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Part IV– Chapter 2: The Mad God, page 3

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But Beauty Smith knew the ways of Indians. He visited Grey Beaver's camp often, and hidden under his coat was always a black bottle or so. One of the potencies of whisky is the breeding of thirst. Grey Beaver got the thirst. His fevered membranes and burnt stomach began to clamour for more and more of the scorching fluid; while his brain, thrust all awry by the unwonted stimulant, permitted him to go any length to obtain it. The money he had received for his furs and mittens and moccasins began to go. It went faster and faster, and the shorter his money–sack grew, the shorter grew his temper.

In the end his money and goods and temper were all gone. Nothing remained to him but his thirst, a prodigious possession in itself that grew more prodigious with every sober breath he drew. Then it was that Beauty Smith had talk with him again about the sale of White Fang; but this time the price offered was in bottles, not dollars, and Grey Beaver's ears were more eager to hear.

"You ketch um dog you take um all right," was his last word.

The bottles were delivered, but after two days. "You ketch um dog," were Beauty Smith's words to Grey Beaver.

White Fang slunk into camp one evening and dropped down with a sigh of content. The dreaded white god was not there. For days his manifestations of desire to lay hands on him had been growing more insistent, and during that time White Fang had been compelled to avoid the camp. He did not know what evil was threatened by those insistent hands. He knew only that they did threaten evil of some sort, and that it was best for him to keep out of their reach.

But scarcely had he lain down when Grey Beaver staggered over to him and tied a leather thong around his neck. He sat down beside White Fang, holding the end of the thong in his hand. In the other hand he held a bottle, which, from time to time, was inverted above his head to the accompaniment of gurgling noises.

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Part IV– Chapter 2: The Mad God

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Part IV– Chapter 2: The Mad God, page 1

Part IV– Chapter 2: The Mad God, page 2

Part IV– Chapter 2: The Mad God, page 3

Part IV– Chapter 2: The Mad God, page 4

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Part IV– Chapter 2: The Mad God, page 8

Part IV– Chapter 2: The Mad God, page 9

Questions

1) What is this chapter mostly about?

2) What is ironic about Beauty Smith?

3) The author says that Beauty Smith always had a "covetous eye" for White Fang.

What does that mean?

4) How does Beauty Smith finally convince Grey Beaver to give up White Fang?

5) Why does Beauty Smith beat White Fang the first time?

6) How many times does White Fang return to Grey Beaver out of loyalty?

7) Why is Beauty so cruel to White Fang?

8) The author again mentions clay when he says, "This had constituted the clay of him, and it had not been kindly moulded by the world."

Why does the author state this?

9) Were there any events that weren't clear to you?

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Part IV– Chapter 4: The Clinging Death, page 0

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Beauty Smith slipped the chain from his neck and stepped back.

For once White Fang did not make an immediate attack. He stood still, ears pricked forward, alert and curious, surveying the strange animal that faced him. He had never seen such a dog before. Tim Keenan shoved the bull–dog forward with a muttered "Go to it." The animal waddled toward the centre of the circle, short and squat and ungainly. He came to a stop and blinked across at White Fang.

There were cries from the crowd of, "Go to him, Cherokee! Sick 'm, Cherokee! Eat 'm up!"

But Cherokee did not seem anxious to fight. He turned his head and blinked at the men who shouted, at the same time wagging his stump of a tail good–naturedly. He was not afraid, but merely lazy. Besides, it did not seem to him that it was intended he should fight with the dog he saw before him. He was not used to fighting with that kind of dog, and he was waiting for them to bring on the real dog.

Tim Keenan stepped in and bent over Cherokee, fondling him on both sides of the shoulders with hands that rubbed against the grain of the hair and that made slight, pushing–forward movements. These were so many suggestions. Also, their effect was irritating, for Cherokee began to growl, very softly, deep down in his throat. There was a correspondence in rhythm between the growls and the movements of the man's hands. The growl rose in the throat with the culmination of each forward–pushing movement, and ebbed down to start up afresh with the beginning of the next movement. The end of each movement was the accent of the rhythm, the movement ending abruptly and the growling rising with a jerk.

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Question #5

The first time it began to look like the battle was over, how did Beauty get White Fang to fight again?





Please enter the first three words of a sentence that shows your answers is correct.

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Question #2

The author says that any chance for White Fang to "fraternise" with other dogs was destroyed when he was appointed leader of the sled team.

What does the word "fraternise" mean as used in this chapter?





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Part IV– Chapter 2: The Mad God, page 4

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An hour of this passed, when the vibrations of feet in contact with the ground foreran the one who approached. White Fang heard it first, and he was bristling with recognition while Grey Beaver still nodded stupidly. White Fang tried to draw the thong softly out of his master's hand; but the relaxed fingers closed tightly and Grey Beaver roused himself.

Beauty Smith strode into camp and stood over White Fang. He snarled softly up at the thing of fear, watching keenly the deportment of the hands. One hand extended outward and began to descend upon his head. His soft snarl grew tense and harsh. The hand continued slowly to descend, while he crouched beneath it, eyeing it malignantly, his snarl growing shorter and shorter as, with quickening breath, it approached its culmination. Suddenly he snapped, striking with his fangs like a snake. The hand was jerked back, and the teeth came together emptily with a sharp click. Beauty Smith was frightened and angry. Grey Beaver clouted White Fang alongside the head, so that he cowered down close to the earth in respectful obedience.

White Fang's suspicious eyes followed every movement. He saw Beauty Smith go away and return with a stout club. Then the end of the thong was given over to him by Grey Beaver. Beauty Smith started to walk away. The thong grew taut. White Fang resisted it. Grey Beaver clouted him right and left to make him get up and follow. He obeyed, but with a rush, hurling himself upon the stranger who was dragging him away. Beauty Smith did not jump away. He had been waiting for this. He swung the club smartly, stopping the rush midway and smashing White Fang down upon the ground. Grey Beaver laughed and nodded approval. Beauty Smith tightened the thong again, and White Fang crawled limply and dizzily to his feet.

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Part IV– Chapter 3: The Reign of Hate , page 0

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Under the tutelage of the mad god, White Fang became a fiend. He was kept chained in a pen at the rear of the fort, and here Beauty Smith teased and irritated and drove him wild with petty torments. The man early discovered White Fang's susceptibility to laughter, and made it a point after painfully tricking him, to laugh at him. This laughter was uproarious and scornful, and at the same time the god pointed his finger derisively at White Fang. At such times reason fled from White Fang, and in his transports of rage he was even more mad than Beauty Smith.

Formerly, White Fang had been merely the enemy of his kind, withal a ferocious enemy. He now became the enemy of all things, and more ferocious than ever. To such an extent was he tormented, that he hated blindly and without the faintest spark of reason. He hated the chain that bound him, the men who peered in at him through the slats of the pen, the dogs that accompanied the men and that snarled malignantly at him in his helplessness. He hated the very wood of the pen that confined him. And, first, last, and most of all, he hated Beauty Smith.

But Beauty Smith had a purpose in all that he did to White Fang. One day a number of men gathered about the pen. Beauty Smith entered, club in hand, and took the chain off from White Fang's neck. When his master had gone out, White Fang turned loose and tore around the pen, trying to get at the men outside. He was magnificently terrible. Fully five feet in length, and standing two and one–half feet at the shoulder, he far outweighed a wolf of corresponding size. From his mother he had inherited the heavier proportions of the dog, so that he weighed, without any fat and without an ounce of superfluous flesh, over ninety pounds. It was all muscle, bone, and sinew–fighting flesh in the finest condition.

The door of the pen was being opened again. White Fang paused. Something unusual was happening. He waited. The door was opened wider. Then a huge dog was thrust inside, and the door was slammed shut behind him. White Fang had never seen such a dog (it was a mastiff); but the size and fierce aspect of the intruder did not deter him. Here was some thing, not wood nor iron, upon which to wreak his hate. He leaped in with a flash of fangs that ripped down the side of the mastiff's neck. The mastiff shook his head, growled hoarsely, and plunged at White Fang. But White Fang was here, there, and everywhere, always evading and eluding, and always leaping in and slashing with his fangs and leaping out again in time to escape punishment.

The men outside shouted and applauded, while Beauty Smith, in an ecstasy of delight, gloated over the ripping and mangling performed by White Fang. There was no hope for the mastiff from the first. He was too ponderous and slow. In the end, while Beauty Smith beat White Fang back with a club, the mastiff was dragged out by its owner. Then there was a payment of bets, and money clinked in Beauty Smith's hand.

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Part IV– Chapter 4: The Clinging Death, page 1

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This was not without its effect on White Fang. The hair began to rise on his neck and across the shoulders. Tim Keenan gave a final shove forward and stepped back again. As the impetus that carried Cherokee forward died down, he continued to go forward of his own volition, in a swift, bow–legged run. Then White Fang struck. A cry of startled admiration went up. He had covered the distance and gone in more like a cat than a dog; and with the same cat–like swiftness he had slashed with his fangs and leaped clear.

The bull–dog was bleeding back of one ear from a rip in his thick neck. He gave no sign, did not even snarl, but turned and followed after White Fang. The display on both sides, the quickness of the one and the steadiness of the other, had excited the partisan spirit of the crowd, and the men were making new bets and increasing original bets. Again, and yet again, White Fang sprang in, slashed, and got away untouched, and still his strange foe followed after him, without too great haste, not slowly, but deliberately and determinedly, in a businesslike sort of way. There was purpose in his method––something for him to do that he was intent upon doing and from which nothing could distract him.

His whole demeanour, every action, was stamped with this purpose. It puzzled White Fang. Never had he seen such a dog. It had no hair protection. It was soft, and bled easily. There was no thick mat of fur to baffle White Fang's teeth as they were often baffled by dogs of his own breed. Each time that his teeth struck they sank easily into the yielding flesh, while the animal did not seem able to defend itself. Another disconcerting thing was that it made no outcry, such as he had been accustomed to with the other dogs he had fought. Beyond a growl or a grunt, the dog took its punishment silently. And never did it flag in its pursuit of him.

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Question #6

When the crowd watching the fight hears bells and the cries of dog–mushers, they looked "apprehensively" in the direction of the noise.

What does the word "apprehensively" mean as used in this chapter?