Category: Christmas Carol

White Fang came to look forward eagerly to the gathering of the men around his pen. It meant a fight; and this was the only way that was now vouchsafed him of expressing the life that was in him. Tormented, incited to hate, he was kept a prisoner so that there was no way of satisfying that hate except at the times his master saw fit to put another dog against him. Beauty Smith had estimated his powers well, for he was invariably the victor. One day, three dogs were turned in upon him in succession. Another day a full–grown wolf, fresh–caught from the Wild, was shoved in through the door of the pen. And on still another day two dogs were set against him at the same time. This was his severest fight, and though in the end he killed them both he was himself half killed in doing it.

In the fall of the year, when the first snows were falling and mush–ice was running in the river, Beauty Smith took passage for himself and White Fang on a steamboat bound up the Yukon to Dawson. White Fang had now achieved a reputation in the land. As "the Fighting Wolf" he was known far and wide, and the cage in which he was kept on the steam–boat's deck was usually surrounded by curious men. He raged and snarled at them, or lay quietly and studied them with cold hatred. Why should he not hate them? He never asked himself the question. He knew only hate and lost himself in the passion of it. Life had become a hell to him. He had not been made for the close confinement wild beasts endure at the hands of men. And yet it was in precisely this way that he was treated. Men stared at him, poked sticks between the bars to make him snarl, and then laughed at him.

They were his environment, these men, and they were moulding the clay of him into a more ferocious thing than had been intended by Nature. Nevertheless, Nature had given him plasticity. Where many another animal would have died or had its spirit broken, he adjusted himself and lived, and at no expense of the spirit. Possibly Beauty Smith, arch–fiend and tormentor, was capable of breaking White Fang's spirit, but as yet there were no signs of his succeeding.

Not that Cherokee was slow. He could turn and whirl swiftly enough, but White Fang was never there. Cherokee was puzzled, too. He had never fought before with a dog with which he could not close. The desire to close had always been mutual. But here was a dog that kept at a distance, dancing and dodging here and there and all about. And when it did get its teeth into him, it did not hold on but let go instantly and darted away again.

But White Fang could not get at the soft underside of the throat. The bull–dog stood too short, while its massive jaws were an added protection. White Fang darted in and out unscathed, while Cherokee's wounds increased. Both sides of his neck and head were ripped and slashed. He bled freely, but showed no signs of being disconcerted. He continued his plodding pursuit, though once, for the moment baffled, he came to a full stop and blinked at the men who looked on, at the same time wagging his stump of a tail as an expression of his willingness to fight.

In that moment White Fang was in upon him and out, in passing ripping his trimmed remnant of an ear. With a slight manifestation of anger, Cherokee took up the pursuit again, running on the inside of the circle White Fang was making, and striving to fasten his deadly grip on White Fang's throat. The bull–dog missed by a hair's–breadth, and cries of praise went up as White Fang doubled suddenly out of danger in the opposite direction.

Beauty Smith enjoyed the task. He delighted in it. He gloated over his victim, and his eyes flamed dully, as he swung the whip or club and listened to White Fang's cries of pain and to his helpless bellows and snarls. For Beauty Smith was cruel in the way that cowards are cruel. Cringing and snivelling himself before the blows or angry speech of a man, he revenged himself, in turn, upon creatures weaker than he. All life likes power, and Beauty Smith was no exception. Denied the expression of power amongst his own kind, he fell back upon the lesser creatures and there vindicated the life that was in him. But Beauty Smith had not created himself, and no blame was to be attached to him. He had come into the world with a twisted body and a brute intelligence. This had constituted the clay of him, and it had not been kindly moulded by the world.

White Fang knew why he was being beaten. When Grey Beaver tied the thong around his neck, and passed the end of the thong into Beauty Smith's keeping, White Fang knew that it was his god's will for him to go with Beauty Smith. And when Beauty Smith left him tied outside the fort, he knew that it was Beauty Smith's will that he should remain there. Therefore, he had disobeyed the will of both the gods, and earned the consequent punishment. He had seen dogs change owners in the past, and he had seen the runaways beaten as he was being beaten. He was wise, and yet in the nature of him there were forces greater than wisdom. One of these was fidelity. He did not love Grey Beaver, yet, even in the face of his will and his anger, he was faithful to him. He could not help it. This faithfulness was a quality of the clay that composed him. It was the quality that was peculiarly the possession of his kind; the quality that set apart his species from all other species; the quality that has enabled the wolf and the wild dog to come in from the open and be the companions of man.

After the beating, White Fang was dragged back to the fort. But this time Beauty Smith left him tied with a stick. One does not give up a god easily, and so with White Fang. Grey Beaver was his own particular god, and, in spite of Grey Beaver's will, White Fang still clung to him and would not give him up. Grey Beaver had betrayed and forsaken him, but that had no effect upon him. Not for nothing had he surrendered himself body and soul to Grey Beaver. There had been no reservation on White Fang's part, and the bond was not to be broken easily.

If Beauty Smith had in him a devil, White Fang had another; and the two of them raged against each other unceasingly. In the days before, White Fang had had the wisdom to cower down and submit to a man with a club in his hand; but this wisdom now left him. The mere sight of Beauty Smith was sufficient to send him into transports of fury. And when they came to close quarters, and he had been beaten back by the club, he went on growling and snarling, and showing his fangs. The last growl could never be extracted from him. No matter how terribly he was beaten, he had always another growl; and when Beauty Smith gave up and withdrew, the defiant growl followed after him, or White Fang sprang at the bars of the cage bellowing his hatred.

When the steamboat arrived at Dawson, White Fang went ashore. But he still lived a public life, in a cage, surrounded by curious men. He was exhibited as "the Fighting Wolf," and men paid fifty cents in gold dust to see him. He was given no rest. Did he lie down to sleep, he was stirred up by a sharp stick––so that the audience might get its money's worth. In order to make the exhibition interesting, he was kept in a rage most of the time. But worse than all this, was the atmosphere in which he lived. He was regarded as the most fearful of wild beasts, and this was borne in to him through the bars of the cage. Every word, every cautious action, on the part of the men, impressed upon him his own terrible ferocity. It was so much added fuel to the flame of his fierceness. There could be but one result, and that was that his ferocity fed upon itself and increased. It was another instance of the plasticity of his clay, of his capacity for being moulded by the pressure of environment.

In addition to being exhibited he was a professional fighting animal. At irregular intervals, whenever a fight could be arranged, he was taken out of his cage and led off into the woods a few miles from town. Usually this occurred at night, so as to avoid interference from the mounted police of the Territory. After a few hours of waiting, when daylight had come, the audience and the dog with which he was to fight arrived. In this manner it came about that he fought all sizes and breeds of dogs. It was a savage land, the men were savage, and the fights were usually to the death.

The time went by. White Fang still danced on, dodging and doubling, leaping in and out, and ever inflicting damage. And still the bull–dog, with grim certitude, toiled after him. Sooner or later he would accomplish his purpose, get the grip that would win the battle. In the meantime, he accepted all the punishment the other could deal him. His tufts of ears had become tassels, his neck and shoulders were slashed in a score of places, and his very lips were cut and bleeding––all from these lightning snaps that were beyond his foreseeing and guarding.

Time and again White Fang had attempted to knock Cherokee off his feet; but the difference in their height was too great. Cherokee was too squat, too close to the ground. White Fang tried the trick once too often. The chance came in one of his quick doublings and counter–circlings. He caught Cherokee with head turned away as he whirled more slowly. His shoulder was exposed. White Fang drove in upon it: but his own shoulder was high above, while he struck with such force that his momentum carried him on across over the other's body. For the first time in his fighting history, men saw White Fang lose his footing. His body turned a half–somersault in the air, and he would have landed on his back had he not twisted, catlike, still in the air, in the effort to bring his feet to the earth. As it was, he struck heavily on his side. The next instant he was on his feet, but in that instant Cherokee's teeth closed on his throat.

It was not a good grip, being too low down toward the chest; but Cherokee held on. White Fang sprang to his feet and tore wildly around, trying to shake off the bull–dog's body. It made him frantic, this clinging, dragging weight. It bound his movements, restricted his freedom. It was like the trap, and all his instinct resented it and revolted against it. It was a mad revolt. For several minutes he was to all intents insane. The basic life that was in him took charge of him. The will to exist of his body surged over him. He was dominated by this mere flesh–love of life. All intelligence was gone. It was as though he had no brain. His reason was unseated by the blind yearning of the flesh to exist and move, at all hazards to move, to continue to move, for movement was the expression of its existence.