Table of Contents
ACT II SCENE II� Setting: A room in the castle.
[Enter�KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants ]
[ Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants]
[Enter POLONIUS] | ||
LORD POLONIUS | The ambassadors from Norway, my good lord, | 40 |
Are joyfully return'd. | ||
KING CLAUDIUS | Thou still hast been the father of good news. | |
LORD POLONIUS | Have I, my lord? I assure my good liege, | |
I hold my duty, as I hold my soul, | ||
Both to my God and to my gracious king: | ||
And I do think, or else this brain of mine | ||
Hunts not the trail of policy so sure | ||
As it hath used to do, that I have found | ||
The very cause of Hamlet's lunacy. | ||
KING CLAUDIUS | O, speak of that; that do I long to hear. | 50 |
LORD POLONIUS | Give first admittance to the ambassadors; | |
My news shall be the fruit to that great feast. | ||
KING CLAUDIUS | Thyself do grace to them, and bring them in. | |
[Exit POLONIUS] | ||
He tells me, my dear Gertrude, he hath found | ||
The head and source of all your son's distemper. | ||
QUEEN GERTRUDE | I doubt it is no other but the main; | |
His father's death, and our o'erhasty marriage. | ||
KING CLAUDIUS | Well, we shall sift him. |
[Re–enter POLONIUS, with VOLTIMAND and CORNELIUS]
Welcome, my good friends! | ||
Say, Voltimand, what from our brother Norway? | ||
VOLTIMAND | Most fair return of greetings and desires. | 60 |
Upon our first, he sent out to suppress | ||
His nephew's levies; which to him appear'd | ||
To be a preparation 'gainst the Polack; | ||
But, better look'd into, he truly found | ||
It was against your highness: whereat grieved, | ||
That so his sickness, age and impotence | ||
Was falsely borne in hand, sends out arrests | ||
On Fortinbras; which he, in brief, obeys; | ||
Receives rebuke from Norway, and in fine | ||
Makes vow before his uncle never more | 70 | |
To give the assay of arms against your majesty. | ||
Whereon old Norway, overcome with joy, | ||
Gives him three thousand crowns in annual fee, | ||
And his commission to employ those soldiers, | ||
So levied as before, against the Polack: | ||
With an entreaty, herein further shown, | ||
[Giving a paper] | ||
That it might please you to give quiet pass | ||
Through your dominions for this enterprise, | ||
On such regards of safety and allowance | ||
As therein are set down. | ||
KING CLAUDIUS | It likes us well; | 80 |
And at our more consider'd time well read, | ||
Answer, and think upon this business. | ||
Meantime we thank you for your well–took labour: | ||
Go to your rest; at night we'll feast together: | ||
Most welcome home! |
[Exeunt VOLTIMAND and CORNELIUS]
LORD POLONIUS | This business is well ended. | |
My liege, and madam, to expostulate | ||
What majesty should be, what duty is, | ||
Why day is day, night night, and time is time, | ||
Were nothing but to waste night, day and time. | ||
Therefore, since brevity is the soul of wit, | ||
And tediousness the limbs and outward flourishes, | ||
I will be brief: your noble son is mad: | ||
Mad call I it; for, to define true madness, | ||
What is't but to be nothing else but mad? | 90 | |
But let that go. | ||
QUEEN GERTRUDE | More matter, with less art. | |
LORD POLONIUS | Madam, I swear I use no art at all. | |
That he is mad, 'tis true: 'tis true 'tis pity; | ||
And pity 'tis 'tis true: a foolish figure; | ||
But farewell it, for I will use no art. | ||
Mad let us grant him, then: and now remains | 100 | |
That we find out the cause of this effect, | ||
Or rather say, the cause of this defect, | ||
For this effect defective comes by cause: | ||
Thus it remains, and the remainder thus. Perpend. | ||
I have a daughter––have while she is mine–– | ||
Who, in her duty and obedience, mark, | ||
Hath given me this: now gather, and surmise. | ||
[Reads] | ||
To the celestial and my soul's idol, the most | 110 | |
beautified Ophelia,'–– | ||
That's an ill phrase, a vile phrase; 'beautified' is | ||
a vile phrase: but you shall hear. Thus: | ||
[Reads] | ||
'In her excellent white bosom, these, &c.' | ||
QUEEN GERTRUDE | Came this from Hamlet to her? | |
LORD POLONIUS | Good madam, stay awhile; I will be faithful. | |
[Reads] | ||
'Doubt thou the stars are fire; | ||
Doubt that the sun doth move; | ||
Doubt truth to be a liar; | ||
But never doubt I love. | 119 | |
'O dear Ophelia, I am ill at these numbers; | ||
I have not art to reckon my groans: but that | ||
I love thee best, O most best, believe it. Adieu. | ||
'Thine evermore most dear lady, whilst | ||
this machine is to him, HAMLET.' | ||
This, in obedience, hath my daughter shown me, | ||
And more above, hath his solicitings, | ||
As they fell out by time, by means and place, | ||
All given to mine ear. | ||
KING CLAUDIUS | But how hath she | |
Received his love? | ||
What do you think of me? | ||
LORD POLONIUS | ||
KING CLAUDIUS | As of a man faithful and honourable. | 130 |
LORD POLONIUS | I would fain prove so. But what might you think, | |
When I had seen this hot love on the wing–– | ||
As I perceived it, I must tell you that, | ||
Before my daughter told me––what might you, | ||
Or my dear majesty your queen here, think, | ||
If I had play'd the desk or table–book, | ||
Or given my heart a winking, mute and dumb, | ||
Or look'd upon this love with idle sight; | ||
What might you think? No, I went round to work, | ||
And my young mistress thus I did bespeak: | 140 | |
Lord Hamlet is a prince, out of thy star; | ||
This must not be:' and then I precepts gave her, | ||
That she should lock herself from his resort, | ||
Admit no messengers, receive no tokens. | ||
Which done, she took the fruits of my advice; | ||
And he, repulsed––a short tale to make–– | ||
Fell into a sadness, then into a fast, | ||
Thence to a watch, thence into a weakness, | ||
Thence to a lightness, and, by this declension, | ||
Into the madness wherein now he raves, | 150 | |
And all we mourn for. | ||
KING CLAUDIUS | Do you think 'tis this? | |
QUEEN GERTRUDE | It may be, very likely. | |
LORD POLONIUS | Hath there been such a time––I'd fain know that–– | |
That I have positively said 'Tis so,' | ||
When it proved otherwise? | ||
KING CLAUDIUS | Not that I know. | |
LORD POLONIUS | [Pointing to his head and shoulder] | |
Take this from this, if this be otherwise: | ||
If circumstances lead me, I will find | ||
Where truth is hid, though it were hid indeed | ||
Within the centre. | ||
KING CLAUDIUS | How may we try it further? | 159 |
LORD POLONIUS | You know, sometimes he walks four hours together | |
Here in the lobby. | ||
QUEEN GERTRUDE | So he does indeed. | |
LORD POLONIUS | At such a time I'll loose my daughter to him: | |
Be you and I behind an arras then; | ||
Mark the encounter: if he love her not | ||
And be not from his reason fall'n thereon, | ||
Let me be no assistant for a state, | ||
But keep a farm and carters. | ||
KING CLAUDIUS | We will try it. | |
QUEEN GERTRUDE | But, look, where sadly the poor wretch comes reading. | |
LORD POLONIUS | Away, I do beseech you, both away: | |
I'll board him presently. |
[ Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and Attendants ]
[Enter HAMLET, reading] | ||
O, give me leave: | ||
How does my good Lord Hamlet? | 170 | |
HAMLET | Well, God–a–mercy. | |
LORD POLONIUS | Do you know me, my lord? | |
HAMLET | Excellent well; you are a fishmonger. | |
LORD POLONIUS | Not I, my lord. | |
HAMLET | Then I would you were so honest a man. | |
LORD POLONIUS | Honest, my lord! | |
HAMLET | Ay, sir; to be honest, as this world goes, is to be | |
one man picked out of ten thousand. | ||
LORD POLONIUS | That's very true, my lord. | 180 |
HAMLET | For if the sun breed maggots in a dead dog, being a | |
god kissing carrion,––Have you a daughter? | ||
LORD POLONIUS | I have, my lord. | |
HAMLET | Let her not walk i' the sun: conception is a | |
blessing: but not as your daughter may conceive. | ||
Friend, look to 't. | ||
LORD POLONIUS | [Aside]�How say you by that? Still harping on my | |
daughter: yet he knew me not at first; he said I | ||
was a fishmonger: he is far gone, far gone: and | ||
truly in my youth I suffered much extremity for | ||
love; very near this. I'll speak to him again. | ||
What do you read, my lord? | 190 | |
HAMLET | Words, words, words. | |
LORD POLONIUS | What is the matter, my lord? | |
HAMLET | Between who? | |
LORD POLONIUS | I mean, the matter that you read, my lord. | |
HAMLET | Slanders, sir: for the satirical rogue says here | |
that old men have grey beards, that their faces are | ||
wrinkled, their eyes purging thick amber and | ||
plum–tree gum and that they have a plentiful lack of | ||
wit, together with most weak hams: all which, sir, | ||
though I most powerfully and potently believe, yet | ||
I hold it not honesty to have it thus set down, for | ||
yourself, sir, should be old as I am, if like a crab | ||
you could go backward. | 202 | |
LORD POLONIUS | [Aside]�Though this be madness, yet there is method | |
in 't. Will you walk out of the air, my lord? | ||
HAMLET | Into my grave. | |
LORD POLONIUS | Indeed, that is out o' the air. | |
[Aside] | ||
How pregnant sometimes his replies are! a happiness | ||
that often madness hits on, which reason and sanity | ||
could not so prosperously be delivered of. I will | ||
leave him, and suddenly contrive the means of | ||
meeting between him and my daughter.––My honourable | ||
lord, I will most humbly take my leave of you. | ||
HAMLET | You cannot, sir, take from me any thing that I will | |
more willingly part withal: except my life, except | ||
my life, except my life. | 214 | |
LORD POLONIUS | Fare you well, my lord. | |
HAMLET | These tedious old fools! |
[Enter ROSENCRANTZ and GUILDENSTERN]
LORD POLONIUS | You go to seek the Lord Hamlet; there he is. | |
ROSENCRANTZ | [To POLONIUS]�God save you, sir! | |
[Exit POLONIUS] | ||
GUILDENSTERN | My honoured lord! | |
ROSENCRANTZ | My most dear lord! | |
HAMLET | My excellent good friends! How dost thou, | |
Guildenstern? Ah, Rosencrantz! Good lads, how do ye both? | ||
ROSENCRANTZ | As the indifferent children of the earth. | |
GUILDENSTERN | Happy, in that we are not over–happy; | |
On fortune's cap we are not the very button. | ||
HAMLET | Nor the soles of her shoe? | |
ROSENCRANTZ | Neither, my lord. | |
HAMLET | Then you live about her waist, or in the middle of | |
her favours? | ||
GUILDENSTERN | Faith, her privates we. | |
HAMLET | In the secret parts of fortune? O, most true; she | |
is a strumpet. What's the news? | 229 | |
ROSENCRANTZ | None, my lord, but that the world's grown honest. | |
HAMLET | Then is doomsday near: but your news is not true. | |
Let me question more in particular: what have you, | ||
my good friends, deserved at the hands of fortune, | ||
that she sends you to prison hither? | ||
GUILDENSTERN | Prison, my lord! | |
HAMLET | Denmark's a prison. | |
ROSENCRANTZ | Then is the world one. | |
HAMLET | A goodly one; in which there are many confines, | |
wards and dungeons, Denmark being one o' the worst. | ||
ROSENCRANTZ | We think not so, my lord. | 240 |
HAMLET | Why, then, 'tis none to you; for there is nothing | |
either good or bad, but thinking makes it so: to me | ||
it is a prison. | ||
ROSENCRANTZ | Why then, your ambition makes it one; 'tis too | |
narrow for your mind. | ||
HAMLET | O God, I could be bounded in a nut shell and count | |
myself a king of infinite space, were it not that I | ||
have bad dreams. | ||
GUILDENSTERN | Which dreams indeed are ambition, for the very | |
substance of the ambitious is merely the shadow of a dream. | ||
HAMLET | A dream itself is but a shadow. | 251 |
ROSENCRANTZ | Truly, and I hold ambition of so airy and light a | |
quality that it is but a shadow's shadow. | ||
HAMLET | Then are our beggars bodies, and our monarchs and | |
outstretched heroes the beggars' shadows. Shall we | ||
to the court? for, by my fay, I cannot reason. | ||
GUILDENSTERN | We'll wait upon you. | |
HAMLET | No such matter: I will not sort you with the rest | |
of my servants, for, to speak to you like an honest | ||
man, I am most dreadfully attended. But, in the | ||
beaten way of friendship, what make you at Elsinore? | 261 | |
ROSENCRANTZ | To visit you, my lord; no other occasion. | |
HAMLET | Beggar that I am, I am even poor in thanks; but I | |
thank you: and sure, dear friends, my thanks are | ||
too dear a halfpenny. Were you not sent for? Is it | ||
your own inclining? Is it a free visitation? Come, | ||
deal justly with me: come, come; nay, speak. | ||
GUILDENSTERN | What should we say, my lord? | |
HAMLET | Why, any thing, but to the purpose. You were sent | |
for; and there is a kind of confession in your looks | ||
which your modesties have not craft enough to colour: | ||
I know the good king and queen have sent for you. | 272 | |
ROSENCRANTZ | To what end, my lord? | |
HAMLET | That you must teach me. But let me conjure you, by | |
the rights of our fellowship, by the consonancy of | ||
our youth, by the obligation of our ever–preserved | ||
love, and by what more dear a better proposer could | ||
charge you withal, be even and direct with me, | ||
whether you were sent for, or no? | ||
ROSENCRANTZ | [Aside to GUILDENSTERN]�What say you? | |
HAMLET | [Aside]�Nay, then, I have an eye of you.––If you | |
love me, hold not off. | 281 | |
GUILDENSTERN | My lord, we were sent for. | |
HAMLET | I will tell you why; so shall my anticipation | |
prevent your discovery, and your secrecy to the king | ||
and queen moult no feather. I have of late––but | ||
wherefore I know not––lost all my mirth, forgone all | ||
custom of exercises; and indeed it goes so heavily | ||
with my disposition that this goodly frame, the | ||
earth, seems to me a sterile promontory, this most | ||
excellent canopy, the air, look you, this brave | ||
o'erhanging firmament, this majestical roof fretted | ||
with golden fire, why, it appears no other thing to | ||
me than a foul and pestilent congregation of vapours. | ||
What a piece of work is a man! how noble in reason! | ||
how infinite in faculty! in form and moving how | ||
express and admirable! in action how like an angel! | ||
in apprehension how like a god! the beauty of the | ||
world! the paragon of animals! And yet, to me, | ||
what is this quintessence of dust? man delights not | ||
me: no, nor woman neither, though by your smiling | 301 | |
you seem to say so. | ||
ROSENCRANTZ | My lord, there was no such stuff in my thoughts. | |
HAMLET | Why did you laugh then, when I said 'man delights not me'? | |
ROSENCRANTZ | To think, my lord, if you delight not in man, what | |
lenten entertainment the players shall receive from | ||
you: we coted them on the way; and hither are they | ||
coming, to offer you service. | ||
HAMLET | He that plays the king shall be welcome; his majesty | |
shall have tribute of me; the adventurous knight | ||
shall use his foil and target; the lover shall not | ||
sigh gratis; the humourous man shall end his part | ||
in peace; the clown shall make those laugh whose | ||
lungs are tickled o' the sere; and the lady shall | ||
say her mind freely, or the blank verse shall halt | ||
for't. What players are they? | 312 | |
ROSENCRANTZ | Even those you were wont to take delight in, the | |
tragedians of the city. | ||
HAMLET | How chances it they travel? their residence, both | |
in reputation and profit, was better both ways. | ||
ROSENCRANTZ | I think their inhibition comes by the means of the | |
late innovation. | ||
HAMLET | Do they hold the same estimation they did when I was | |
in the city? are they so followed? | 320 | |
ROSENCRANTZ | No, indeed, are they not. | |
HAMLET | How comes it? do they grow rusty? | |
ROSENCRANTZ | Nay, their endeavour keeps in the wonted pace: but | |
there is, sir, an aery of children, little eyases, | ||
that cry out on the top of question, and are most | ||
tyrannically clapped for't: these are now the | ||
fashion, and so berattle the common stages––so they | ||
call them––that many wearing rapiers are afraid of | ||
goose–quills and dare scarce come thither. | 328 | |
HAMLET | What, are they children? who maintains 'em? how are | |
they escoted? Will they pursue the quality no | ||
longer than they can sing? will they not say | ||
afterwards, if they should grow themselves to common | ||
players––as it is most like, if their means are no | ||
better––their writers do them wrong, to make them | ||
exclaim against their own succession? | ||
ROSENCRANTZ | Faith, there has been much to do on both sides; and | |
the nation holds it no sin to tarre them to | ||
controversy: there was, for a while, no money bid | ||
for argument, unless the poet and the player went to | ||
cuffs in the question. | ||
HAMLET | Is't possible? | |
GUILDENSTERN | O, there has been much throwing about of brains. | |
HAMLET | Do the boys carry it away? | 341 |
ROSENCRANTZ | Ay, that they do, my lord; Hercules and his load too. | |
HAMLET | It is not very strange; for mine uncle is king of | |
Denmark, and those that would make mows at him while | ||
my father lived, give twenty, forty, fifty, an | ||
hundred ducats a–piece for his picture in little. | ||
Sblood, there is something in this more than | ||
natural, if philosophy could find it out. |
[Flourish of trumpets within]
GUILDENSTERN | There are the players. | |
HAMLET | Gentlemen, you are welcome to Elsinore. Your hands, | |
come then: the appurtenance of welcome is fashion | ||
and ceremony: let me comply with you in this garb, | ||
lest my extent to the players, which, I tell you, | ||
must show fairly outward, should more appear like | ||
entertainment than yours. You are welcome: but my | ||
uncle–father and aunt–mother are deceived. | ||
GUILDENSTERN | In what, my dear lord? | |
HAMLET | I am but mad north–north–west: when the wind is | |
southerly I know a hawk from a handsaw. | ||
[Enter POLONIUS] | ||
LORD POLONIUS | Well be with you, gentlemen! | 359 |
HAMLET | Hark you, Guildenstern; and you too: at each ear a | |
hearer: that great baby you see there is not yet | ||
out of his swaddling–clouts. | ||
ROSENCRANTZ | Happily he's the second time come to them; for they | |
say an old man is twice a child. | ||
HAMLET | I will prophesy he comes to tell me of the players; | |
mark it. You say right, sir: o' Monday morning; | ||
twas so indeed. | ||
LORD POLONIUS | My lord, I have news to tell you. | |
HAMLET | My lord, I have news to tell you. | |
When Roscius was an actor in Rome,–– | 370 | |
LORD POLONIUS | The actors are come hither, my lord. | |
HAMLET | Buz, buz! | |
LORD POLONIUS | Upon mine honour,–– | |
HAMLET | Then came each actor on his ass,–– | |
LORD POLONIUS | The best actors in the world, either for tragedy, | |
comedy, history, pastoral, pastoral–comical, | ||
historical–pastoral, tragical–historical, tragical– | ||
comical–historical–pastoral, scene individable, or | ||
poem unlimited: Seneca cannot be too heavy, nor | ||
Plautus too light. For the law of writ and the | ||
liberty, these are the only men. | 380 | |
HAMLET | O Jephthah, judge of Israel, what a treasure hadst thou! | |
LORD POLONIUS | What a treasure had he, my lord? | |
HAMLET | Why, | |
One fair daughter and no more, | ||
The which he loved passing well.' | ||
LORD POLONIUS | [Aside]�Still on my daughter. | |
HAMLET | Am I not i' the right, old Jephthah? | |
LORD POLONIUS | If you call me Jephthah, my lord, I have a daughter | |
that I love passing well. | 390 | |
HAMLET | Nay, that follows not. | |
LORD POLONIUS | What follows, then, my lord? | |
HAMLET | Why, | |
As by lot, God wot,' | ||
and then, you know, | ||
It came to pass, as most like it was,'–– | ||
the first row of the pious chanson will show you | ||
more; for look, where my abridgement comes. | 398 |
[Enter four or five Players]
You are welcome, masters; welcome, all. I am glad | ||
to see thee well. Welcome, good friends. O, my old | ||
friend! thy face is valenced since I saw thee last: | ||
comest thou to beard me in Denmark? What, my young | ||
lady and mistress! By'r lady, your ladyship is | ||
nearer to heaven than when I saw you last, by the | ||
altitude of a chopine. Pray God, your voice, like | ||
apiece of uncurrent gold, be not cracked within the | ||
ring. Masters, you are all welcome. We'll e'en | ||
to't like French falconers, fly at any thing we see: | ||
we'll have a speech straight: come, give us a taste | ||
of your quality; come, a passionate speech. | ||
First Player | What speech, my lord? | 410 |
HAMLET | I heard thee speak me a speech once, but it was | |
never acted; or, if it was, not above once; for the | ||
play, I remember, pleased not the million; 'twas | ||
caviare to the general: but it was––as I received | ||
it, and others, whose judgments in such matters | ||
cried in the top of mine––an excellent play, well | ||
digested in the scenes, set down with as much | ||
modesty as cunning. I remember, one said there | ||
were no sallets in the lines to make the matter | ||
savoury, nor no matter in the phrase that might | ||
indict the author of affectation; but called it an | ||
honest method, as wholesome as sweet, and by very | ||
much more handsome than fine. One speech in it I | ||
chiefly loved: 'twas Aeneas' tale to Dido; and | ||
thereabout of it especially, where he speaks of | ||
Priam's slaughter: if it live in your memory, begin | ||
at this line: let me see, let me see–– | ||
The rugged Pyrrhus, like the Hyrcanian beast,'–– | ||
it is not so:––it begins with Pyrrhus:–– | ||
The rugged Pyrrhus, he whose sable arms, | ||
Black as his purpose, did the night resemble | ||
When he lay couched in the ominous horse, | 430 | |
Hath now this dread and black complexion smear'd | ||
With heraldry more dismal; head to foot | ||
Now is he total gules; horridly trick'd | ||
With blood of fathers, mothers, daughters, sons, | ||
Baked and impasted with the parching streets, | ||
That lend a tyrannous and damned light | ||
To their lord's murder: roasted in wrath and fire, | ||
And thus o'er–sized with coagulate gore, | ||
With eyes like carbuncles, the hellish Pyrrhus | ||
Old grandsire Priam seeks.' | 440 | |
So, proceed you. | ||
LORD POLONIUS | Fore God, my lord, well spoken, with good accent and | |
good discretion. | ||
First Player | Anon he finds him | |
Striking too short at Greeks; his antique sword, | ||
Rebellious to his arm, lies where it falls, | ||
Rebellious to his arm, lies where it falls, | ||
Repugnant to command: unequal match'd, | ||
Pyrrhus at Priam drives; in rage strikes wide; | ||
But with the whiff and wind of his fell sword | ||
The unnerved father falls. Then senseless Ilium, | 450 | |
Seeming to feel this blow, with flaming top | ||
Stoops to his base, and with a hideous crash | ||
Takes prisoner Pyrrhus' ear: for, lo! his sword, | ||
Which was declining on the milky head | ||
Of reverend Priam, seem'd i' the air to stick: | ||
So, as a painted tyrant, Pyrrhus stood, | ||
And like a neutral to his will and matter, | ||
Did nothing. | ||
But, as we often see, against some storm, | ||
A silence in the heavens, the rack stand still, | 460 | |
The bold winds speechless and the orb below | ||
As hush as death, anon the dreadful thunder | ||
Doth rend the region, so, after Pyrrhus' pause, | ||
Aroused vengeance sets him new a–work; | ||
And never did the Cyclops' hammers fall | ||
On Mars's armour forged for proof eterne | ||
With less remorse than Pyrrhus' bleeding sword | ||
Now falls on Priam. | ||
Out, out, thou strumpet, Fortune! All you gods, | ||
In general synod 'take away her power; | 470 | |
Break all the spokes and fellies from her wheel, | ||
And bowl the round nave down the hill of heaven, | ||
As low as to the fiends!' | ||
LORD POLONIUS | This is too long. | |
HAMLET | It shall to the barber's, with your beard. Prithee, | |
say on: he's for a jig or a tale of bawdry, or he | ||
sleeps: say on: come to Hecuba. | ||
First Player | But who, O, who had seen the mobled queen––' | |
HAMLET | The mobled queen?' | |
LORD POLONIUS | That's good; 'mobled queen' is good. | 480 |
First Player | Run barefoot up and down, threatening the flames | |
With bisson rheum; a clout upon that head | ||
Where late the diadem stood, and for a robe, | ||
About her lank and all o'er–teemed loins, | ||
A blanket, in the alarm of fear caught up; | ||
Who this had seen, with tongue in venom steep'd, | ||
Gainst Fortune's state would treason have | ||
pronounced: | ||
But if the gods themselves did see her then | ||
When she saw Pyrrhus make malicious sport | ||
In mincing with his sword her husband's limbs, | 490 | |
The instant burst of clamour that she made, | ||
Unless things mortal move them not at all, | ||
Would have made milch the burning eyes of heaven, | ||
And passion in the gods.' | ||
LORD POLONIUS | Look, whether he has not turned his colour and has | |
tears in's eyes. Pray you, no more. | ||
HAMLET | Tis well: I'll have thee speak out the rest soon. | |
Good my lord, will you see the players well | ||
bestowed? Do you hear, let them be well used; for | ||
they are the abstract and brief chronicles of the | ||
time: after your death you were better have a bad | ||
epitaph than their ill report while you live. | ||
LORD POLONIUS | My lord, I will use them according to their desert. | |
HAMLET | God's bodykins, man, much better: use every man | |
after his desert, and who should 'scape whipping? | ||
Use them after your own honour and dignity: the less | ||
they deserve, the more merit is in your bounty. | ||
Take them in. | ||
LORD POLONIUS | Come, sirs. | |
HAMLET | Follow him, friends: we'll hear a play to–morrow. |
[Exit POLONIUS with all the Players but the First]
Dost thou hear me, old friend; can you play the | ||
Murder of Gonzago? | ||
First Player | Ay, my lord. | 511 |
HAMLET | We'll ha't to–morrow night. You could, for a need, | |
study a speech of some dozen or sixteen lines, which | ||
I would set down and insert in't, could you not? | ||
First Player | Ay, my lord. | |
HAMLET | Very well. Follow that lord; and look you mock him | |
not. | ||
[Exit First Player] | ||
My good friends, I'll leave you till night: you are | ||
welcome to Elsinore. | ||
ROSENCRANTZ | Good my lord! | |
HAMLET | Ay, so, God be wi' ye; |
[Exeunt ROSENCRANTZ and GUILDENSTERN]
Now I am alone. | 520 | |
O, what a rogue and peasant slave am I! | ||
Is it not monstrous that this player here, | ||
But in a fiction, in a dream of passion, | ||
Could force his soul so to his own conceit | ||
That from her working all his visage wann'd, | ||
Tears in his eyes, distraction in's aspect, | ||
A broken voice, and his whole function suiting | ||
With forms to his conceit? and all for nothing! | ||
For Hecuba! | ||
What's Hecuba to him, or he to Hecuba, | 530 | |
That he should weep for her? What would he do, | ||
Had he the motive and the cue for passion | ||
That I have? He would drown the stage with tears | ||
And cleave the general ear with horrid speech, | ||
Make mad the guilty and appal the free, | ||
Confound the ignorant, and amaze indeed | ||
The very faculties of eyes and ears. Yet I, | ||
A dull and muddy–mettled rascal, peak, | ||
Like John–a–dreams, unpregnant of my cause, | 540 | |
And can say nothing; no, not for a king, | ||
Upon whose property and most dear life | ||
A damn'd defeat was made. Am I a coward? | ||
Who calls me villain? breaks my pate across? | ||
Plucks off my beard, and blows it in my face? | ||
Tweaks me by the nose? gives me the lie i' the throat, | ||
As deep as to the lungs? who does me this? | ||
Ha! | ||
Swounds, I should take it: for it cannot be | ||
But I am pigeon–liver'd and lack gall | 550 | |
To make oppression bitter, or ere this | ||
I should have fatted all the region kites | ||
With this slave's offal: bloody, bawdy villain! |