragedies. I am sorry I told you now. I don't care what you say to me, I know I was right in acting as I did. Poor Hetty! As I rode past the farm this morning, I saw her white face at the window, like a spray of jasmine. Don't let me talk about it any more, and don't try to persuade me that the first good action I have done for years, the first little bit of self–sacrifice I have ever known, is really a sort of sin. I want to be better. I am going to be better. Tell me something about yourself. What is going on in town? I have not been to the club for days."

"The people are still discussing poor Basil's disappearance."

"I should have thought they had got tired of that by this time," said Dorian, pouring himself out some wine, and frowning slightly.

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Question #5

When Dorian's body is discovered, how are the servants able to identify it as his?





Please enter the first three words of a sentence that shows your answers is correct.

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Chapter 9, page 6

Table of Contents

On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive–green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio–coloured peridot, rose–pink and wine–yellow topazes, carbuncles of fiery scarlet with tremulous, four–rayed stars, flame–red cinnamon–stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone's pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise de la vieille roche that was the envy of all the connoisseurs.

He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire.

The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge's strange romance 'A Margarite of America', it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose–coloured pearls in the mouths of the dead. A sea–monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away––Procopius tells the story––nor was it ever found again, though the Emperor Anastasius offered five hundred–weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped.

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Chapter 10, page 2

Table of Contents

"In this fog, my dear Basil? Why, I can't even recognize Grosvenor Square. I believe my house is somewhere about here, but I don't feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?"

"No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn't about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you."

"I shall be charmed. But won't you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch–key.

The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn't go till twelve–fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan't have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes."

Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don't talk about anything serious. Nothing is serious nowadays. At least nothing should be."

Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit–case stood, with some siphons of soda–water and large cut–glass tumblers, on a little marqueterie table.

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Chapter 10

Text of Book

Chapter 10, page 1

Chapter 10, page 2

Chapter 10, page 3

Chapter 10, page 4

Chapter 10, page 5

Chapter 10, page 6

Chapter 10, page 7

Chapter 10, page 8

Questions

1) What is the main idea of this chapter?

2) On what particular day does Basil visit Dorian?

3) Basil tells Dorian the terrible things he has heard. He doesn't want to believe they are true, but expresses doubt: " Lord Gloucester was one of my greatest friends at Oxford. He showed me a letter that his wife had written to him when she was dying alone in her villa at Mentone. Your name was implicated in the most terrible confession I ever read."

What does "implicated" mean?

4) Basil had thought that such bad behavior would show on a man's face, but somehow Dorian's face is youthful and clear.

What does Basil now think would be the only way for him to know the truth about Dorian?

5) Though Basil believes that only God can see a man's soul, Dorian knows there is another way. He decides that he will show Basil the painting, and feels relieved: "There was the madness of pride in every word he uttered . . . He felt a terrible joy at the thought that some one else was to share his secret. . ."

What does "pride" mean?

6) What is the "diary of my life" according to Dorian?

7) Basil does not want to believe badly of Dorian and begs him to explain: "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I will believe you. Deny them, Dorian, deny them!"

What does "deny" mean?

8) Were there any events that weren't clear to you?