Table of Contents
ACT 1, SCENE 5
Setting: Inverness. Macbeth's castle.
Enter LADY MACBETH, reading a letter (Why the letter is in prose…)
LADY MACBETH | They met me in the day of success: and I have | |
learned by the perfectest report, they have more in | ||
them than mortal knowledge. When I burned in desire | ||
to question them further, they made themselves air, | ||
into which they vanished. Whiles I stood rapt in | ||
the wonder of it, came missivesfrom the king, who | ||
all–hailed me 'Thane of Cawdor;' by which title, | ||
before, these weird sisters saluted me, and referred | ||
me to the coming on of time, with 'Hail, king that | 10 | |
shalt be!' This have I thought good to deliver | ||
thee, my dearest partner of greatness, that thou | ||
mightst not lose the dues of rejoicing, by being | ||
ignorant of what greatness is promised thee. Lay it | ||
to thy heart, and farewell.' | ||
Glamis thou art, and Cawdor; and shalt be | ||
What thou art promised: yet do I fear thy nature; | ||
It is too full o' the milk of human kindness | ||
To catch the nearest way: thou wouldst be great; | ||
Art not without ambition, but without | 20 | |
The illness should attend it: what thou wouldst highly, | ||
That wouldst thou holily; wouldst not play false, | ||
And yet wouldst wrongly win: thou'ldst have, great Glamis, | ||
That which cries 'Thus thou must do, if thou have it; | ||
And that which rather thou dost fear to do | ||
Than wishest should be undone.' Hie thee hither, | ||
That I may pour my spirits in thine ear; | ||
And chastise with the valour of my tongue | ||
All that impedes thee from the golden round, | ||
Which fate and metaphysical aid doth seem | 30 | |
To have thee crown'd withal. | ||
Enter a Messenger. | ||
What is your tidings? | ||
Messenger | The king comes here to–night. | |
LADY MACBETH | Thou'rt mad to say it: | |
Is not thy master with him? who, were't so, | ||
Would have inform'd for preparation. | ||
Messenger | So please you, it is true: our thane is coming: | |
One of my fellows had the speed of him, | ||
Who, almost dead for breath, had scarcely more | ||
Than would make up his message. | ||
LADY MACBETH | Give him tending; | |
He brings great news. | ||
Exit Messenger. | ||
The raven himself is hoarse | ||
That croaks the fatal entrance of Duncan | 40 | |
Under my battlements. Come, you spirits | ||
That tend on mortal thoughts, unsex me here, | ||
And fill me from the crown to the toe top–full | ||
Of direst cruelty! make thick my blood; | ||
Stop up the access and passage to remorse, | ||
That no compunctious visitings of nature | ||
Shake my fell purpose, nor keep peace between | ||
The effect and it! Come to my woman's breasts, | ||
And take my milk for gall, you murdering ministers, | ||
Wherever in your sightless substances | 50 | |
You wait on nature's mischief! Come, thick night, | ||
And pall thee in the dunnest smoke of hell, | ||
That my keen knife see not the wound it makes, | ||
Nor heaven peep through the blanket of the dark, | ||
To cry 'Hold, hold!' | ||
Enter MACBETH. | ||
Great Glamis! worthy Cawdor! | ||
Greater than both, by the all–hail hereafter! | ||
Thy letters have transported me beyond | ||
This ignorant present, and I feel now | ||
The future in the instant. | ||
MACBETH | My dearest love, | |
Duncan comes here to–night. | ||
LADY MACBETH | And when goes hence? | 60 |
MACBETH | To–morrow, as he purposes. | |
LADY MACBETH | O, never | |
Shall sun that morrow see! | ||
Your face, my thane, is as a book where men | ||
May read strange matters. To beguile the time, | ||
Look like the time; bear welcome in your eye, | ||
Your hand, your tongue: look like the innocent flower, | ||
But be the serpent under't. He that's coming | ||
Must be provided for: and you shall put | ||
This night's great business into my dispatch; | ||
Which shall to all our nights and days to come | 70 | |
Give solely sovereign sway and masterdom. | ||
MACBETH | We will speak further. | |
LADY MACBETH | Only look up clear; | |
To alter favour ever is to fear: | ||
Leave all the rest to me. | ||
Exeunt |