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Chapter 2, page 17

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"Then you shall come; and you will come, too, Basil, won't you?"

"I can't, really. I would sooner not. I have a lot of work to do."

"Well, then, you and I will go alone, Mr. Gray."

"I should like that awfully."

The painter bit his lip and walked over, cup in hand, to the picture. "I shall stay with the real Dorian," he said, sadly.

"Is it the real Dorian?" cried the original of the portrait, strolling across to him. "Am I really like that?"

"Yes; you are just like that."

"How wonderful, Basil!"

"At least you are like it in appearance. But it will never alter," sighed Hallward. "That is something."

"What a fuss people make about fidelity!" exclaimed Lord Henry. "Why, even in love it is purely a question for physiology. It has nothing to do with our own will. Young men want to be faithful, and are not; old men want to be faithless, and cannot: that is all one can say."

"Don't go to the theatre to–night, Dorian," said Hallward. "Stop and dine with me."

"I can't, Basil."

"Why?"

"Because I have promised Lord Henry Wotton to go with him."

"He won't like you the better for keeping your promises. He always breaks his own. I beg you not to go."

Dorian Gray laughed and shook his head.

"I entreat you."

The lad hesitated, and looked over at Lord Henry, who was watching them from the tea–table with an amused smile.

"I must go, Basil," he answered.

"Very well," said Hallward, and he went over and laid down his cup on the tray. "It is rather late, and, as you have to dress, you had better lose no time. Good–bye, Harry. Good–bye, Dorian. Come and see me soon. Come to–morrow."

"Certainly."

"You won't forget?"

"No, of course not," cried Dorian.

"And … Harry!"

"Yes, Basil?"

"Remember what I asked you, when we were in the garden this morning."

"I have forgotten it."

"I trust you."

"I wish I could trust myself," said Lord Henry, laughing. "Come, Mr. Gray, my hansom is outside, and I can drop you at your own place. Good–bye, Basil. It has been a most interesting afternoon."

As the door closed behind them, the painter flung himself down on a sofa, and a look of pain came into his face.