Category: The Picture of Dorian Gray

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Act 2, page 1

Table of Contents

ACT II SCENE II� Setting: A room in the castle.

[Enter�KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants ]

KING CLAUDIUS Welcome, dear Rosencrantz and Guildenstern! Moreover that we much did long to see you, The need we have to use you did provoke Our hasty sending. Something have you heard Of Hamlet's transformation; so call it, Sith nor the exterior nor the inward man Resembles that it was. What it should be, More than his father's death, that thus hath put him So much from the understanding of himself, I cannot dream of: I entreat you both, 10 That, being of so young days brought up with him, And sith so neighbour'd to his youth and havior, That you vouchsafe your rest here in our court Some little time: so by your companies To draw him on to pleasures, and to gather, So much as from occasion you may glean, Whether aught, to us unknown, afflicts him thus, That, open'd, lies within our remedy. QUEEN GERTRUDE Good gentlemen, he hath much talk'd of you; And sure I am two men there are not living 20 To whom he more adheres. If it will please you To show us so much gentry and good will As to expend your time with us awhile, For the supply and profit of our hope, Your visitation shall receive such thanks As fits a king's remembrance. ROSENCRANTZ Both your majesties Might, by the sovereign power you have of us, Put your dread pleasures more into command Than to entreaty. GUILDENSTERN But we both obey, And here give up ourselves, in the full bent 30 To lay our service freely at your feet, To be commanded. KING CLAUDIUS Thanks, Rosencrantz and gentle Guildenstern. QUEEN GERTRUDE Thanks, Guildenstern and gentle Rosencrantz: And I beseech you instantly to visit My too much changed son. Go, some of you, And bring these gentlemen where Hamlet is. GUILDENSTERN Heavens make our presence and our practises Pleasant and helpful to him! QUEEN GERTRUDE Ay, amen!

[ Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants]

[Enter POLONIUS]
LORD POLONIUS The ambassadors from Norway, my good lord, 40
Are joyfully return'd.
KING CLAUDIUS Thou still hast been the father of good news.
LORD POLONIUS Have I, my lord? I assure my good liege,
I hold my duty, as I hold my soul,
Both to my God and to my gracious king:
And I do think, or else this brain of mine
Hunts not the trail of policy so sure
As it hath used to do, that I have found
The very cause of Hamlet's lunacy.
KING CLAUDIUS O, speak of that; that do I long to hear. 50
LORD POLONIUS Give first admittance to the ambassadors;
My news shall be the fruit to that great feast.
KING CLAUDIUS Thyself do grace to them, and bring them in.
[Exit POLONIUS]
He tells me, my dear Gertrude, he hath found
The head and source of all your son's distemper.
QUEEN GERTRUDE I doubt it is no other but the main;
His father's death, and our o'erhasty marriage.
KING CLAUDIUS Well, we shall sift him.

[Re–enter POLONIUS, with VOLTIMAND and CORNELIUS]

Welcome, my good friends!
Say, Voltimand, what from our brother Norway?
VOLTIMAND Most fair return of greetings and desires. 60
Upon our first, he sent out to suppress
His nephew's levies; which to him appear'd
To be a preparation 'gainst the Polack;
But, better look'd into, he truly found
It was against your highness: whereat grieved,
That so his sickness, age and impotence
Was falsely borne in hand, sends out arrests
On Fortinbras; which he, in brief, obeys;
Receives rebuke from Norway, and in fine
Makes vow before his uncle never more 70
To give the assay of arms against your majesty.
Whereon old Norway, overcome with joy,
Gives him three thousand crowns in annual fee,
And his commission to employ those soldiers,
So levied as before, against the Polack:
With an entreaty, herein further shown,
[Giving a paper]
That it might please you to give quiet pass
Through your dominions for this enterprise,
On such regards of safety and allowance
As therein are set down.
KING CLAUDIUS It likes us well; 80
And at our more consider'd time well read,
Answer, and think upon this business.
Meantime we thank you for your well–took labour:
Go to your rest; at night we'll feast together:
Most welcome home!

[Exeunt VOLTIMAND and CORNELIUS]

LORD POLONIUS This business is well ended.
My liege, and madam, to expostulate
What majesty should be, what duty is,
Why day is day, night night, and time is time,
Were nothing but to waste night, day and time.
Therefore, since brevity is the soul of wit,
And tediousness the limbs and outward flourishes,
I will be brief: your noble son is mad:
Mad call I it; for, to define true madness,
What is't but to be nothing else but mad? 90
But let that go.
QUEEN GERTRUDE More matter, with less art.
LORD POLONIUS Madam, I swear I use no art at all.
That he is mad, 'tis true: 'tis true 'tis pity;
And pity 'tis 'tis true: a foolish figure;
But farewell it, for I will use no art.
Mad let us grant him, then: and now remains 100
That we find out the cause of this effect,
Or rather say, the cause of this defect,
For this effect defective comes by cause:
Thus it remains, and the remainder thus. Perpend.
I have a daughter––have while she is mine––
Who, in her duty and obedience, mark,
Hath given me this: now gather, and surmise.
[Reads]
To the celestial and my soul's idol, the most 110
beautified Ophelia,'––
That's an ill phrase, a vile phrase; 'beautified' is
a vile phrase: but you shall hear. Thus:
[Reads]
'In her excellent white bosom, these, &c.'
QUEEN GERTRUDE Came this from Hamlet to her?
LORD POLONIUS Good madam, stay awhile; I will be faithful.
[Reads]
'Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love. 119
'O dear Ophelia, I am ill at these numbers;
I have not art to reckon my groans: but that
I love thee best, O most best, believe it. Adieu.
'Thine evermore most dear lady, whilst
this machine is to him, HAMLET.'
This, in obedience, hath my daughter shown me,
And more above, hath his solicitings,
As they fell out by time, by means and place,
All given to mine ear.
KING CLAUDIUS But how hath she
Received his love?
What do you think of me?
LORD POLONIUS
KING CLAUDIUS As of a man faithful and honourable. 130
LORD POLONIUS I would fain prove so. But what might you think,
When I had seen this hot love on the wing––
As I perceived it, I must tell you that,
Before my daughter told me––what might you,
Or my dear majesty your queen here, think,
If I had play'd the desk or table–book,
Or given my heart a winking, mute and dumb,
Or look'd upon this love with idle sight;
What might you think? No, I went round to work,
And my young mistress thus I did bespeak: 140
Lord Hamlet is a prince, out of thy star;
This must not be:' and then I precepts gave her,
That she should lock herself from his resort,
Admit no messengers, receive no tokens.
Which done, she took the fruits of my advice;
And he, repulsed––a short tale to make––
Fell into a sadness, then into a fast,
Thence to a watch, thence into a weakness,
Thence to a lightness, and, by this declension,
Into the madness wherein now he raves, 150
And all we mourn for.
KING CLAUDIUS Do you think 'tis this?
QUEEN GERTRUDE It may be, very likely.
LORD POLONIUS Hath there been such a time––I'd fain know that––
That I have positively said 'Tis so,'
When it proved otherwise?
KING CLAUDIUS Not that I know.
LORD POLONIUS [Pointing to his head and shoulder]
Take this from this, if this be otherwise:
If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
Within the centre.
KING CLAUDIUS How may we try it further? 159
LORD POLONIUS You know, sometimes he walks four hours together
Here in the lobby.
QUEEN GERTRUDE So he does indeed.
LORD POLONIUS At such a time I'll loose my daughter to him:
Be you and I behind an arras then;
Mark the encounter: if he love her not
And be not from his reason fall'n thereon,
Let me be no assistant for a state,
But keep a farm and carters.
KING CLAUDIUS We will try it.
QUEEN GERTRUDE But, look, where sadly the poor wretch comes reading.
LORD POLONIUS Away, I do beseech you, both away:
I'll board him presently.

[ Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and Attendants ]

[Enter HAMLET, reading]
O, give me leave:
How does my good Lord Hamlet? 170
HAMLET Well, God–a–mercy.
LORD POLONIUS Do you know me, my lord?
HAMLET Excellent well; you are a fishmonger.
LORD POLONIUS Not I, my lord.
HAMLET Then I would you were so honest a man.
LORD POLONIUS Honest, my lord!
HAMLET Ay, sir; to be honest, as this world goes, is to be
one man picked out of ten thousand.
LORD POLONIUS That's very true, my lord. 180
HAMLET For if the sun breed maggots in a dead dog, being a
god kissing carrion,––Have you a daughter?
LORD POLONIUS I have, my lord.
HAMLET Let her not walk i' the sun: conception is a
blessing: but not as your daughter may conceive.
Friend, look to 't.
LORD POLONIUS [Aside]�How say you by that? Still harping on my
daughter: yet he knew me not at first; he said I
was a fishmonger: he is far gone, far gone: and
truly in my youth I suffered much extremity for
love; very near this. I'll speak to him again.
What do you read, my lord? 190
HAMLET Words, words, words.
LORD POLONIUS What is the matter, my lord?
HAMLET Between who?
LORD POLONIUS I mean, the matter that you read, my lord.
HAMLET Slanders, sir: for the satirical rogue says here
that old men have grey beards, that their faces are
wrinkled, their eyes purging thick amber and
plum–tree gum and that they have a plentiful lack of
wit, together with most weak hams: all which, sir,
though I most powerfully and potently believe, yet
I hold it not honesty to have it thus set down, for
yourself, sir, should be old as I am, if like a crab
you could go backward. 202
LORD POLONIUS [Aside]�Though this be madness, yet there is method
in 't. Will you walk out of the air, my lord?
HAMLET Into my grave.
LORD POLONIUS Indeed, that is out o' the air.
[Aside]
How pregnant sometimes his replies are! a happiness
that often madness hits on, which reason and sanity
could not so prosperously be delivered of. I will
leave him, and suddenly contrive the means of
meeting between him and my daughter.––My honourable
lord, I will most humbly take my leave of you.
HAMLET You cannot, sir, take from me any thing that I will
more willingly part withal: except my life, except
my life, except my life. 214
LORD POLONIUS Fare you well, my lord.
HAMLET These tedious old fools!

[Enter ROSENCRANTZ and GUILDENSTERN]

LORD POLONIUS You go to seek the Lord Hamlet; there he is.
ROSENCRANTZ [To POLONIUS]�God save you, sir!
[Exit POLONIUS]
GUILDENSTERN My honoured lord!
ROSENCRANTZ My most dear lord!
HAMLET My excellent good friends! How dost thou,
Guildenstern? Ah, Rosencrantz! Good lads, how do ye both?
ROSENCRANTZ As the indifferent children of the earth.
GUILDENSTERN Happy, in that we are not over–happy;
On fortune's cap we are not the very button.
HAMLET Nor the soles of her shoe?
ROSENCRANTZ Neither, my lord.
HAMLET Then you live about her waist, or in the middle of
her favours?
GUILDENSTERN Faith, her privates we.
HAMLET In the secret parts of fortune? O, most true; she
is a strumpet. What's the news? 229
ROSENCRANTZ None, my lord, but that the world's grown honest.
HAMLET Then is doomsday near: but your news is not true.
Let me question more in particular: what have you,
my good friends, deserved at the hands of fortune,
that she sends you to prison hither?
GUILDENSTERN Prison, my lord!
HAMLET Denmark's a prison.
ROSENCRANTZ Then is the world one.
HAMLET A goodly one; in which there are many confines,
wards and dungeons, Denmark being one o' the worst.
ROSENCRANTZ We think not so, my lord. 240
HAMLET Why, then, 'tis none to you; for there is nothing
either good or bad, but thinking makes it so: to me
it is a prison.
ROSENCRANTZ Why then, your ambition makes it one; 'tis too
narrow for your mind.
HAMLET O God, I could be bounded in a nut shell and count
myself a king of infinite space, were it not that I
have bad dreams.
GUILDENSTERN Which dreams indeed are ambition, for the very
substance of the ambitious is merely the shadow of a dream.
HAMLET A dream itself is but a shadow. 251
ROSENCRANTZ Truly, and I hold ambition of so airy and light a
quality that it is but a shadow's shadow.
HAMLET Then are our beggars bodies, and our monarchs and
outstretched heroes the beggars' shadows. Shall we
to the court? for, by my fay, I cannot reason.
GUILDENSTERN We'll wait upon you.
HAMLET No such matter: I will not sort you with the rest
of my servants, for, to speak to you like an honest
man, I am most dreadfully attended. But, in the
beaten way of friendship, what make you at Elsinore? 261
ROSENCRANTZ To visit you, my lord; no other occasion.
HAMLET Beggar that I am, I am even poor in thanks; but I
thank you: and sure, dear friends, my thanks are
too dear a halfpenny. Were you not sent for? Is it
your own inclining? Is it a free visitation? Come,
deal justly with me: come, come; nay, speak.
GUILDENSTERN What should we say, my lord?
HAMLET Why, any thing, but to the purpose. You were sent
for; and there is a kind of confession in your looks
which your modesties have not craft enough to colour:
I know the good king and queen have sent for you. 272
ROSENCRANTZ To what end, my lord?
HAMLET That you must teach me. But let me conjure you, by
the rights of our fellowship, by the consonancy of
our youth, by the obligation of our ever–preserved
love, and by what more dear a better proposer could
charge you withal, be even and direct with me,
whether you were sent for, or no?
ROSENCRANTZ [Aside to GUILDENSTERN]�What say you?
HAMLET [Aside]�Nay, then, I have an eye of you.––If you
love me, hold not off. 281
GUILDENSTERN My lord, we were sent for.
HAMLET I will tell you why; so shall my anticipation
prevent your discovery, and your secrecy to the king
and queen moult no feather. I have of late––but
wherefore I know not––lost all my mirth, forgone all
custom of exercises; and indeed it goes so heavily
with my disposition that this goodly frame, the
earth, seems to me a sterile promontory, this most
excellent canopy, the air, look you, this brave
o'erhanging firmament, this majestical roof fretted
with golden fire, why, it appears no other thing to
me than a foul and pestilent congregation of vapours.
What a piece of work is a man! how noble in reason!
how infinite in faculty! in form and moving how
express and admirable! in action how like an angel!
in apprehension how like a god! the beauty of the
world! the paragon of animals! And yet, to me,
what is this quintessence of dust? man delights not
me: no, nor woman neither, though by your smiling 301
you seem to say so.
ROSENCRANTZ My lord, there was no such stuff in my thoughts.
HAMLET Why did you laugh then, when I said 'man delights not me'?
ROSENCRANTZ To think, my lord, if you delight not in man, what
lenten entertainment the players shall receive from
you: we coted them on the way; and hither are they
coming, to offer you service.
HAMLET He that plays the king shall be welcome; his majesty
shall have tribute of me; the adventurous knight
shall use his foil and target; the lover shall not
sigh gratis; the humourous man shall end his part
in peace; the clown shall make those laugh whose
lungs are tickled o' the sere; and the lady shall
say her mind freely, or the blank verse shall halt
for't. What players are they? 312
ROSENCRANTZ Even those you were wont to take delight in, the
tragedians of the city.
HAMLET How chances it they travel? their residence, both
in reputation and profit, was better both ways.
ROSENCRANTZ I think their inhibition comes by the means of the
late innovation.
HAMLET Do they hold the same estimation they did when I was
in the city? are they so followed? 320
ROSENCRANTZ No, indeed, are they not.
HAMLET How comes it? do they grow rusty?
ROSENCRANTZ Nay, their endeavour keeps in the wonted pace: but
there is, sir, an aery of children, little eyases,
that cry out on the top of question, and are most
tyrannically clapped for't: these are now the
fashion, and so berattle the common stages––so they
call them––that many wearing rapiers are afraid of
goose–quills and dare scarce come thither. 328
HAMLET What, are they children? who maintains 'em? how are
they escoted? Will they pursue the quality no
longer than they can sing? will they not say
afterwards, if they should grow themselves to common
players––as it is most like, if their means are no
better––their writers do them wrong, to make them
exclaim against their own succession?
ROSENCRANTZ Faith, there has been much to do on both sides; and
the nation holds it no sin to tarre them to
controversy: there was, for a while, no money bid
for argument, unless the poet and the player went to
cuffs in the question.
HAMLET Is't possible?
GUILDENSTERN O, there has been much throwing about of brains.
HAMLET Do the boys carry it away? 341
ROSENCRANTZ Ay, that they do, my lord; Hercules and his load too.
HAMLET It is not very strange; for mine uncle is king of
Denmark, and those that would make mows at him while
my father lived, give twenty, forty, fifty, an
hundred ducats a–piece for his picture in little.
Sblood, there is something in this more than
natural, if philosophy could find it out.

[Flourish of trumpets within]

GUILDENSTERN There are the players.
HAMLET Gentlemen, you are welcome to Elsinore. Your hands,
come then: the appurtenance of welcome is fashion
and ceremony: let me comply with you in this garb,
lest my extent to the players, which, I tell you,
must show fairly outward, should more appear like
entertainment than yours. You are welcome: but my
uncle–father and aunt–mother are deceived.
GUILDENSTERN In what, my dear lord?
HAMLET I am but mad north–north–west: when the wind is
southerly I know a hawk from a handsaw.
[Enter POLONIUS]
LORD POLONIUS Well be with you, gentlemen! 359
HAMLET Hark you, Guildenstern; and you too: at each ear a
hearer: that great baby you see there is not yet
out of his swaddling–clouts.
ROSENCRANTZ Happily he's the second time come to them; for they
say an old man is twice a child.
HAMLET I will prophesy he comes to tell me of the players;
mark it. You say right, sir: o' Monday morning;
twas so indeed.
LORD POLONIUS My lord, I have news to tell you.
HAMLET My lord, I have news to tell you.
When Roscius was an actor in Rome,–– 370
LORD POLONIUS The actors are come hither, my lord.
HAMLET Buz, buz!
LORD POLONIUS Upon mine honour,––
HAMLET Then came each actor on his ass,––
LORD POLONIUS The best actors in the world, either for tragedy,
comedy, history, pastoral, pastoral–comical,
historical–pastoral, tragical–historical, tragical–
comical–historical–pastoral, scene individable, or
poem unlimited: Seneca cannot be too heavy, nor
Plautus too light. For the law of writ and the
liberty, these are the only men. 380
HAMLET O Jephthah, judge of Israel, what a treasure hadst thou!
LORD POLONIUS What a treasure had he, my lord?
HAMLET Why,
One fair daughter and no more,
The which he loved passing well.'
LORD POLONIUS [Aside]�Still on my daughter.
HAMLET Am I not i' the right, old Jephthah?
LORD POLONIUS If you call me Jephthah, my lord, I have a daughter
that I love passing well. 390
HAMLET Nay, that follows not.
LORD POLONIUS What follows, then, my lord?
HAMLET Why,
As by lot, God wot,'
and then, you know,
It came to pass, as most like it was,'––
the first row of the pious chanson will show you
more; for look, where my abridgement comes. 398

[Enter four or five Players]

You are welcome, masters; welcome, all. I am glad
to see thee well. Welcome, good friends. O, my old
friend! thy face is valenced since I saw thee last:
comest thou to beard me in Denmark? What, my young
lady and mistress! By'r lady, your ladyship is
nearer to heaven than when I saw you last, by the
altitude of a chopine. Pray God, your voice, like
apiece of uncurrent gold, be not cracked within the
ring. Masters, you are all welcome. We'll e'en
to't like French falconers, fly at any thing we see:
we'll have a speech straight: come, give us a taste
of your quality; come, a passionate speech.
First Player What speech, my lord? 410
HAMLET I heard thee speak me a speech once, but it was
never acted; or, if it was, not above once; for the
play, I remember, pleased not the million; 'twas
caviare to the general: but it was––as I received
it, and others, whose judgments in such matters
cried in the top of mine––an excellent play, well
digested in the scenes, set down with as much
modesty as cunning. I remember, one said there
were no sallets in the lines to make the matter
savoury, nor no matter in the phrase that might
indict the author of affectation; but called it an
honest method, as wholesome as sweet, and by very
much more handsome than fine. One speech in it I
chiefly loved: 'twas Aeneas' tale to Dido; and
thereabout of it especially, where he speaks of
Priam's slaughter: if it live in your memory, begin
at this line: let me see, let me see––
The rugged Pyrrhus, like the Hyrcanian beast,'––
it is not so:––it begins with Pyrrhus:––
The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse, 430
Hath now this dread and black complexion smear'd
With heraldry more dismal; head to foot
Now is he total gules; horridly trick'd
With blood of fathers, mothers, daughters, sons,
Baked and impasted with the parching streets,
That lend a tyrannous and damned light
To their lord's murder: roasted in wrath and fire,
And thus o'er–sized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.' 440
So, proceed you.
LORD POLONIUS Fore God, my lord, well spoken, with good accent and
good discretion.
First Player Anon he finds him
Striking too short at Greeks; his antique sword,
Rebellious to his arm, lies where it falls,
Rebellious to his arm, lies where it falls,
Repugnant to command: unequal match'd,
Pyrrhus at Priam drives; in rage strikes wide;
But with the whiff and wind of his fell sword
The unnerved father falls. Then senseless Ilium, 450
Seeming to feel this blow, with flaming top
Stoops to his base, and with a hideous crash
Takes prisoner Pyrrhus' ear: for, lo! his sword,
Which was declining on the milky head
Of reverend Priam, seem'd i' the air to stick:
So, as a painted tyrant, Pyrrhus stood,
And like a neutral to his will and matter,
Did nothing.
But, as we often see, against some storm,
A silence in the heavens, the rack stand still, 460
The bold winds speechless and the orb below
As hush as death, anon the dreadful thunder
Doth rend the region, so, after Pyrrhus' pause,
Aroused vengeance sets him new a–work;
And never did the Cyclops' hammers fall
On Mars's armour forged for proof eterne
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.
Out, out, thou strumpet, Fortune! All you gods,
In general synod 'take away her power; 470
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends!'
LORD POLONIUS This is too long.
HAMLET It shall to the barber's, with your beard. Prithee,
say on: he's for a jig or a tale of bawdry, or he
sleeps: say on: come to Hecuba.
First Player But who, O, who had seen the mobled queen––'
HAMLET The mobled queen?'
LORD POLONIUS That's good; 'mobled queen' is good. 480
First Player Run barefoot up and down, threatening the flames
With bisson rheum; a clout upon that head
Where late the diadem stood, and for a robe,
About her lank and all o'er–teemed loins,
A blanket, in the alarm of fear caught up;
Who this had seen, with tongue in venom steep'd,
Gainst Fortune's state would treason have
pronounced:
But if the gods themselves did see her then
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband's limbs, 490
The instant burst of clamour that she made,
Unless things mortal move them not at all,
Would have made milch the burning eyes of heaven,
And passion in the gods.'
LORD POLONIUS Look, whether he has not turned his colour and has
tears in's eyes. Pray you, no more.
HAMLET Tis well: I'll have thee speak out the rest soon.
Good my lord, will you see the players well
bestowed? Do you hear, let them be well used; for
they are the abstract and brief chronicles of the
time: after your death you were better have a bad
epitaph than their ill report while you live.
LORD POLONIUS My lord, I will use them according to their desert.
HAMLET God's bodykins, man, much better: use every man
after his desert, and who should 'scape whipping?
Use them after your own honour and dignity: the less
they deserve, the more merit is in your bounty.
Take them in.
LORD POLONIUS Come, sirs.
HAMLET Follow him, friends: we'll hear a play to–morrow.

[Exit POLONIUS with all the Players but the First]

Dost thou hear me, old friend; can you play the
Murder of Gonzago?
First Player Ay, my lord. 511
HAMLET We'll ha't to–morrow night. You could, for a need,
study a speech of some dozen or sixteen lines, which
I would set down and insert in't, could you not?
First Player Ay, my lord.
HAMLET Very well. Follow that lord; and look you mock him
not.
[Exit First Player]
My good friends, I'll leave you till night: you are
welcome to Elsinore.
ROSENCRANTZ Good my lord!
HAMLET Ay, so, God be wi' ye;

[Exeunt ROSENCRANTZ and GUILDENSTERN]

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Question #16

What does Hamlet mean in the quote below?

"It is not very strange; for my uncle is King of Denmark, and those that would make mows at him while my father lived give twenty, forty, fifty, a hundred ducats apiece for his picture in little."





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Question #5

Who does Hamlet ask to watch Claudius?

Please enter the first three words of a line or sentence that shows your answer is correct.

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Question #21

Were there any events that weren't clear to you?

Are there any words that you are unsure about?

You can always list unknown words here.

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Question #7

What does Hamlet name as an example, "gross as earth," that spurs him to action?





Please enter the first three words of a sentence that shows your answers is correct.

Now I am alone. 520
O, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? and all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba, 530
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears. Yet I,
A dull and muddy–mettled rascal, peak,
Like John–a–dreams, unpregnant of my cause, 540
And can say nothing; no, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard, and blows it in my face?
Tweaks me by the nose? gives me the lie i' the throat,
As deep as to the lungs? who does me this?
Ha!
Swounds, I should take it: for it cannot be
But I am pigeon–liver'd and lack gall 550
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal: bloody, bawdy villain!
1) What is this act mainly about?

2) Who tells Claudius about the death of Polonius?

3) Which animal does Hamlet compare Rosencrantz to?

4) Why does Claudius refrain from openly punishing Hamlet for murder?

5) What reason does Claudius give for exiling Hamlet to England?

6) Who does Fortinbras send a messenger to?

7) What does Hamlet name as an example, "gross as earth," that spurs him to action?

8) Whose claim to kingship does the cheering crowd support?

9) Among the flowers Ophelia names, which represents remembrance?

10) According to Hamlet's letter to Horatio, what did his ship encounter after only two days at sea?

11) How does Hamlet describe himself in his letter to Claudius?

12) How does Ophelia die?

13) What does Claudius mean in the quote below?

"It had been so with us, had we been there."

14) What does Hamlet mean in the quote below?

"A knavish speech sleeps in a foolish ear."

15) What does Hamlet mean in the quote below?

"How all occasions do inform against me
And spur my dull revenge!"

16) What does Gertrude mean in the quote below?

"So full of artless jealousy is guilt
It spills itself in fearing to be spilt."

17) What does Claudius mean in the quote below?

"But that I know love is begun by time,
And that I see, in passages of proof,
Time qualifies the spark and fire of it."

18) Look where Claudius says of Hamlet's exile that "This sudden sending him away must seem / Deliberate pause." What does "deliberate" mean in this context?

19) Look where Hamlet observes that the Fortinbras's soldiers "fight for a plot / Whereon the numbers cannot try the cause."

What does "plot" mean in this context?

20) Look where Claudius worries about his scheme: "If this should fall, / And that our drift look through our bad performance. / 'Twere better not assay'd."

What does "drift" mean in this context?

21) Were there any events that weren't clear to you?

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Act 1, page 0

Table of Contents

ACT I SCENE I� Setting: Elsinore. A platform before the castle.

[FRANCISCO at his post. Enter to him BERNARDO]

BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO Have you had quiet guard? FRANCISCO Not a mouse stirring. 10 BERNARDO Well, good night. If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. FRANCISCO I think I hear them. Stand, ho! Who's there? [Enter HORATIO and MARCELLUS] HORATIO Friends to this ground. MARCELLUS And liegemen to the Dane. FRANCISCO Give you good night. MARCELLUS O, farewell, honest soldier: Who hath relieved you? FRANCISCO Bernardo has my place. Give you good night. [Exit] MARCELLUS Holla! Bernardo! BERNARDO Say, What, is Horatio there? HORATIO A piece of him. BERNARDO Welcome, Horatio: welcome, good Marcellus. 20 MARCELLUS What, has this thing appear'd again to–night? BERNARDO I have seen nothing. MARCELLUS Horatio says 'tis but our fantasy, And will not let belief take hold of him Touching this dreaded sight, twice seen of us: Therefore I have entreated him along With us to watch the minutes of this night; That if again this apparition come, He may approve our eyes and speak to it. HORATIO Tush, tush, 'twill not appear. BERNARDO Sit down awhile; 30 And let us once again assail your ears, That are so fortified against our story What we have two nights seen. HORATIO Well, sit we down, And let us hear Bernardo speak of this. BERNARDO Last night of all, When yond same star that's westward from the pole Had made his course to illume that part of heaven Where now it burns, Marcellus and myself, The bell then beating one,–– [Enter Ghost] MARCELLUS Peace, break thee off; look, where it comes again! 40 BERNARDO In the same figure, like the king that's dead. MARCELLUS Thou art a scholar; speak to it, Horatio. BERNARDO Looks it not like the king? mark it, Horatio. HORATIO Most like: it harrows me with fear and wonder. BERNARDO It would be spoke to. MARCELLUS Question it, Horatio. HORATIO What art thou that usurp'st this time of night, Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes march? by heaven I charge thee, speak! MARCELLUS It is offended. BERNARDO See, it stalks away! 50 HORATIO Stay! speak, speak! I charge thee, speak! [Exit Ghost] MARCELLUS Tis gone, and will not answer. BERNARDO How now, Horatio! you tremble and look pale: Is not this something more than fantasy? What think you on't? HORATIO Before my God, I might not this believe Without the sensible and true avouch Of mine own eyes. MARCELLUS Is it not like the king? HORATIO As thou art to thyself: Such was the very armour he had on 60 When he the ambitious Norway combated; So frown'd he once, when, in an angry parle, He smote the sledded Polacks on the ice. Tis strange. MARCELLUS Thus twice before, and jump at this dead hour, With martial stalk hath he gone by our watch. HORATIO In what particular thought to work I know not; But in the gross and scope of my opinion, This bodes some strange eruption to our state. MARCELLUS Good now, sit down, and tell me, he that knows, 70 Why this same strict and most observant watch So nightly toils the subject of the land, And why such daily cast of brazen cannon, And foreign mart for implements of war; Why such impress of shipwrights, whose sore task Does not divide the Sunday from the week; What might be toward, that this sweaty haste Doth make the night joint–labourer with the day: Who is't that can inform me? HORATIO That can I; At least, the whisper goes so. Our last king, 80 Whose image even but now appear'd to us, Was, as you know, by Fortinbras of Norway, Thereto prick'd on by a most emulate pride, Dared to the combat; in which our valiant Hamlet–– For so this side of our known world esteem'd him–– Did slay this Fortinbras; who by a seal'd compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seized of, to the conqueror: Against the which, a moiety competent 90 Was gaged by our king; which had return'd To the inheritance of Fortinbras, Had he been vanquisher; as, by the same covenant, And carriage of the article design'd, His fell to Hamlet. Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark'd up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in't; which is no other–– 100 As it doth well appear unto our state–– But to recover of us, by strong hand And terms compulsatory, those foresaid lands So by his father lost: and this, I take it, Is the main motive of our preparations, The source of this our watch and the chief head Of this post–haste and romage in the land. BERNARDO I think it be no other but e'en so: Well may it sort that this portentous figure Comes armed through our watch; so like the king 110 That was and is the question of these wars. HORATIO A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead Did squeak and gibber in the Roman streets: As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse: 120 And even the like precurse of fierce events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.–– But soft, behold! lo, where it comes again! [Re–enter Ghost] I'll cross it, though it blast me. Stay, illusion! If thou hast any sound, or use of voice, Speak to me: If there be any good thing to be done, 130 That may to thee do ease and grace to me, Speak to me: [Cock crows] If thou art privy to thy country's fate, Which, happily, foreknowing may avoid, O, speak! Or if thou hast uphoarded in thy life Extorted treasure in the womb of earth, For which, they say, you spirits oft walk in death, Speak of it: stay, and speak! Stop it, Marcellus. MARCELLUS Shall I strike at it with my partisan? 140 HORATIO Do, if it will not stand. BERNARDO Tis here! HORATIO Tis here! MARCELLUS Tis gone! [Exit Ghost] We do it wrong, being so majestical, To offer it the show of violence; For it is, as the air, invulnerable, And our vain blows malicious mockery. BERNARDO It was about to speak, when the cock crew. HORATIO And then it started like a guilty thing Upon a fearful summons. I have heard, The cock, that is the trumpet to the morn, 150 Doth with his lofty and shrill–sounding throat Awake the god of day; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To his confine: and of the truth herein This present object made probation. MARCELLUS It faded on the crowing of the cock. Some say that ever 'gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: 160 And then, they say, no spirit dares stir abroad; The nights are wholesome; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time. HORATIO So have I heard and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastward hill: Break we our watch up; and by my advice, Let us impart what we have seen to–night Unto young Hamlet; for, upon my life, 170 This spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty? MARCELLUS Let's do't, I pray; and I this morning know Where we shall find him most conveniently. [Exeunt]