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"I am not surprised."
"Then he asked me if I wrote for any of the newspapers. I told him I never even read them. He seemed terribly disappointed at that, and confided to me that all the dramatic critics were in a conspiracy against him, and that they were every one of them to be bought."
"I should not wonder if he was quite right there. But, on the other hand, judging from their appearance, most of them cannot be at all expensive."
"Well, he seemed to think they were beyond his means," laughed Dorian. "By this time, however, the lights were being put out in the theatre, and I had to go. He wanted me to try some cigars that he strongly recommended. I declined. The next night, of course, I arrived at the place again. When he saw me, he made me a low bow and assured me that I was a munificent patron of art. He was a most offensive brute, though he had an extraordinary passion for Shakespeare. He told me once, with an air of pride, that his five bankruptcies were entirely due to 'The Bard,' as he insisted on calling him. He seemed to think it a distinction."
"It was a distinction, my dear Dorian––a great distinction. Most people become bankrupt through having invested too heavily in the prose of life. To have ruined one's self over poetry is an honour. But when did you first speak to Miss Sibyl Vane?"
"The third night. She had been playing Rosalind. I could not help going round. I had thrown her some flowers, and she had looked at me––at least I fancied that she had. The old Jew was persistent. He seemed determined to take me behind, so I consented. It was curious my not wanting to know her, wasn't it?"
"No; I don't think so."
"My dear Harry, why?"
"I will tell you some other time. Now I want to know about the girl."