Macbeth says,
"Hear it not, Duncan, for it is a knell
That summons thee to heaven, or to hell."
What does "summons" mean in this passage?
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"Hear it not, Duncan, for it is a knell
That summons thee to heaven, or to hell."
What does "summons" mean in this passage?
1) | What is the main idea of Act 2? |
2) | Macbeth says,
"Hear it not, Duncan, for it is a knell What does "summons" mean in this passage? |
3) | Lady Macbeth says,
"Alack! I am afraid they have awaked. What does "Confounds" mean in this passage? |
5) | Macbeth says,
"Here lay Duncan, What does "breach" mean in this passage? |
6) | What does Macbeth imagine that he sees which seems to lead him to Duncan's room? |
7) | How was Macbeth able to get past Duncan's chamberlains to gain access to Duncan's room? |
8) | Which word describes Macbeth's and Lady Macbeth's attitudes toward Duncan's murder? |
9) | Who finds Duncan's murdered body? |
10) | Where do Malcolm and Donalbain go after their father is murdered? |
13) | In Act 2, Scene 4 Ross and an old man discuss some of the bizarre happenings in nature that seem to suggest that something is wrong. Which three strange occurrences do they discuss? |
14) | Who is the porter pretending to be as he answers the knock at the gate? |
15) | When Macbeth is being questioned about why he killed the chamberlains, what does Lady Macbeth do to draw everyone's attention away from her husband? |
16) | Were there any events that weren't clear to you? |
"Not in the legions
Of horrid hell can come a devil more damned
In evils to top Macbeth."
Act 4, Scene 3, Lines 54–56
What does "legions" mean in this sentence?
ACT 5, SCENE 1
Setting: Dunsinane. Ante–room in the castle.
[Enter a Doctor of Physic and a Waiting–Gentlewoman]
Doctor | I have two nights watched with you, but can perceive | |
no truth in your report. When was it she last walked? | ||
Gentlewoman | Since his majesty went into the field, I have seen | |
her rise from her bed, throw her night–gown upon | ||
her, unlock her closet, take forth paper, fold it, | ||
write upon't, read it, afterwards seal it, and again | ||
return to bed; yet all this while in a most fast sleep. | ||
Doctor | A great perturbation in nature, to receive at once | 10 |
the benefit of sleep, and do the effects of | ||
watching! In this slumbery agitation, besides her | ||
walking and other actual performances, what, at any | ||
time, have you heard her say? | ||
Gentlewoman | That, sir, which I will not report after her. | |
Doctor | You may to me: and 'tis most meet you should. | |
Gentlewoman | Neither to you nor any one; having no witness to | 20 |
confirm my speech. | ||
[Enter LADY MACBETH, with a taper] | ||
Lo you, here she comes! This is her very guise; | ||
and, upon my life, fast asleep. Observe her; stand close. | ||
Doctor | How came she by that light? | |
Gentlewoman | Why, it stood by her: she has light by her | |
continually; 'tis her command. | ||
Doctor | You see, her eyes are open. | |
Gentlewoman | Ay, but their sense is shut. | |
Doctor | What is it she does now? Look, how she rubs her hands. | 30 |
Gentlewoman | It is an accustomed action with her, to seem thus | |
washing her hands: I have known her continue in | ||
this a quarter of an hour. | ||
LADY MACBETH | Yet here's a spot. | |
Doctor | Hark! she speaks: I will set down what comes from | |
her, to satisfy my remembrance the more strongly. | ||
LADY MACBETH | Out, damned spot! out, I say!––One: two: why, | |
then, 'tis time to do't.––Hell is murky!––Fie, my | 40 | |
lord, fie! a soldier, and afeard? What need we | ||
fear who knows it, when none can call our power to | ||
account?––Yet who would have thought the old man | ||
to have had so much blood in him. | ||
Doctor | Do you mark that? | |
LADY MACBETH | The thane of Fife had a wife: where is she now?–– | |
What, will these hands ne'er be clean?––No more o' | ||
that, my lord, no more o' that: you mar all with | ||
this starting. | 50 | |
Doctor | Go to, go to; you have known what you should not. | |
Gentlewoman | She has spoke what she should not, I am sure of | |
that: heaven knows what she has known. | ||
LADY MACBETH | Here's the smell of the blood still: all the | |
perfumes of Arabia will not sweeten this little | ||
hand. Oh, oh, oh! | ||
Doctor | What a sigh is there! The heart is sorely charged. | 60 |
Gentlewoman | I would not have such a heart in my bosom for the | |
dignity of the whole body. | ||
Doctor | Well, well, well,–– | |
Gentlewoman | Pray God it be, sir. | |
Doctor | This disease is beyond my practise: yet I have known | |
those which have walked in their sleep who have died | ||
holily in their beds. | ||
LADY MACBETH | Wash your hands, put on your nightgown; look not so | |
pale.––I tell you yet again, Banquo's buried; he | 70 | |
cannot come out on's grave. | ||
Doctor | Even so? | |
LADY MACBETH | To bed, to bed! there's knocking at the gate: | |
come, come, come, come, give me your hand. What's | ||
done cannot be undone.––To bed, to bed, to bed! | ||
[Exit] | ||
Doctor | Will she go now to bed? | |
Gentlewoman | Directly. | |
Doctor | Foul whisperings are abroad: unnatural deeds | |
Do breed unnatural troubles: infected minds | 80 | |
To their deaf pillows will discharge their secrets: | ||
More needs she the divine than the physician. | ||
God, God forgive us all! Look after her; | ||
Remove from her the means of all annoyance, | ||
And still keep eyes upon her. So, good night: | ||
My mind she has mated, and amazed my sight. | ||
I think, but dare not speak. | ||
Gentlewoman | Good night, good doctor. | |
[Exeunt] |
"Alack! I am afraid they have awaked.
And 'tis not done: th'attempt and not the deed
Confounds us."
What does "Confounds" mean in this passage?
ACT 3, SCENE 1
Setting: Forres. The palace.
[Enter BANQUO]
BANQUO | Thou hast it now: king, Cawdor, Glamis, all, | |
As the weird women promised, and, I fear, | ||
Thou play'dst most foully for't: yet it was said | ||
It should not stand in thy posterity, | ||
But that myself should be the root and father | 5 | |
Of many kings. If there come truth from them–– | ||
As upon thee, Macbeth, their speeches shine–– | ||
Why, by the verities on thee made good, | ||
May they not be my oracles as well, | ||
And set me up in hope? But hush! no more. | 10 |
[Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants ]
MACBETH | Here's our chief guest. | |
LADY MACBETH | If he had been forgotten, | |
It had been as a gap in our great feast, | ||
And all–thing unbecoming. | ||
MACBETH | To–night we hold a solemn supper sir, | 15 |
And I'll request your presence. | ||
BANQUO | Let your highness | |
Command upon me; to the which my duties | ||
Are with a most indissoluble tie | ||
For ever knit. | 20 | |
MACBETH | Ride you this afternoon? | |
BANQUO | Ay, my good lord. | |
MACBETH | We should have else desired your good advice, | |
Which still hath been both grave and prosperous, | ||
In this day's council; but we'll take to–morrow. | 25 | |
Is't far you ride? | ||
BANQUO | As far, my lord, as will fill up the time | |
Twixt this and supper: go not my horse the better, | ||
I must become a borrower of the night | ||
For a dark hour or twain. | 30 | |
MACBETH | Fail not our feast. | |
BANQUO | My lord, I will not. | |
MACBETH | We hear, our bloody cousins are bestow'd | |
In England and in Ireland, not confessing | ||
Their cruel parricide, filling their hearers | 35 | |
With strange invention: but of that to–morrow, | ||
When therewithal we shall have cause of state | ||
Craving us jointly. Hie you to horse: adieu, | ||
Till you return at night. Goes Fleance with you? | ||
BANQUO | Ay, my good lord: our time does call upon 's. | 40 |
MACBETH | I wish your horses swift and sure of foot; | |
And so I do commend you to their backs. Farewell. | ||
[Exit BANQUO] | ||
Let every man be master of his time | ||
Till seven at night: to make society | ||
The sweeter welcome, we will keep ourself | 45 | |
Till supper–time alone: while then, God be with you! |
[Exeunt all but MACBETH, and an attendant]
Sirrah, a word with you: attend those men | ||
Our pleasure? | ||
ATTENDANT | They are, my lord, without the palace gate. | |
MACBETH | Bring them before us. | 50 |
[Exit Attendant] | ||
To be thus is nothing; (Soliloquy Analysis) | ||
But to be safely thus.––Our fears in Banquo | ||
Stick deep; and in his royalty of nature | ||
Reigns that which would be fear'd: 'tis much he dares; | ||
And, to that dauntless temper of his mind, | 55 | |
He hath a wisdom that doth guide his valour | ||
To act in safety. There is none but he | ||
Whose being I do fear: and, under him, | ||
My Genius is rebuked; as, it is said, | ||
Mark Antony's was by Caesar. He chid the sisters | 60 | |
When first they put the name of king upon me, | ||
And bade them speak to him: then prophet–like | ||
They hail'd him father to a line of kings: | ||
Upon my head they placed a fruitless crown, | ||
And put a barren sceptre in my gripe, | 65 | |
Thence to be wrench'd with an unlineal hand, | ||
No son of mine succeeding. If 't be so, | ||
For Banquo's issue have I filed my mind; | ||
For them the gracious Duncan have I murder'd; | ||
Put rancours in the vessel of my peace | 70 | |
Only for them; and mine eternal jewel | ||
Given to the common enemy of man, | ||
To make them kings, the seed of Banquo kings! | ||
Rather than so, come fate into the list. | ||
And champion me to the utterance! Who's there! | 75 |
[Re–enter Attendant, with two Murderers]
Now go to the door, and stay there till we call. | ||
[Exit Attendant] | ||
Was it not yesterday we spoke together? | ||
First Murderer | It was, so please your highness. | |
MACBETH | Well then, now | |
Have you consider'd of my speeches? Know | 80 | |
That it was he in the times past which held you | ||
So under fortune, which you thought had been | ||
Our innocent self: this I made good to you | ||
In our last conference, pass'd in probation with you, | ||
How you were borne in hand, how cross'd, | 85 | |
the instruments, | ||
Who wrought with them, and all things else that might | ||
To half a soul and to a notion crazed | ||
Say 'Thus did Banquo.' | ||
First Murderer | You made it known to us. | 90 |
MACBETH | I did so, and went further, which is now | |
Our point of second meeting. Do you find | ||
Your patience so predominant in your nature | ||
That you can let this go? Are you so gospell'd | ||
To pray for this good man and for his issue, | 95 | |
Whose heavy hand hath bow'd you to the grave | ||
And beggar'd yours for ever? | ||
First Murderer | We are men, my liege. | |
MACBETH | Ay, in the catalogue ye go for men; | |
As hounds and greyhounds, mongrels, spaniels, curs, | 100 | |
Shoughs, water–rugs and demi–wolves, are clept | ||
All by the name of dogs: the valued file | ||
Distinguishes the swift, the slow, the subtle, | ||
The housekeeper, the hunter, every one | ||
According to the gift which bounteous nature | 105 | |
Hath in him closed; whereby he does receive | ||
Particular addition. from the bill | ||
That writes them all alike: and so of men. | ||
Now, if you have a station in the file, | ||
Not i' the worst rank of manhood, say 't; | 110 | |
And I will put that business in your bosoms, | ||
Whose execution takes your enemy off, | ||
Grapples you to the heart and love of us, | ||
Who wear our health but sickly in his life, | ||
Which in his death were perfect. | 115 | |
Second Murderer | I am one, my liege, | |
Whom the vile blows and buffets of the world | ||
Have so incensed that I am reckless what | ||
I do to spite the world. | ||
First Murderer | And I another | 120 |
So weary with disasters, tugg'd with fortune, | ||
That I would set my lie on any chance, | ||
To mend it, or be rid on't. | ||
MACBETH | Both of you | |
Know Banquo was your enemy. | 125 | |
Both Murderers | True, my lord. | |
MACBETH | So is he mine; and in such bloody distance, | |
That every minute of his being thrusts | ||
Against my near'st of life: and though I could | ||
With barefaced power sweep him from my sight | 130 | |
And bid my will avouch it, yet I must not, | ||
For certain friends that are both his and mine, | ||
Whose loves I may not drop, but wail his fall | ||
Who I myself struck down; and thence it is, | ||
That I to your assistance do make love, | 135 | |
Masking the business from the common eye | ||
For sundry weighty reasons. | ||
Second Murderer | We shall, my lord, | |
Perform what you command us. | ||
First Murderer | Though our lives–– | 140 |
MACBETH | Your spirits shine through you. Within this hour at most | |
I will advise you where to plant yourselves; | ||
Acquaint you with the perfect spy o' the time, | ||
The moment on't; for't must be done to–night, | ||
And something from the palace; always thought | 145 | |
That I require a clearness: and with him–– | ||
To leave no rubs nor botches in the work–– | ||
Fleance his son, that keeps him company, | ||
Whose absence is no less material to me | ||
Than is his father's, must embrace the fate | 150 | |
Of that dark hour. Resolve yourselves apart: | ||
I'll come to you anon. | ||
Both Murderers | We are resolved, my lord. | |
MACBETH | I'll call upon you straight: abide within. | |
[Exeunt Murderers] | ||
It is concluded. Banquo, thy soul's flight, | 155 | |
If it find heaven, must find it out to–night. |
[Exit]
"O proper stuff!
This is the very painting of your fear:
This is the air–drawn dagger which you said,
Led you to Duncan."
Act 3, Scene 4, Lines 61–64
"When shalt thou see thy wholesome days again,
Since that the truest issue of thy throne
By his own interdiction stands accurst,
And does blaspheme his breed?"
Act 4, Scene 3, Lines 105–108
What does "issue" mean in this passage?