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Beauty Smith slipped the chain from his neck and stepped back.
For once White Fang did not make an immediate attack. He stood still, ears pricked forward, alert and curious, surveying the strange animal that faced him. He had never seen such a dog before. Tim Keenan shoved the bull–dog forward with a muttered "Go to it." The animal waddled toward the centre of the circle, short and squat and ungainly. He came to a stop and blinked across at White Fang.
There were cries from the crowd of, "Go to him, Cherokee! Sick 'm, Cherokee! Eat 'm up!"
But Cherokee did not seem anxious to fight. He turned his head and blinked at the men who shouted, at the same time wagging his stump of a tail good–naturedly. He was not afraid, but merely lazy. Besides, it did not seem to him that it was intended he should fight with the dog he saw before him. He was not used to fighting with that kind of dog, and he was waiting for them to bring on the real dog.
Tim Keenan stepped in and bent over Cherokee, fondling him on both sides of the shoulders with hands that rubbed against the grain of the hair and that made slight, pushing–forward movements. These were so many suggestions. Also, their effect was irritating, for Cherokee began to growl, very softly, deep down in his throat. There was a correspondence in rhythm between the growls and the movements of the man's hands. The growl rose in the throat with the culmination of each forward–pushing movement, and ebbed down to start up afresh with the beginning of the next movement. The end of each movement was the accent of the rhythm, the movement ending abruptly and the growling rising with a jerk.